120 Dear Adoption,

Transcript

Full shownotes: https://www.adopteeson.com/listen/120


Haley Radke: This show is listener supported. You can join us and help our show grow to support more adoptees by going to AdopteesOn.com/partner.

You are listening to Adoptees On, the podcast where adoptees discuss the adoption experience. This is episode 120, Dear Adoption, I'm your host, Haley Radkey. Dear Adoption is joining up with Adoptees On again today. Reshma McClintock, founder of Dear Adoption, is back, and she brought us another letter that we are sure most adopted people will relate to.

We also talk about a recent trip to Washington, DC that Reshma was a part of to ensure adult adoptive voices were represented in the conversations. We wrap up with some recommended resources and as always, links to everything we'll be talking about today are on the website, AdopteesOn.com. Let's listen in.

I'm so pleased to welcome back to Adoptees On, Reshma McClintock. Welcome Reshma.

Reshma McClintock: Hi Haley. Thanks for having me again.

Haley Radke: I'm so excited. We are gonna do another deep dive into a letter to Dear Adoption and we're gonna do little update on an event you were involved with about a month ago. So let's start off with our letter. Why don't you read it for us?

Reshma McClintock: Excellent. This was an anonymous piece submitted recently and so we won't obviously disclose the author, but I am really honored to get to read this today. Dear Adoption, hello, hello Adoption. Remember me? How quickly you turned away from me and from the truth. You dotted the I’s crossed the T's, collected your payment and erased me from existence, metaphorically, literally.

You didn't ask me how I felt. You didn't comfort me. You didn't check on me, you didn't see me, you didn't preserve me. I am half a person. I only half exist despite what you see. You see the beautifully crafted exterior I was forced to create. You celebrate who you think I am, who you think I am because I am adopted.

You don't grieve with me. You don't feel the loss that lives inside my bones. You miss entirely that I am a hollow shell. Who I am is void all of the things that matter most. To you I am a success story, a beautiful tale of the betterment of one's life. You don't know me. You didn't then. You don't now. I am only half a person and all of me is hollow. Hello.

Haley Radke: Yeah. Wow. It's right. Okay, so you first get sent this piece. What are your thoughts when you get this in your email?

Reshma McClintock: I have to tell you, this piece struck a chord in me, and I typically get really emotionally involved with every Dear Adoption piece. Uh, rare is the occasion that I don't relate on some level, and then there's obviously some that resonate even more with me than others.

But for the most part, I find a connection to every piece as you find a connection to every guest, no matter their story and how different their circumstance might have been. There is this, you know, common thread that we share in adoption. No matter where we are in the, you know, stage of coming out of the fog or wherever we are with whatever we've experienced, there's just this bind that ties us together.

So this one though, again, really, really struck me. And, um, in my interactions with the writer, we had fairly similar stories in that the author of this piece really didn't come out of the fog until adulthood, well into their thirties. And, um, had kind of had this, what most of society would view as a positive adoption experience, but, um, had kind of these feelings beneath the surface for most of their life.

And then realized later in life that there was, there was all this, all, all these issues, all these unresolved, I don't even know, unresolved emotions really, and unacknowledged emotions. So this one was just a while for me. And, and struck me in a, in a multitude of ways. I, I wanna know what you thought the first time you read it.

Haley Radke: Well, once again, I was, um, it's like poking a little too close to some of my own feelings and, you know, when that happens I just, I get very uncomfortable. I'm like, I feel like we're on the same wavelength. I feel upset that someone else had a similar experience. And, just living with that, all of that unacknowledged grief, you know, comes so through, comes through so strongly here.

Um, just some really powerful lines and the one that popped out to me right away was, you didn't preserve me. And, you know, that word preserve is so critical because, you know, you and I are really passionate about family preservation, you know? And even when we talk about, you know, well, we're not anti adoption.

What we are is for family preservation and choosing that language of preserving, just to talk about, that's my personal stance on adoption. It's for family preservation. So to hear you didn't preserve me, um, was really cutting it close for me.

Reshma McClintock: Yeah because so often we don't even go back that far in our own personal thoughts and our own personal stories, because being an adopted person, for many of us, again, I don't speak for all, but for many of us, our story starts the day we were adopted.

And so it's even difficult, I think, for us to go back that far to before we were adopted. And that would've been the point of one of, well, frankly, one of many points of preservation, right? And so when, so I, I hear what you're saying when you say you didn't preserve me. So there was much of the time there is actually an opportunity for us to be preserved, and there are many different opportunities that come up throughout our lives to preserve our biological ties, to preserve our heritage and our culture.

Um, even just the physical mirroring, all of those things, there's lots of opportunity for that. But the reality is preservation and being preserved, frankly, has no place in adoption. And I think that's why you say that word, it just doesn't even come up much of the time. And so I think it jumped off the page at me too. I've never heard anybody say that that way you didn't preserve me. And I thought, what a simple and profound way to describe adoption.

Haley Radke: Absolutely. Yeah. I, same. I had never heard it phrased that way. And so I think that's what, what jumped out to me. What about you? Any other lines that really spoke to you?

Reshma McClintock: Well, early on the writer says you dotted the i's crossed the t's collected your payment and erased me from existence metaphorically, literally. And this gets me on a whole bunch of levels. Um, when is that…

Haley Radke: when you, when you read, collected your payments? I'm like, dang.

Reshma McClintock: Well, I know. And you know what's interesting?

This is, that's one of the parts that makes. Adopted people who aren't out of the fog. Uh, just people in society who aren't outta the fog and, and adoptive parents makes them so uncomfortable is when we talk about adoption as a payment for services or, you know, commodity, right? Rendered right? So we're paying for something.

I mean, there is a transaction that takes place. It makes, frankly even me uncomfortable because I was the purchesee, is that a word? I don't know. But, you know, so it can make us uncomfortable and so it often really irritates people, you know, collected your payment. But I love that the writer pointed that out. I love, you dotted the I’s cross the T’s because a lot of what we hear about adoption is, ah, the paperwork. You know, there's adoptive parents who are,

Haley Radke: What's the T-shirt? What's the t-shirt rush?

Reshma McClintock: I know. Pregnant on paper.

Haley Radke: Paper pregnant.

Reshma McClintock: Yes, exactly. And there's you know, a whole bunch of variations of that. But we hear about that from adoptive parents who are dominating the narrative about all the paperwork. And, and you know, most often it's said with this additional message that they're saying, you know, it's not that we're complaining about the paperwork, it's that we want to give this a child a home that much quicker, and the paperwork bogs us down.

And so, but I also think, you know, I, I heard about that. I had great, great adoptive parents, but I heard a lot about the paperwork. I heard a lot about how much work it was, how much things, how many things they sent back and forth. And what so many people don't realize is that is very burdensome for us.

It's very burdensome to think about the paperwork or the all, all that went into this transaction, so to speak, collected your payment. So, so going back to what the writer saying, We did all these things, right? We did the paperwork, paid and then erased me metaphorically, and literally. And I think, whew. That is a heavy, heavy statement. And there's two things I wanna point out. One is a lot of adopted people that I know would say, this resonates very, very close to their heart. This is something that they could have written, that they would say, this is articulated in a really concise, beautiful, devastating way.

But I also wanna say that for people who think, oh my gosh, like, are you seriously, you know, talking about payment or we didn't no, but you weren't erased from existence. The second part of that that's so important is this is how this person feels. This person is saying what you need to read here, this person is saying, I felt erased, metaphorically and literally.

And so, Whether you like the way that that describes adoption or not for this person, even if it is this one person, which I can tell you that it is not, but they're saying, this writer is saying, I was erased. And that is something that we should really sit with and that's the problem with a lot of conversations surrounding adoption, is we don't allow someone to say something that bold, or that shocking.

However, someone, you know, whatever ears are, you know, falling on, however they would describe it. Whoa, that's bold. Whoa, that's shocking. I've never heard that before. And then sit with it and think about what it means for a person who wrote this anonymously, by the way, for a reason, because they did not feel that they could share this and connect their identity to it. This person feels erased. We have to sit with that.

Haley Radke: How uncomfortable does that make you feel to sit in that?

Reshma McClintock: It's terrible and so critical that we do it, and I think I, I don't wanna get too far, of course, but it's one of the things that is very frustrating about having these conversations about adoption that are so tough is that it's really just about acknowledging those feelings of adopted people who have been affected the most by adoption, who didn't have a voice or a choice, and have been spoken for, for most of our lives.

Many of us. It isn't that people that, that it isn't even, and you can read because I feel this, this piece, although it's very bold and very direct, I also feel a real tenderness about this piece. And I, I really can't read, I mean, frankly, most of the pieces at Dear Adoption without crying, but, but this one really, I feel those waves of emotions really, you know, rising up.

But I think that's the point. This isn't about writing, you know, you know when you get angry and they say, oh, if you get angry at someone, write a letter and then throw it away. You know? And that's how you get out your angry feelings. You know? That's not what Dear Adoption is. Dear Adoption is not the opportunity for someone to come write a letter to adoption and say all the things that they wanna say.

Write out all their aggressions, take everything out, and one fell swoop, and then crumple up and, and throw this away. We publish these for a reason. That's not the intended purpose for these letters. The intended purpose is for listening. The intended purpose is yes, to provide a platform so that this, this adopted person right here can come and say, I feel erased.

I feel that adoption erased me. And for us to sit uncomfortably or devastated or angry or confused, whatever emotion that evokes in any one of us. To sit with that for a minute, but to keep going back to the focus that there is a person here, a human being who is saying, I felt erased and that is important.

So this is not a throwaway letter. This isn't a get out all your anger. This person actually doesn't sound enraged to me. There's this softness about the letter that is so gentle, but it's truth, and sometimes the truth is hard to hear. And it, this wasn't hard for me to, to be clear, this wasn't hard for me to hear.

I relate to this. There was a part of me that felt a little exposed in reading it and you said that too, that you said, I felt like, oh man, this one's close to home and we do that when we hear other adopted people's stories and we think, oh, I'm, I'm not sure I could have said that out loud or, I felt that, but the feelings never actually been articulated.

Um, I couldn't formulate the words surrounding this feeling and I love that. That's why I love Dear Adoption. That's why I love the different way that other people articulate. You know, that, that binder I was talking about earlier, that we have this thing that binds us all together as adopted people. And even if our experiences may be incredibly different, there's this thing that kind of, this like one tone, right that we all hit. So anyway. Yeah. It, it's hard. That silence, even just between you and I was rough. But so important.

Haley Radke: I was going to leave it even longer and then I thought, I can't, I can't have to say something.

And I'm usually good, like, you know, in a lot of interviews, I mean, you guys don't hear this cause it gets cut out. But I will wait, will wait and wait and give somebody space to like, you know, are you finished your answer, are you gonna think of something else? And you know, if somebody gets uncomfortable enough with the silence, they will fill it and sometimes some truth really comes out in there.

Reshma McClintock: Yeah and I think that that's the mistake we all make. I'm guilty of this, so this is not me looking to point the finger at, at anyone, at, at adoptive parents or society or anyone. It's the mistake we all make is not sitting with what someone is telling us.

Often enough, and I am a parent. You're a parent. I do it every day with my own daughter. She'll tell me a feeling or tell me something that happens and I immediately go into, well, it depends. I mean, frankly, if it's something that I feel is a critique or a criticism of me, I might go into defense mode. If it's something where I feel like she doesn't understand the situation, I go into explain mode.

If it's something where I feel like she's hurt and I don't want her to feel that way, or she's angry and I don't want her to feel that way or left out, and I don't want her feel that way, I immediately go into, you know, explaining away those feelings. No, I'm sure that's not what they meant. I'm sure they weren't really angry with you.

Oh, I'm sure you misread the situation. Right? We go when we, and, and, and that's, there's a, there's a quote out there that circulates, uh, you know, on different memes and things all the time that talks about, you know, listening, listening to respond versus listening to hear. And I run into that all the time, right?

So I'm listening to what my daughter has to say and with, and already formulating my response and I don't sit with it. So when we read this in a Dear Adoption piece, you know, I essentially to that one paragraph and this person is saying, I was erased. I feel erased as a parent, as a friend, we might, you know, if we were in conversation with this person, immediately go into, but you weren't.

But look at who you are and look at all you have at, right? We go into explain away or encourage or whatever with really good intent. But the reality is, and, and especially in adoption in these situations with these really difficult, emotionally complex conversations that we need to be able to sit with what, when someone is saying.

And so if I tell my Dad, I love you and I'm so glad I'm in this family, but I also wish I wasn't adopted. It's okay if we just sit there in silence for a minute, right? And he doesn't have to say, oh, but you're our daughter, or whatever. Whatever he might say, right? It's okay for him and I to just sit with that and for that statement to just sit out there, even if it's uncomfortable.

Haley Radke: Are you worried I'm gonna leave a long silence now?

Reshma McClintock: No, like tapping over here. Okay.

Haley Radke: I love it. Quick, Haley. Think of something to say. Yeah. Um, okay. Yes. Wow. So I mean, just that, that one line alone is, um, worth the really paying attention to. Um, the next line that you highlighted to me was, I only half exist despite what you see.

Reshma McClintock: Yes. In correlation with the next line, which says, you see the beautifully crafted exterior I was forced to create. So this resonates crazy deep with me because I was the adopted poster child. I was given this wonderful life with this wonderful family and, um, what the, the, the most important thing I think in, in these conversations that we have about adoption is same as what we said before.

As, as someone's talking and or talking about their adoption, and we're immediately kind of coming up in our own head with what our response would be. This is one of those important times where someone will say something and then the response is, yeah, but I know adopted people who don't feel that way.

Or I, you know, or my adopted children don't want to meet their birth families or my adopted children, you know, feel like one of us, or, or whatever that statement may be, right? It could be any one of a million things. I'm that adopted kid. I was that adopted kid. I'm now an adopted adult. We have to stop with the infantilizing of ourselves even.

So I think that's really important. You see the beautifully crafted exterior I was forced to create because so often with adopted people, we know what the answer is that somebody wants from us and so we give them that. We give the people what they want and they want to hear that we're grateful, that we're happy, that we're content.

They want to hear that we feel loved. They want to feel, hear that we feel we belong. They want to hear that we aren't missing something that we don't have. Sure, that's true of all parents. For adopted people, it's an extra burdensome thing. And so you see the beautifully crafted exterior was forced to create and I just think that's really, a very good description of the experience for many adopted kids.

Haley Radke: I was on Twitter today as I often am, even though I don't post much, I am reading, I promise. And a couple of different people were sharing in a thread, and one told about how when she experienced abuse in childhood, her adoptive parents didn't believe her. And then several adoptees responded saying, I didn't even tell mine because I knew they wouldn't believe me. And that hit really hard for me because I think that goes along with what you're just saying here and what this writer says, you see the beautifully crafted exterior I was forced to create. And I think there's something to that being the perfect adopted child, gotta live up to those expectations, gotta make it worth that paperwork we filled out.

And I feel so sad for that child that didn't feel safe enough to really just be themselves. And felt they had to put on the exterior in whatever manner that looked like. Maybe it's being perfect all the time so we, you know, earn our spot in the family or hiding things that we don't think will be believed on. I mean, it could be a variety of things, but that's what that brings up for me. Reshma McClintock: Yeah, I hear you on that and I think that it's so interesting to me as a parent, it's easier for me to understand some of the challenges and, and how so many of these things just cross over into parenthood in general, right. But we're talking about, you know, children who've been traumatized by being separated from their families. And so that's, you know, obviously that's really important, but I'm, I'm not an adoptive parent. Of course my daughter is, uh, my biological daughter. But I think that it is difficult to not speak for our children.

And you and I have had a conversation about this before, but I cringe when an adoptive parent says to me, my kids feel, or my kids don't, or my kids do, or, I've never heard them. Well, no, not that. I guess. I guess it's all those assumptions that are made because all, many of the things that my parents could have and did, you know, say about me, there was something beneath the surface for me.

And we have to be so careful not to do that, especially with adopted people. And it isn't just kids, right? As an adult, we still do this for other adults and I have family and friends who will say, you know, still to me, even after kind of all the work that, that I've, you know, kind of been doing and the different things that they've seen and will still say, well, I know an adopted person who would say they weren't traumatized at all.

And I always say, great for them, that's, but, but the truth is you don't know anything because the one thing I do know as an adopted person is that we are very careful about what we say and when we say, and sometimes those feelings just haven't come to the surface and whatever. And I'm not trying to impose a situation or a story or a feeling on anyone, but I'm just saying we have to be open to those things, to those other experiences. And so often I think, again, with good intent, although, you know, we know what the road to, you know, what is, you know, paved with good intentions. But, um, or you know, where I should say with good intent, you know, people say, well, my kids don't feel that way. Or, and I think the truth is you don't really know how your kids feel and I don't really know how my kid feels about many things because we're their parents. So on one hand we know them very, very well and on the other hand, it's innate for them to want to protect us. And for adopted kids, it is like next level protect your parents, protect your family, do what you have to do to survive, to keep all that in place.

And again, and, and I'm not trying to get too far away from this piece and make it about me, but just as far as where this fits with me, I grew up in your ideal, safe community. Safe home, safe family. There was not abuse. There was not isolation. I was as safe as you get and I still felt an incredible burden to protect and preserve my family relationships.

And I did not wanna talk about adoption because I did not want to bring up the fracture, right? I didn't want to point out that there were things that, you know, that we weren't all together from the beginning and maybe weren't all supposed to be together all the way from the beginning. That there is something here that I did lose something in order to join this family.

I was terrified to bring those things up in the safest environment one can have. So if you can imagine any, you know, as you kind of remove layers of safety that different people have experienced, that different adopted people have experienced, of course they would want to protect their family.

Haley Radke: Absolutely. Absolutely. And you know, you know, we talk about like trauma kids and this, if we haven't worked on this in ourselves and we, we have this constant state of vigilance and we know when it's safe and when it's not safe to share that information. Um, so this is very understandable. I was gonna say understandable behavior, but it's very understandable that we would hide things to protect ourselves and protect our, um, adoptive families. Okay. Um, is there anything else that you want to share about this particular letter?

Reshma McClintock: Um, the last couple of things, just, um, the next couple of lines after the portion we just talked about you celebrate who you think I am, who you think I am because I'm adopted. You know, this is just a really, a tricky thing in adoption and that a lot of adopted people deal with is the celebration surrounding adoption and how much is missed when we celebrate. And I'm not saying like, you know, we should have funerals well, you know what? Maybe I am, maybe I'm saying we should have funerals.

Haley Radke: Well, you see, you see celebrate and I see the gotcha day party.

Reshma McClintock: Yes. Well, exactly. Okay. And I was kind of making a joke when I, you know, when I'm saying it's not that I'm saying there shouldn't be any celebration and that we should be having, you know, going to that extreme, a funeral, but the reality is there, there is this immense loss and death of a life of a person, of maybe what was intended to be.

And for whatever reason, and, and I'm not getting into whether someone should have been adopted or not. Every search circumstance is unique and I don't know even the circumstance of the person who wrote this, but I will say that is such an important thing. You celebrate who you think I am, who you think I am, because I'm adopted.

And in those celebrations, so much can be missed. I'm not saying it is every time. I'm not saying that a family, there might not be families out there who are celebrating and grieving together. I don't know what that looks like for every family. I'm just saying as a society we tend to celebrate.

And, and that's what, um, one of the conversations the writer and I had about this was that society just wants to celebrate adoption. And the quote from the writer and one of the emails I received was, and I am just tired of those celebrations because for me it brings up all the loss. So yeah. So I joke about, you know, maybe we shouldn't celebrate and should have a funeral, but metaphorically, that's how you know what it feels like, right?

Like maybe, you know, we are grieving, which goes to the next line. You don't grieve with me. You don't feel the loss that lives inside my bones and you and I have had this conversation many, many times, those two portions go together. You celebrate who you think I am because I'm adopted, and you don't grieve with me and feel the loss that lives inside my bones.

That one, ugh, that one really, really hits me because that loss is everlasting and the grief is ever present. So when everyone else is celebrating and not acknowledging the grief, not speaking about the grief, ignoring all the things that came before adoption day or whatever, whatever day the day you came home, the day, you know, whatever those, you know, birthdays are those celebratory days.

You know, we're feeling the loss. This person is saying, you don't grieve with me. You don't feel the loss that lives inside my bones and, um, that's another profound statement that needs some time to sit with and, and let resonate, that kind of loss, that degree of loss. As a society we're so fixated on certain losses, you know, and, and then when it comes to adoption, we're so quick to celebrate.

And I think, you know, in, in some sense, sometimes to me it just feels like a giant cover up. These celebrations, like we're just trying to cover up that there was ever anything, you know, and quick, quick, quick, quick. Make it better. And, um, the reality is it's just a terrible, terrible way of going about the process of having the loss of family and biological inherent, you know, cultural layers.

It's just a really, could not be a worse way really to go about it than to celebrate and ignore the grief.

Haley Radke: It's so confusing, right? Like, so this line about feeling it in your bones is so visceral. And even as you were reading it, I'm like, cold. I'm feeling like tingles in my arms, like you know, getting like the goosebumps and uh, then I'm picturing the party when, you know, internally we're like, this is so confusing. What's happening to me? Where is my family and here's a party. Like, get it together. It's time to pretend like it's very, it's very upsetting to think about that and thank you for articulating that so well.

Um, in your last thought there, I just think it is something we really do need to consider and you know, so many parents do the gotcha day thing and I've asked several times in polls and you know, on Twitter or on Instagram about how people feel about gotcha days. And my listener representation, most of my listeners really hate that. They hate it, they hated it. Um, then they hate it now. They hate it when their parents call them and say, oh, it's your, you know, like, still some celebrated into adulthood and, and they feel really angry about it. And, um, of course that's not all adoptees. I've heard from some that do enjoy that celebration and I didn't experience that. We didn't do that. It wasn't really a thing at my house, but I, what I watch now is the Instagram ones, you know? Yes. It's very uncomfortable.

Reshma McClintock: Yeah. And what's interesting is, You know, we, we didn't do it either growing up, I actually didn't even know the day that I came home, the, the day that I came over from India. I didn't even know any of that until we had started planning the documentary and then I looked at my paperwork. So I didn't know until I was well into my thirties, um, when I left India, when I got home, or the day that, you know, I officially was adopted in the U.S. But I think that, yes, I would say, I feel like I can comfortably say that for the most part, most adopted adults who are out of the fog are not fans of Gotcha day.

Or, celebrating it in that sense. You're right, though, it is confusing because, uh, and not for everybody, but for some people, I mean, some people are just a firm, no, you know, we're not celebrating, there's no confusion here for me, right? Like, many people feel that way. Like I'm not confused about whether I wanna celebrate this or not.

But there are people where, who it is, where it's confusing and it isn't that I don't like a party, it isn't that I don't want to be celebrated. Right. Or, and it isn't that again, you know, we go back to the same word every stinking time. But it isn't that, I'm not grateful. It isn't, you know, it has nothing to do with that.

It's mostly that it's so ignored that the grief and the loss are ignored and all, and then there's this big, you know, party and celebration and this glorifying of adoption and glorifying of adoptive parents and all of that minimizes an adoptive person. And so, that's, you know, in this piece, you know, saying, I love how just direct it is.

You celebrate who you think I am, who you think I am because I'm adopted. You don't grieve with me. You don't feel the loss that lives inside my bones. Now I'm obviously putting my own expression into that, the way I read that. And you can read it in multitude of ways, but I think that, you know, I read it that way, that time intentionally because it is somewhat accusatory. Adoption, you are, you know, have this big old party and, you know, society's representation of adoption is that it's glorified and this, you know, really great win, win, win, win, win. And you know, all the while totally missing our losses. And that's the part, it's like just, I mean, minimally acknowledge them, right?

Minimally acknowledge them instead of, you know, leading the way. Is this party, this gotcha day? You know, all the gains of the adoptive family. There was a quote that I put out on Dear Adoption over the summer that said, your gains are our losses. You know, and I think that's, that's, that's how I feel so much of the time about adoption.

And, you know, I had a great conversation with a dear friend of mine who's an adoptive parent who's really out of the fog. And she had gone to her kids after we'd had lots of conversations about gotcha day and said, you know, do you, should we stop using gotcha day? And she came back to me and she said, well, you know, I get now that it's problematic, but my kids are like, at the time, I think like six and nine.

And she said, but they like it now like it's become a part of our family. And so it's comfortable and familiar to them. And so in that regard, you know, I think it's just we would, I would probably go back to, you see the beautifully crafted exterior I was forced to create, right? We are comfortable with what we know that our parents, like, we know you guys want the party, we know you want to celebrate the day I came into your family.

We know that it's difficult for you to acknowledge what we lost or that we weren't born to you. Right. That doesn't mean we shouldn't still work on that. That doesn't mean we shouldn't still work on moving further away from this, you know, celebratory party and moving, you know, more toward acknowledging the grief and the loss of an adopted person.

Haley Radke: And my last thought on this line, you don't feel the loss that lives inside my bones is, I read that and then I think you can't feel the loss.

Reshma McClintock: Absolutely.

Haley Radke: I'm laughing cause I hear a, I was just gonna say,

Reshma McClintock: I know why you're doing that. They're edging or something. I dunno what he's doing or leaf flowing.

Haley Radke: You know what, it's real life. That's what's happening in the background. We're not always pristine. No problem. Um, okay. Have I sufficiently mind your thoughts on this piece?

Reshma McClintock: Absolutely. I, you know, thanks for giving me the opportunity to share this. I did share with the writer that we would be discussing this and they were very pleased but I wanted to tell you the one thing that did come up in our email conversation was they said, I wish I could be brave enough to do it myself.

To go because you and I have talked about that, about bringing a writer on, who isn't anonymous. Right. And um, and I just said, it's okay. You know, you do what you can. It's brave enough that this person was able to articulate those incredible, incredibly profound thoughts. Um, they have opened the doors for so many other people to also be brave and share their thoughts.

So I just wanted to mention that I think this writer is one of the bravest people I have ever been able to have a conversation with. This is, you know, Dear Adoption is bravery at its core. And I'm so, I'm so proud of my community and, and this person who's, who will be listening, um, you are the bravest and, um, I'm so, so proud and I'm so, so thankful. Just on a personal note for what this piece has done for me and the doors that it's opened for so many people that we'll never even know. So this is beautiful bravery on display.

Haley Radke: Well said. I started crying as soon as you said that because there's a cost to, you know, sharing your picture publicly or your voice publicly or your name publicly. But there's a cost to writing these words down even when your name's not on it. So I know that price has already been paid.

Reshma McClintock: Thank you for acknowledging that. Absolutely. I agree. It, the pieces that are anonymous are not less than. They're not less impactful. They're not, uh, they don't take any less to write.

And, arguably, if anything, if you feel the need to be anonymous and you can still put this out there, that's. Incredible.

Haley Radke: Absolutely. Okay, I'm gonna get myself together. Rashma, one month ago from the time this episode's gonna go up, you were in Washington, DC for a really special event, the Department of State's Intercountry Adoption Symposium.

Now, I know lots of this is top secret. Did you know, did you guys know that Russia's, like in the, like, tops, she had to sign stuff? I've been watching Jack Ryan. It's like, like spy level stuff, right? No, I mean, I, she's not allowed to say it's okay.

Reshma McClintock: I mean, I had a badge. I'm just saying, so if you're, if you're questioning my legitimacy, I had a badge with my name on it.

Haley Radke: So she's not gonna confirm or deny anything. Uh, but, um, all joking side. This was a really important opportunity and I just wanted to give you a chance to kind of share with us what you can maybe about some of the adoptees that you met when you were there, what was kind of happening, kind of give us the gist of it and then, um, we'll point you to some other posts. You can read about it a little bit more about, um, what was talked about there. So why don't you go ahead and share a little bit of what happened at the Department of State's Intercountry Adoption Symposium.

Reshma McClintock: Well, it was a real honor to be, um, asked to attend. There were a few of us, uh, intercountry adoptees who were invited, uh, Linnell Long, who is the founder of ICAV, which is Intercountry Adoptee Voices, kind of, she's, she's based in Australia.

She's a Vietnamese adoptee, who was raised in Australia, but she's been just working, I don't know, I mean in the trenches for decades now, doing incredible work. I am incredibly honored to know her and she's kind of worked to rally some of us in the United States because of some contacts that she had.

And so there was a group of us that were invited, and I'll be really honest, uh, part of the title says, uh, you know, talked about the improving the future of intercountry adoption. And I thought, well, hmm. Does that really align with what I'm out here doing? Am I looking to, you know, I mean focusing more on that word future, um, because I personally would like to see, you know, more family preservation, much less adoption.

Although the future regarding ethics is a very important to me. This was the first time adopted people had been invited to these conversations.

Haley Radke: Oh, that, yes. Don't gloss over that. Say that again.

Reshma McClintock: Yes. Yes. This is the first time that adopted people were invited to these conversations at this particular meeting. Right. Yeah.

Haley Radke: That’s shocking.

Reshma McClintock: It's great. Yeah and, extraordinary. So, I'll tell you really honestly, I first received the invitation. I was like, I am not going to that. That sounds awful. And I don't mean that disrespectfully, even though I kind of said it disrespectfully, but I, don't mean it disrespectfully.

I just was like, oh no, this is, this is not for me. And, I hadn't read everything about it yet. Um, I hadn't really heard exactly what it was about, but I thought, no, that sounds like less, you know, my wheelhouse than what's, um, you know, than what, what I'd really like to focus on. However, it did not take me long to read the description about really what the intent was, who would be attending, that adopted people had not been at these meetings before.

To realize that one of the hard things, I guess, about life in general is, and, and advocacy specifically, is that we're kind of out here. And I've been out here for the last in adoption land for about five years. Yeah. And I've been asking for a seat at the table, right? A lot, a big part of my message has been less adoption professionals, less adoptive parents, um, you know, kind of dominating the narrative and more adoptee voices, so it doesn't really make sense to then finally, what, five years later, receive an invitation saying, we would like to hear from you and say, no, I think I'll go ahead and sit this one out.

Right? So it felt, like I said, my initial instinct was, oh my gosh, this is so not for me. And, and very quickly followed by, I absolutely have to go. I need to be there. There's a lot of people who would love to have this opportunity and the right thing is for me to take this opportunity, and to advocate.

Whatever I, to whatever extent I can for adopted people and our voices to be heard. So it was a really extraordinary group of people. I would love to list their names, except that because of my own shortcomings, I'll forget someone and then I'll feel terrible and I won't sleep for like six to eight weeks.

So, I'm not going to list their names for that reason only. But I did post a photo on Facebook and they're all tagged, so we can check that out if you want. Anyway, it's, it's just my own memory, and it's not that I don't know who they are, but, basically the conversations, the first day it was a three-day event that we were a part of.

Uh, the conversations the first day were really difficult. A lot of adoptive parents and adoption professionals and adoption service providers is what they call them, ASPs. And so, and a lot of the ASPs are also adoptive parents. And so the first day of conversations was really challenging. I did not feel seen the first day.

I did not feel heard. The first day. I felt like what my initial response was when I thought, I shouldn't go, this isn't the space for me. I thought, oh my goodness, I'm not really sure why I came here. Um, this is all very much, a lot of the conversation was centered around like deregulating, intercountry adoption.

Like let's have less procedure, less rules. And this is not from the department of state. This is just from people who are attending saying, you know, we need to make this quicker. We need to make this easier and we need to make it more affordable, intercountry adoption. And I'm thinking, no, no, no, no. To all of those things.

So, the first day was challenging. That being said, I'm asking people to listen to adopted people, even when what they're saying is difficult to hear. I also have got to be willing to do that. And the biggest takeaway from the hard parts of the adoption symposium for me were that I too need to be listening to some extent just to know what we're up against. Right? It's really important to know what the intent is of adoption service providers in the United States, what the, you know, oftentimes on both ends. You know, adopted people, adopted adults who are advocates have been demonized and, to a certain extent, many organizations and agencies have been demonized and kind of grouped in with this over zealous desire to, you know, take babies out of the arms of their mothers right.

And ship them overseas. And so we kind of paint this picture and I have to tell you, it's not really easy for me to say this. I'm just gonna say that too, cause I'm super, totally very human. I was surprised to, from many of the conversations I had with adoption service providers who, yes are encouraging and hoping for there to be more adoptions, but to hear from them that they really do feel like they have a narrow lane that they need to stay in.

That they are not eagerly swooping in wanting to take babies and separate them. That many of them, and I'm talking individual people, not agencies as a whole. Okay. Cause it is an industry. It is a business. These people do lose their jobs if, you know, the commodities decrease. So there, you know, that's just a plain fact of the matter.

But that there were many people who work in the adoption service industry in the adoption service provider industry who are saying in their offices, among their coworkers, wait, wait, wait, that is not our area. We need to only be looking at children who we are, certain are orphans, who we are certain, you know, need families.

And while there's a lot of gray area there, and I still don't totally agree with many of it, I still personally wouldn't work for those agencies. I still personally wouldn't partake in those things. I have to say, I was pleasantly surprised to see many people who are trying to do something, who are trying to create an ethical shift in intercountry adoption. So take that for what you will.

Haley Radke: Okay. So that sounds positive.

Reshma McClintock: Yeah and I'm a little bit ping pongy about it. You know how I like to say ping pong. Um, I ping pong back and forth between feeling like, wait a minute, is that possible? It's some, you know, somebody joked with me like adoption ethics, that's an oxymoron.

Right. And I agree to with that to a certain extent, but I also just like what you said earlier in our conversation, we are for family preservation, we are for children. And, there may be a circumstance in which the absolute last resort does need to come to place. And in that circumstance, there does need to be strong ethics.

If an, if a child, if, if we exhaust every resource and every family member and everything we can, then there has got to be ethics in place and regulations in place to make sure that we really, truly have exhausted every resource. So, I would say that for me, that was the positive takeaway. I felt like I listened and I felt like I learned, and that doesn't mean that I felt like I was schooled.

I don't feel like it, I was like, oh, whoa, I've been wrong this whole time. No, no, no. I still stand, I, I still, I walked away from the meetings standing by and more firmly attached to my personal convictions of family preservation, adoption as a last resort. I feel more firm about that than ever, but I also feel like there is some positive headway.

Haley Radke: Did you feel, at some point you said the shocking first time adopted people have been invited. Did you feel that adoptee voices were listened to?

Reshma McClintock: So, on day two, there were many opportunities for adopted people to really share. And I mean, if I'm being really honest, you could look around the room and just by reading faces, although this isn't, you know, a perfect science, but just by reading faces, you could tell who's listening and who isn't. When an adopted person is sharing even, if their view isn't controversial, even if what they're saying isn't controversial, you can kind of get a baseline just by looking at the body language and the facial expressions from people who's listening and who isn't.

For the most part, I walked away feeling heard, for me personally, so I wouldn't speak for the other people there, although I know some would say that as well. I felt like the members of the Department of State who were there did hear me, what I had to say. When I had the opportunity to address those, attending the symposium, I said, there is a group of us here representing intercountry adoptees all over the United States.

We want to be heard. We need to be heard. My, you know, biggest statement was, we are the most valuable and most untapped resource on adoption. And that we're here and you need to hear from us. So, um, I think that was really important for me to have an opportunity to convey. And I did feel heard, I have received emails and responses from adoption service providers and from other people who attended saying, we did hear you.

We want to hear more. And I feel like that's the reason I went. And so overall, I feel like it was a really good decision to go. I feel like it's, it is difficult to accept those invitation. It was emotionally exhausting. It was physically exhausting. It was costly. We all paid our own way. It was, you know, a lot on every level.

However, it was worth my time to be there. And, you know, and not everybody gets the opportunities all the time to do these things. So next time it may be someone else and not me, and I'm excited about that because we need to keep having new people come up and, and get involved and find other ways and other people have a, you know, different ways of articulating and expressing themselves.

And I think that's really exciting to kind of see our community build and grow. And so that's one of the things we're kind of coming out away from the symposium that we're hoping is that, those people who do wanna get involved with these different areas that we're trying to address adoption ethics and intercountry adoption, adoptee citizenship.

That's a really, really important one. Um, post adoption services, that's really important. And then there's all these adoptees online in adoption land saying I wanna be involved. And, um, we're hoping, we have ICAV U S A now, which is a Facebook group, and we're hoping that people will come and join and we can kind of direct people and make these opportunities more visible. To more adopted people so that people can really get involved and we can be a part of the, you know, this transformation that we hope to see.

Haley Radke: That's awesome. We are gonna link to that Facebook group. So if what Rush has been talking about is kind of lighting your fire, go ahead and click through the show notes so you can join that group and figure out some ways you can get involved.

And I will also link to, there's two blog posts that kind of expand a little bit more about the symposium and what happened there. Um, so Linnell Long wrote one and you can find that at Intercountry Adoptee Voices. And the title of that blog post is Adoptee Activism in America. And then MJ of Beyond Two Worlds wrote, privileging The Voice of Adoptees and in her summary of that event.

So I will link to both of those in the show notes. Thanks for giving us a little taste of what that was like. I appreciate that and I was just so excited to kind of, you know, watch your travels over there since I was just in DC earlier this year and gosh, that is just a really special place to be and I'm Canadian. I'm Canadian, so, you know, that’s saying something.

Reshma McClintock: Yeah. There is something about Washington, DC it's just, you can feel it in the air, the, you know, I dunno, I dunno what, how to even describe it. The power almost right. Something powerful about Washington, DC that you can feel?

Haley Radke: Yes, definitely. Okay. Let's do our recommended resources. Why don't you go first?

Reshma McClintock: Well, mine is ICAV, Intercountry Adoptee Voices. Um, again, founded by Lynelle Long. Their website is IntercountryAdopteeVoices.com. Lynelle has, you know, put together a plethora of resources and different adoptee perspectives and stories, and there's just a lot of really good information there, and there is a lot to glean from that online space.

There is so much to learn. I'd encourage you to go there to read the different articles and blog posts, to look at the different resources and take a minute to pause and, you know, sit with them. It's an extraordinary community that Lynelle has created and it's just, it's really exciting. It was wonderful.

That was one of the great things was to get to meet in Washington, DC so many of the people who contributed to ICAV and that also, you know, really made it worth the trip. So if you specifically, if you are an intercountry adoptee, this is a great community for you to be a part of.

Haley Radke: Absolutely and I am cheering from the sidelines since that's not my experience. So happy to highlight it and I won't invade the space cause it's not my place. Okay. So mind y'all, if this is gonna feel a little bit self-promo E um, I don't know how to say this, Resh. I got asked to be a guest for the hundredth episode of Damon Davis's podcast. Oh my, really!

Reshma McClintock: It was so good!

Haley Radke: So it just feels funny to be that, to be my recommended resource, cause it was me. But you know what? It's really not about that. I wanna say a big congratulations to Damon. Um, you know, when this airs, it'll be, you know, like a month ago since he posted his show. But a hundred episodes, no jokes. So much work and highlighting adoptive voices.

So a big congratulations to Damon and Resh. You were actually a guest on my hundredth, um, show as well. So I just, I remember that milestone and, um, just kind of special to be a part of it. So I was really honored to be Damon's guest for that.

Reshma McClintock: Okay, and I'm gonna hop in real quick, if not supposed to. It is, this interview is so good. Um, and I just wanna quickly say because, uh, to the people listening who love the Hailey Show and love Haley. Haley is a, I am a fan of the show, and I consider Haley to be one of my absolute dearest friends. And she shared things I didn't know. And it was, it felt really, I mean, frankly, really honored just to hear so many of those parts of your story.

And Damon did an incredible job interviewing you. Um, I really appreciate him and his work. The interview is extraordinary. It is worth your time. Everybody go find it. Hailey, you were just lovely and I really appreciate you. So thank you for doing that interview. I know that was outside your comfort zone, but I'm so thankful that you did it.

Haley Radke: Thank you, Resh. I didn't care to say that. No. Um, thanks so much for coming on the show and sharing another great letter to adoption with us and you can check out Resh all the places. Tell us where can we connect with you online?

Reshma McClintock: When you call me Resh, then ever other people call me Resh. Could you use my first and last?

Haley Radke: When you email Resh, make sure you call her Resh and don't say Reshma, you just say Resh and just double down cause of us.

Reshma McClintock: Oh, bet it'll become a thing. Yeah, I'm teasing you. Um, see, this is why we shouldn't do interviews together because I just, there's too many sidebars for you.

Okay. Yes. You can find me on Facebook, Reshma McClintock, and I'm on Instagram as well. Um, my website is ReshmaMcClintock.com, which kind of links you to the other areas that I'm involved in as well. Of course, Dear Adoption is DearAdoption.com and there's a lot of really extraordinary letters coming out over the next few months, so I'm really excited about that. So thanks Haley, for your platform and for sharing it with people like me and I love coming together. It's just my favorite thing.

Haley Radke: So fun. Thank you.

I am so grateful that there are adoptees writing about their experiences, sharing them on their own blogs, writing Dear Adoption pieces, just micro blogging on Instagram. That has been a whole thing. Are you following other adoptees on Instagram? You really should be. Some people have been sharing some really insightful things lately, and on Twitter.

Oh my goodness, there's so many ways you can be connected and be sharing your story in your own way with your own platform. I'm so grateful for each one of you that shares, shares your story. One way you can really help the podcast to keep going is to share this episode with just one adopted person that you know, maybe you heard the letter and you thought, oh my goodness.

I, this is the first person that came to mind and I'm gonna share this episode with them cause I think it will really impact them. I think that would be a really nice thing to do for someone and then you can have a conversation about it and how adoption has impacted both of your lives. I love it when people tell me that the podcast has become a conversation starter.

And, I've heard some of you are using it in your support groups. You'll listen to an episode and then you'll talk about it next time. I love that, any creative ways we can engage in conversation with each other is just I think it's so healing and so helpful and I also just wanna say a giant thank you to all of my monthly supporters.

I wouldn't be able to do the show without you guys. And I know I say that every single week, but it's so true. It's so very true. So if you wanna be a partner and make sure the show keeps going, you can go to AdopteesOn.com/partner and there's a link there and details to all the ways you can support the show.

And yeah, I had Reshma on an episode of Adoptees Off Script this Monday. Um, and that was just for supporters of the show and we had a good time and also some laughs and shared some things we wouldn't share on this public episode. So if you need to hear more from Reshma, she is, often a co-host over on Adoptees Off Script, AdopteesOn.com/partner.

Okay. Thanks so much for listening. Let's talk again next Friday.

119 Mary O'Rourke

Transcript

Full shownotes: https://www.adopteeson.com/listen/119


Haley Radke: This show is listener supported. You can join us and help our show grow to support more adoptees by going to AdopteesOn.com/partner.

You are listening to Adoptees On, the podcast for adoptees to discuss the adoption experience. This is episode 119. I'm your host, Haley Radke. Today, I am honored to introduce you to Mary O'Rourke. Mary shares the difficult news she received in her non-identifying information at age 21. We discussed her reunion with her birth mother and sister, the added complexity of coming out twice as queer, and how she ended up finding a grief support group and an adoption competent therapist.

We are going to reference sexual violence at a few points during this episode, so please make sure you're listening without little ears around and that you're in a safe head space, if that topic is difficult for you. We are gonna wrap up with some recommended resources and as always, links to everything we'll be talking about today are on the website, AdopteesOn.com.

Let's listen in.

I'm so pleased to welcome to Adoptees On, Mary O’Rouke. Hi Mary.

Mary O'Rourke: Hi Hailey. How are you?

Haley Radke: I'm doing really well and I'm really excited to chat with you. Thanks so much for agreeing to share your story with us. Why don't you start out with that?

Mary O'Rourke: Sure. I am about 24 years old now, but in April of 2016, I was about 21 years old at the time. My older sister, my older adopted sister, was 24 at the time, and she wanted to request her non-identifying information and my adoptive mom always told us that if we searched, we had to search together because she wanted us to have each other. And so my adoption was a closed adoption. I didn't know anything about my relinquishment or conception story or anything like that and so I had just turned 21, which is the minimum age that you have to be to request your non-identifying information.

Haley Radke: In what state?

Mary O'Rourke: Massachusetts. So, I was adopted through Catholic Charities in Massachusetts. They no longer actually do adoption. They still have their like reunion services, but they don't do private adoption anymore. I had just turned 21, requested my non-identifying information, and I was definitely in the fog and very ignorant to the impact that this would have. I didn't think it was gonna be a big deal. I was like, sure that might be interesting to learn about. Let me see what this is all about.

And so I was like standing in the lobby of my crappy college apartment, and I just opened like the large manila envelope that Catholic Charities had sent me, and I was just like, gripping the banister so I wouldn't pass out because I had no idea like what I was gonna open, and I learned for the first time that day, like the story of my relinquishment and my birth mother was 15 years old when I was conceived, and she had been raped continuously by my birth father for over a year at that time. I believe she was about 13 or 14 years old when it first happened.

My birth father was 24, and he was actually married to my birth mother's sister, my biological Aunt. Both of my birth parents were in-laws and so some of the circumstances around my birth mother's family life, her parents were both abusive alcoholics and they were often neglectful. So her home wasn't really what I would call stable.

I think that along with her being so young and like the circumstances around my conception wanting me to be safe from my birth father were reasons in the pro column for relinquishment. I was born two months early and I weighed, I looked in the records, I weighed 1745 grams, which is about 3.8 pounds.

Ron, my birth father did not want to relinquish his parental rights, but he had to go to court for statutory rape charges. Sentencing took eight months, so even though my birth mother wanted me to be placed with the family right away, I ended up in foster care for eight months. In the non-identifying records, it states specifically that my biological Aunt Katie, who was the one who was married to Ron, said she wanted to raise me. But she was not interested in raising me if my birth father was sentenced to a long sentence, I will adopt her only if Ron doesn't go to prison.

The social worker who sent me the information was also the same worker that handled the case 21 years ago. She met with both Ron and my birth mother, and she relayed to me that she's never forgotten the case and she remembers specifically how unremorseful Ron was like had no concept that what he did was wrong. It was also clear to me based on Ron's physical description, that I looked a lot like him, in particular my eyes, which are big and blue, and they were always the first thing that anyone ever commented and so that day and learning that, changed a lot about my relationship with myself and my body. Like my body never really felt like mine anymore in a way that it had before.

I think for adoptees we often find joy and comfort when we meet our first families and we can see ourselves in them because it's a really unique experience that you haven't had before. You finally see someone with your traits and I did get some of that in reunion, but physically I look a lot like him, which has been difficult. Obviously, I don't want to be like someone who did something so terrible. In April, that's when I got the records and in July, I had my first phone call with my birth mother, Meg. We exchanged letters in between that time and I see my relationship with her as something positive that came out of this.

I had responded to letters that she had left to me when I was growing up. She wrote one to me when I was maybe about eight years old, another one when I was like 18. So I had a few letters to respond to her to get us started that was in my non identifying information, so I had no idea growing up that those things were left for me.

There was also a baby book that I had no idea about, a picture of us the day I was born and just a picture of me. So two pictures, pictures of me in foster care and also my name was Hope. Hope, why not? Which I always say is really corny, but also really sweet. And so, she wrote down the Emily Dickinson poem for me, Hope is a Thing with Feathers. And I actually got my birth name tattooed on me as Why Not, Hope with a feather, which is just a side that I thought was sweet and a good way to honor that. So yeah, I didn't get that until I got my non-identifying information. After our first phone call in July, we met for the first time in August of 2016.

We got lunch. It was me, my adoptive sister, and Meg is my birth mom and Meg's other daughter Marie, who she raised. She's four years younger than I am, so at the time I think she was 17, she's about 20 years old currently. Yeah, we got lunch. It was like super…I think we were all really nervous, like no one really ate anything.

Marie told me that Meg was shaking on the car ride over there. Just like shaking on the steering wheel because she was so nervous. It was clear to me from the beginning how well Meg and I connected, and that wasn't really something that I felt with my adoptive parents. As much as I love them, I think adoption is all about holding onto seemingly oppositional things at once, like the love with the anger, the grief with gratitude, which is, I know a loaded word in adoptee land. I don't subscribe to the grateful adoptee narrative. But for me personally, I am grateful that I received basic human rights of love and necessities because those rights aren't necessarily afforded to all of us.

And so meeting Meg was kind of holding the truth and the relief of, oh, I fit, I make sense here with the painful realization that, oh I could have made sense all along, like I didn't have to grow up in this world where I didn't make sense my whole life. And I will say, of course, nurture has an impact on who you are.

I like to compare being an adoptee in reunion, to being a round peg, repeatedly jammed into a square hole. So by the time you meet the round hole, you no longer fit there either because your round edges have been beat up over the years, so now you're just like a wonky hexagon.

Haley Radke: That is so good! I have never heard that before. That's like the perfect description.

Mary O'Rourke: I'm glad you can relate. I didn't know how relatable that was gonna be, but yeah, we're just a bunch of wonky hexagons. What can you say? Haley Radke: Oh my gosh. Is that going to be the title of this episode? Okay. Thank you for sharing all of that. That is, whoa I mean, my jaw was on the floor the whole time you were talking and there's so many things I wanna ask you about. So can we just, let's pause here cause I wanna go back to, you don't even really want, necessarily wanna search, like it's not really your idea, you're kind of going along. Cause your sister is looking and what is it like to be 21, which is, my friend that's very young…to be 21 and open up this envelope and get this really devastating information about your conception.

Mary O'Rourke: I mean, shock is the only word I can really describe it as. It's not what I expected, right? There's no quote unquote normal adoptee story, but I think mine is particularly abnormal or else it felt like it was time. I think there are probably a lot more people that have had a similar story that it's just not represented in adopting narratives or in the media or anything like that. So it was very shocking.

It was very painful. I was very angry. I can't say I'm not still angry. I really felt guilt almost even though obviously, I had no choice in the matter. I felt guilty for Meg that she had to go through that for me to be born. Or like she was even, she was on bedrest for two months. Just a lot of guilt for everything that she had to do for me.

And obviously, anger at Ron and anger at a lot of the other adults in the story for not realizing what was happening over the course of over a year that this was happening. No one stepped in as soon as Meg told her parents that she was pregnant, they knew it was Ron. They said it before she did.

And yes, the fact that they had an inkling, like maybe they didn't know a hundred percent, but that they had an inkling that this was happening and they didn't intervene at all, is really upsetting. My biological Aunt's reaction to it was very upsetting, I mean that was written out in the non-identifying information so there was a lot of anger there.

Haley Radke: You also said, my body didn't feel like mine anymore. When you read Ron's physical description and kind of looking in the mirror thinking like, oh, do I look like him? How did that impact you?

Mary O'Rourke: It's impacted me a lot. Even though I was a kid, like I grew up with glasses and acne. I was made fun of a lot actually. Both of those things are his traits. I had pretty good self-confidence and self-worth. Surprisingly, I don't know how that happened. I don't know how I got away with that. But yeah, looking in the mirror and seeing his face and his traits just felt like another decision that I didn't get to make. I…it felt like almost his mark, like his ownership on me that I didn't wanna associate myself with. Yeah or even Meg, I worry that if she looks into my eyes or my face, that she sees him and what that experience is like for her. Like someone who abused her for all that time and I am him, basically.

Haley Radke: Wow. So when you first wrote to her. You already knew these things.

Mary O'Rourke: I did. So that was all in the non-identifying information packet. It also said some really sickening things like Ron described himself as a cheerful family man that donated to charities, that was his description of himself. So there was infuriating tidbits like that. But the first time we were exchanging letters. She just kind of said, I hope you're not angry with me. I love you so much. I hope we can reconnect, this is in your hands. I will always be here waiting for you, but this is your decision to make and I'll respect whatever decision it is that you make.

Haley Radke: So when you meet and you're having a meal together, and it's not just you and her, you've got two sisters, yeah. What happens from there?

Mary O'Rourke: From there, we like at the dinner itself or just in life, like after that day?

Haley Radke: Well both cause we kind of paused there at the, was it lunch, supper? What did you guys have? Did you order lunch? Nobody ate anything. So you ordered food, nobody, anything.

Mary O'Rourke: Yeah, I think it was lunch.

Mary O'Rourke: Yeah, I usually am really good about eating a ton of food at hot pot, but I just couldn't do it. You know it was, that moment was meaningful and that it was the first time that I was meeting my birth mother and my biological sister. So it was meaningful in that way, but we didn't…there was so much tension and awkwardness, I think with that meeting that it wasn't like we deeply connected that first meeting like we had.

It had been easier to talk on the phone. It had been easier to, I think, express feelings over letters. So this was like just getting the nerves out. I think the first time we met here's this strange thing that's happening and like how we deal with this. And it's also, you know we did have other people there.

And so, it's a little bit of managing relationships and trying to make sure that everyone's included. And actually that day my sister, my adoptive sister got information about her birth parents and she had to leave halfway through to meet someone to get it. So it was kind of a crazy day where everything was just happening all at once.

But after that day, and still now, we talk on the phone like almost every single day, and we see each other as often as we can. One of the most impactful things was learning that Meg was also queer and I use queer as like a blanket term for LGBT. We're using it as a blanket term. I know it wasn't always used that way. I am gay and I had my first queer relationship. I put that in quotations when I was really young. I was 13 years old and my adoptive parents, particularly my mom, they were not supportive of the relationship or me being gay. When she found out I was still seeing this person after she told me not to.

I came home and my room was trashed and anything she could find from the person that I was dating was thrown out…letters, pictures from school dances, and at the time, I didn't know the circumstances around my conception, but she started yelling that I was quote “like this” because of my father and that he was a rapist and I was just like him and she hated me.

And it really felt at that time when I was 13, 14 years old that she was second guessing adopting me. And at the time, I didn't really believe her or make the connection to my birth father because I didn't know that story and I didn't know anything about my birth. I didn't know that they knew anything about my birth family and I almost didn't wanna believe it.

Haley Radke: Right, yeah.

Mary O'Rourke: And it was only later when I was you know, 21 and in early reunion that I made the connection and eventually my mom and I's relationship did improve and she loved and accepted my college partner, but by that time, I had made the connection my mother was terminally ill with cancer and she was very close to death and much too ill to have a meaningful conversation.

So she died shortly after I turned 22 and I love my mother, and I'm not telling any of these stories to cause anyone any like pain or for vengeance, but I've learned in my life as an adoptee and a particular a queer adoptee that secrets that others have tried to make me keep about myself are toxic and add shame to my experience, and I can't hold them anymore.

And the fact that I even felt like I had to make that disclaimer is part of the loyalty that adoptees feel like they are betraying in reunion. It's hard to know that had I grown up with Meg, my coming out story would've been a lot easier there. I have several biological cousins and family members that have also come out as queer, and that would've been a completely different experience for me. And the intersectionality of my queerness and being adopted has affected reunion in particular with Meg's parents. So my biological grandparents, at first, her parents were very excited to meet me until they learned that I was gay. And then they said they would meet me, quote “socially.” But didn't want a relationship with me so.

Haley Radke: But didn't, did you say Meg was queer? Yes, that she identifies as that and are her parents okay with that or like?

Mary O'Rourke: So she's not out to her parents. She's married to a wonderful man now.

Haley Radke: Okay.

Mary O'Rourke: And she said that she didn't want to come out to them because then she would lose her relationship to them and her siblings won't take care of her parents in their old age. So I kind of agreed to be the lone out person because when you pin that against two elderly people dying alone, the choice seems easy.

Haley Radke: So what is seeing you socially but not having a relationship with? What does that even mean? Mary O'Rourke: I still ask myself the same thing, but I did meet them at a family party, and particularly Meg's mother was very rude to me the whole time. Didn't wanna talk to me, very snappy at anything I would say like, can I clear your plate? Like, just very snappy.

What's interesting is, I'm left-handed and I got that from her. So the one time she was remotely nice to me was when she noticed I was like, cutting cheese or something and she noticed I was cutting it with my left hand. And I think she said something about it. She was like, oh, this person is related to me somehow.

But also it's complicated right because they weren't great parents. I don't think that they, I mean they're maybe decent grandparents to the kids that they were grandparents to their entire lives, but you know they’re not the most loving people in general. There's just that added layer.

Haley Radke: Yeah. Do you have any advice or thoughts on this for other adopted people who are may be fearful of searching because maybe they did have a bad experience in coming out to their adoptive families. And then there's this whole other layer of searching and having to do that again. I liked what you just said, like you're, like, I'm telling them upfront cause I wanna know, you know, do you have any other thoughts on that? What would you say to someone who is in your similar position?

Mary O'Rourke: It is hard because you put yourself up for secondary rejection even more than if you were just an adoptee that was searching in general. I would probably recommend, obviously this is the way I did it. I can't tell you how it would've worked out in your circumstance or if you had done it the other way, but for me it was easier to approach the relationship with honesty and the good thing is that, in a way, for me, it was almost easier because I was meeting these people as adults.

It was harder in some ways, but easier in another where I was meeting these people as adults and so I was more comfortable with my feelings and my feelings around being gay and coming out, and I had done it before, you know I had been out for a long time at that point. So maybe wait until you're at a really good place with yourself and your identity before you reach out, because I do think you have to have a little bit of a thicker skin.

Also, try and get that upfront, like as soon as possible just to get it outta the way. I don't know. You don't wanna, I think it's harder almost to experience the love you could have had until you tell them. I don't know.

Haley Radke: Well you know to be really frank with you. I had never thought of that…of this in reunion until I interviewed Liz Latty. And she said some similar things except that she did come out to her biological father who happened to be evangelical Christian and so she was very nervous. And I remember that conversation very well, because I was just like, oh my word. Like it's something that someone like myself I just never would've thought of that.

It's that whole extra pressure and layer and so, thank you for sharing those pieces with us because a lot of us have no idea what that would be like, and to just be able to experience that with you is really meaningful. And I think they'll be really helpful for a lot of people listening.

Okay. You have shared some really hard stuff and I'm laughing, but it's not funny. It's just really challenging things, and I'm wondering how you navigated this you know like did you reach out for help in some way? Were you walking this alone? I mean this is really, really deep life stuff. As a young person. What were some of the things that you did to cope and make sure that you were safe as you did this?

Mary O'Rourke: Sure. So it's been three years since I first met my birth mother and if I'm being honest, for the first two years I did nothing. This time for me I mean It was extremely difficult, not only because I was grappling with this story about my relinquishment and my conception, but in this timeframe from slightly before I you know got the non-identifying information until now. I've lost six family members, 6, 5 family members. And that actually that one person that I had dated in that coming out story. And so I was dealing with a lot of grief at the time. And so for the first two plus years, I was definitely in the fog. I was definitely just trying to survive. Like I can't give you any advice for that time other than I was alive.

And functioning slightly, but I ended up going to grief counseling actually, because in my town, therapists are in short supply and I could only get into group counseling, and so I decided to do a writing grief group counseling session, and in my intake session I learned that my therapist was also adopted and that she was also conceived via rape.

Haley Radke: Come on.

Mary O'Rourke: Yeah, just like, serendipitously out of the blue. Had no, like I went to her grief counseling. Like she's also experienced a lot of grief, which is what motivates her to focus in the areas of grief and adoption and she does some other things as well. Those are two of her primary focuses.

Haley Radke: So you went to a group session that's supposed to be focused on grief and your therapist just happens to be a fellow adoptee who was also conceived in rape. Wow. Yeah. That's serendipitous.

Mary O'Rourke: Yep. Yeah. So she had been invaluable in my experience and in like my coming out of the fog journey, like she's what catapulted that. If you had talked to me last summer about adoption, even I would've said, oh, you know no big deal. It had no effect on me. I'm grappling with this story, but I'm not grappling with relinquishment and adoption and the fact that has on me at all, like that's no big deal.

Not that I was really processing or coping with the conception story very much as well. Like I wasn't really doing anything for that either. So she was helpful on both fronts and she was also helpful on like just the general grief counseling. Haley Radke: In the group was anyone else adopted? Did that come up as a topic of discussion or was that more just your conversations with her?

Mary O'Rourke: Yeah, so I ended up going to her one-on-one. She was able to get me in after the fact. But the grief counseling was interesting because everyone else in the group had also lost a parent, but they had that rosy angelic narrative around the person that they had lost. Like they were speaking of their parents as if they were martyrs and I think to a point that's helpful. But for me, I had, I loved my mother. And in some ways, I honored that relationship. But there were also really difficult things and I felt like I couldn't deal with that in that group because everyone else had a very idyllic parental situation for the person that they had lost.

Haley Radke: Yeah. Wow. That is, I don't know. Like I, I am, I can't, six losses like that is, that's a big number. This is a huge upheaval of your life. All of these different things and six losses and what pushed you to find that group therapy class? Like what, what was just like, I have to go, I have to do something.

Mary O'Rourke: It probably was, the fifth person that I had lost, it was my cousin who I was very close to, and then my uncle died, just a few months after that. And I think I just had this moment of reflection of, you know, I am surviving, but it feels like I have a lot that's unprocessed right now, and I really should get myself into therapy.

Like it was just, it felt like the logical thing to do at the time. I'm very composed and calm in times of crisis and because this happened one after the other. It's almost been like, I've been in survival mode like this whole time, and then I had to take a step back and say, all right, you need to get out of survival mode and like really deal with everything that's been happening.

Haley Radke: All right. I appreciate you sharing that and I think it's so important for us to pay attention to when it's time, like it's time to go and it's not always the easiest thing to do. I appreciate you sharing that. Is there anything that I didn't ask you, Mary, that you really want to talk about before we do recommended resources?

Mary O'Rourke: So Ron has four sons, two through my biological Aunt Katie, so they're my cousin brothers which is gross and I met them. Jake, one of the brothers who's only two months younger than me. So basically the same age exactly because I was two months premature, ended up telling Ron about me. And so he got my phone number, he got my social media profiles, he got my name, my pictures.

He knew where I worked. And so there was this whole crazy time where I had to tell everyone, not everyone, I had to tell my manager and some coworkers at work what the situation was, which is not something I ever wanted to do. And we thought we might have to take him to court because he was actually able to get his records sealed and he doesn't show up on a sex offender registry list.

And we wanted to make sure that the restraining order that was placed and I was a baby, like still applied and we ended up being able to get the records like out of court and everything, which is good and I haven't heard from him since. But yeah, he like looked at my LinkedIn profile, you know how you can see who's viewed your LinkedIn profile?

Haley Radke: Yes.

Mary O'Rourke: So his name like, popped up in my LinkedIn profile which really freaked me out.

Haley Radke: Oh talk about a, like a, just a privacy violation. Like I'm just, I feel icky, just like hearing it and it's not my experience. Oh, I'm sorry. Yeah. There's a lot of complexity to your story. My goodness. Do you have any final thoughts for another adoptee who finds out this really, shocking information when they search and find out they were conceived in rape and what that kind of looks like. Do you have any advice for someone who gets that shock, that shocking news?

Mary O'Rourke: It's been helpful for me to, I think, trust myself. I think I personally can be easily bogged down in this story and pinpointing the influence that Ron might have had on me, or nature versus nurture. And so it's easy to lose yourself and sit in the anger, in the pain of the story, but to understand that, it's, you are more than what happened to you and that you're your own person and that you have to trust, and I don't know, love yourself.

I know that sounds corny, but it's a part of your identity, but it can't, you can't let it define you. Without taking into consideration everything else that you are.

Haley Radke: Wise, thank you. Okay, Mary, let's do our recommended resources, and why don't you go first. What did you wanna recommend to us today?

Mary O'Rourke: Sure. There is a photo series called Meeting Sheila, and it's actually by someone I went to high school with and we're not friends or anything, just, mutuals on social media and she is, obviously adopted and she's a professional photographer and she created this photo series of the first time that she met her birth mother.

And I think what's really special about it is that it shows candid moments and it also shows really poignant moments and it really exemplifies to me the reverence that we have when we meet our first, like our first parents, especially the same sex first parent where you're looking for yourself in them. There's this one picture where they're like comparing feet and you can tell that they're really similar which I think is really sweet so I would give it a look.

Haley Radke: These are really unique and just like a really intimate view of a reunion. I spent way too much time looking at these when you sent them to me because they're really moving. And I, I didn't, wasn't sure what to expect when I clicked on that link, and it's so worth it. So we, I will definitely put a link to that in the show notes. Beautiful series Meeting Sheila. Okay, I knew a little bit of what we were gonna be talking about today and so I thought I would recommend something that Liz Latty has posted on her website, and it's from a couple of years ago, but she was a part of an adoptee roundtable.

At the City University of New York, and it's a queer transnational adoption politics round table, and it is available on her website. If you go to Liz-latty.com and just click on watch or listen, you can view this whole presentation in its entirety. And so you hear from multiple adoptee voices from different perspectives, and it is really powerful and I learned a lot from it.

If you're interested in activism. If you knew exactly what Mary meant when she said intersectionality, this really brings those things together. And so I would highly recommend that you give that a watch when you have a couple hours, some quiet Saturday. Yeah, Liz is great. You gotta be following her and she's a part of this round table. And of course you would recognize some of the other adoptive voices on this. Mary, where can we connect with you online?

Mary O'Rourke: You can connect with me on Instagram. And I, as I've warned Hailey, it's a funny username. It is, Homo underscore mojo. So, h o m o underscore m o j o.

Haley Radke: Perfect. Thank you so much. Thank you so much for sharing your story with us, even the really challenging parts and I think it'll be really helpful for a lot of our listeners. So thank you. I really appreciate it.

Mary O'Rourke: Yeah, thank you so much for having me.

Haley Radke: I am so grateful for everyone who shares their story on the podcast, and especially when it is such a personal, challenging. Oh my goodness. What do you even say about some of the things that Mary has had to process? If this brought up some challenging things for you today, can I just encourage you to find some support, give a friend a call, or you can Google crisis hotline in your area.

I know I have people listening all around the world, so I don't wanna give out a phone number that doesn't work where you are. But if you Google Crisis Support line, you can always find someone to jump on the phone with you. And I am just blown away by the community that we've built here where adoptees can come and share in a safe space and support each other via a podcast.

Who knew that would happen? So Mary is actually one of my monthly supporters and I'm so grateful for her ongoing support. When we ended our call I thanked her and I told her truly, and I mean this without people like Mary signing up for monthly support of the podcast, I wouldn't be able to do it and so I'm so grateful. If you want to join Mary and about a hundred and 120 ish other monthly supporters. If you go to adopteeson.com/partner, there's details there of the bonuses you get when you are a monthly partner, including did you know there was a whole other. Weekly podcasts that I do with some rotating co-hosts.

It's called Adoptees Off Script. And if you are subscribed to this podcast, you would've heard a few of those. I aired them in September 2019 on the main feed, and so I hope that you enjoyed those. One other way you can support the podcast is by telling just one other person about it. Do you know another adopted person?

Pick a favorite episode and ask them to listen to it and let them know what you think, let you know what they think. Let them, it's very late when I'm recording this. I'm sorry. Word of mouth is how most people find out about a podcast, so I thank you so much when you share the show. Thanks so much for listening. Let's talk again next Friday.


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118 Liz DeBetta

Transcript

Full shownotes: https://www.adopteeson.com/listen/118


Haley: You are listening to Adoptees On, the podcast where adoptees discuss the adoption experience. This is episode 187 Dr. Liz DeBetta. I'm your host Haley Radkey. We are coming to our summer break. What better note to end on than this encouraging episode with Dr. Liz DeBetta. Liz has been on the podcast before and shared her story of coming to her late thirties before examining the impact adoption had on her life.

Today, though we are strictly diving in to one of her areas of expertise, which is using writing as a tool for healing. Writing is accessible. It has physical, emotional, and mental health benefits. Writing can help us create a new narrative for ourselves. Liz recently led a group of adoptees through a transformative writing group, and she shares with us some tools we can use to start our own writing practice.

We wrap up with some recommended resources and has always links to everything we'll be talking about today are on the website, adopt eza dot. Let's listen in. I am so pleased to welcome back to adoptees on Dr. Liz DeBetta. Welcome Liz.

Liz DeBetta: Hi Haley. So good to be here.

Haley: I'm so excited to talk to you. The last time we talked it's episode 118, so you can scroll back. You were still working on your dissertation, so I was so like pumped when you put doctor on your paperwork cuz you're done. Woo.

Liz DeBetta: Yes, it's true. I got done in, like in the midst of the pandemic.

Haley: So you're still planning the party then?

Liz DeBetta: Yeah, we had a Zoom party, did a bottle of champagne and some takeout sushi and a few friends on Zoom and that was pretty much it. So yeah, there hasn't been a big in person celebration yet, but a good excuse to have one.

Haley: That's right. Absolutely. I'm gonna point people back to that episode to hear some of your story and sort of the background on how you got to doing some of the things we're gonna be talking about today. But I would love it if you just give us a little intro into who you are, and how you got to the point where we are now for adoptees to be writing as a method of healing.

Liz DeBetta: I have been writing since about the age of 14. I had a really, insightful teacher and coach who knew that I was going through some stuff. I can't, I don't recall if at the time he knew that I was adopted.

I'm pretty sure that he did. But either way, like he knew that I was dealing with some really big feelings, and so he suggested I start writing poetry, which at 14 years old, I really thought was the dumbest thing in the world. Because poetry, like who writes poetry Come on. And then one day, we were sitting in his office and he read me this poem that he had written for his college girlfriend and the poem was called Blue Fire.

I'll never forget it. And it was a poem that he wrote while he was on a date with this, with his girlfriend. He had taken her to see the ballet, which was her favorite thing. And he spent more time watching her watch the ballet than watching the ballet himself. And he wrote this poem about it. And I was, profoundly moved by this experience of this man sharing this poem with me.

And then from that, that moment I was like, oh, maybe this isn't so dumb. So I got, I got a little colorful journal notebook and I started writing. And at the time I didn't know why I felt the way I felt. I didn't know why. I was depressed, I was sad, I was angry, I was confused, I was scared.

All these things. And I just wrote, and it was for me, I never shared any of that with anyone. And so I did that for a lot of the years. Like any time the world got too much for me or my own feelings got too much for me, I would just go to my notebooks and I would write. And it just, stuff like came out.

It wasn't anything that I was ever really super conscious of. Yeah, I mean I, it is a conscious process, but there's als I also feel like there's something really unconscious about a lot of the writing that I was doing, especially early on. And I have a theory about that, which I'm still playing with just from a, academic, theoretical, scholarly standpoint.

But anyway, so I did all this writing and, in retrospect it really helped keep me balanced. It helped me organize the really intense feelings that, that I had. And gave them someplace to live other than inside me.

And so fast forward, all of these years later, and when I got into my PhD program, I didn't really know where that journey was gonna take me, but I did know that I was really interested in continuing to pursue creative writing as one part of it.

And one of the courses that I got to take in that, in my program was poetry for healing. And it's, and there's a whole field. There's a whole field of poetry and writing for healing that got open. That I didn't even know was a thing. And I was like, this is the thing I've been doing my whole life. I've been using poems to help myself manage the difficult stuff.

And so then, when I learned about all of that, and I like, I learned that there are actually like physical and emotional and mental health benefits to writing through grief, writing through pain writing, through trauma, writing about it and making sense of it. I was like, oh, this is so exciting. And again this is the thing I've been doing.

And so then as I moved toward thinking about my dissertation, which was a creative dissertation, I decided that I wanted to do an exploration of some of my early writing. And as I looked back through some of my first poems,

Haley: because you kept all your journals and things, right?

Liz DeBetta: Yes, of course I did. And I will tell you something. Not I not one of them is finished. They are all from different parts of my life and I have never completely filled one of them. And I think there's something really telling about that, cuz I think we're always on a journey and we're always unfinished, right? So it's a metaphor for that, I think, in those notebooks.

But yeah, so I started going through these early poems and I could very clearly see all of my pain and my grief and my trauma and my loss and my confusion was like all there, right? I started looking at like the language and the images that I was constantly using and like the mood and the tone of so many of those poems was really dark and just a lot like, just like a feeling of being lost and having all these questions.

So there was an implication of all these questions, but never finding any answers. So it was really interesting to start to look at that and then to look at how to take those early poems and create a new narrative. So that was a big part of my dissertation project was a one woman show where I incorporated some of my early poems and then some newer poems where I was rewriting parts of my story that were still unknown to me.

So like questions about the circumstances of my birth, for example. I didn't have any answers about that. I didn't have any information about that, right? So many of us. And so I was, so some of the more, recent poems were about like just me re imagining what the night I was born was like.

And so I created this whole narrative that was punctuated by all of these poems to tell a story about what it's like to live with the trauma of being adopted in a patriarchal society that's disadvantageous to women and children, right? That says that, two parents are better than one, and that a young single woman is irresponsible and shouldn't be able to keep her baby right. And of course, lots of these things are generational, but they're still happening. So it was really important to, to use art and the creative process to, to tell a story publicly that people need to hear. So that's, I guess that's it in a large nutshell.

Haley: I've heard you speak about writing as a public testimony and it's interesting that your project was this one woman show where it's literally giving a public testimony. Can you talk a little bit about that? Cuz I don't think of course not all of our writing will be, performed in front of, and you are a, an actor.

You have got a theater background as well. So there's that piece for you.

Liz DeBetta: So in some of the research about creativity, using creativity to heal trauma, Dr. Sophia Richmond, and she writes about creative transformations of trauma, and one of the things that comes up in her work is this idea the art, whatever it is, whether it's a poem, or a piece of personal narrative writing or like a, a painting or a drawing or a piece of music that is composed. Whatever, whatever form the art takes becomes a container for the artist to put the trauma into and to reshape it into fashion it into something.

And then that's one part of the way that we start to heal is when we can put our feelings into something outside of ourselves. So the poem, the one woman show the whatever. And then the other piece of healing, at least according to her, is having that art witnessed and sharing it publicly.

And that's also comes up in a lot of, there's a lot of connections to that in lots of the other research is this idea of not only writing or creating, but then giving it to someone else and saying, here, witness this. Because I'm heard and I'm seen, and also the act of like public performance is It, is, I don't wanna get too theoretical, but it is another way of creating empathy, right?

Because when you are as a performer or a speaker, when your body is in physical space with an audience, the audience members are part of that experience with you for the time that it's happening, and they can't turn away, right? Like they've chosen to be there. They've chosen to sit there in this live experience, to take in what is happening, right?

And to engage with my body as it tells the story. And what that does is it that then that space, that theatrical space becomes a container for empathy and for critical thinking. And so part of the process for me then was also, I did a couple of audience talkbacks where people got to ask questions.

Not only about the writing and the performance process, but like my own experience, and why I chose to tell this story. And what it ended up doing for a lot of people was shifting their perspectives and having many people said, I had no idea. I never thought about adoption this way.

I had one, one woman who grew up with adopted siblings and she's I have this much better understanding now of what was going on, like what, why my family dynamic was the way that it was. It's probably because my siblings were going through some of the things you described in this performance and none of us knew.

Haley: How's that feel for you personally to know that you got to shift someone's narrative.

Liz DeBetta: That, well, that's exactly why I do this work. That's the thing that, that became really important to me. The more that I worked on, the more that I worked through my PhD work and my, my dissertation study was like, okay, I can take all of these parts of myself, right?

I can take my background as a theater artist and my background as a writer and a teacher, and a thinker, and I can smash them together in a really unique way to do something positive in the culture of adoption. Because the more that I studied all of the literature the scholarly literature, I was like, nobody's telling these stories.

And we know in the adoptee community we know how often we're silenced. We know how often, "but what about", oh and right and people speaking for us and about us. And so it was a way for me to, it was part of my own healing process to do this important work, but also I look at it as an act of cultural mediation and cultural healing, right?

If we don't start to tell these stories and make people listen, then nothing's gonna change. So it's really affirming to have people, multiple people, after they've watched my show say, wow, I have totally changed my perspective. So that's why this work is so important, and that's why every opportunity that we have to get adoptees voices centered, and telling our stories, we should. Because I think the time is past the time when we should be paying attention. It's 2021 and like we gotta get comfortable talking about trauma. Like we can't Sorry, but sorry, not sorry.

Haley: It's time.

Liz DeBetta: Yep. Yeah,

Haley: I, I have this Adoptees On Healing Series where I'm always talking with therapists about various things related to, trauma and healing and things.

And, you've used the word healing and I'm curious what that means for you. What things have shifted for you or changed for you as you've written poetry and literally studied this and performed and all of those things. Do you feel like healing happening? What is healing, in quotation, like what does that mean for you?

Liz DeBetta: I think, healing, one of the things that I wrote and I say in the show is that healing is not a linear process. It's for me it's been concentric and twisting and turning in on itself. And it's a, because it's a journey, right? And it takes different paths at different times.

But for me, what I've come to realize, especially over the last couple of years, is that healing is about finding wholeness. About finding ways to feel whole and to feel real and to feel grounded. To not feel like I'm gonna fly off in a million parts, which is another thing that I've, that I wrote. This constant feeling of that I'm gonna fly away into a million parts. If I don't keep control, right?

And yeah, a lot of the healing, comes through owning these parts of my story and really sitting with the feelings, I've, and I think a lot of adoptees can relate to dissociating and not feeling, and not wanting to feel, and being afraid to feel or being taught our feelings aren't valid. And so we just shove them down and pretend everything's okay, and then we don't know. We don't know what's okay and not okay. It just becomes a mess. Have that experience of really not feeling and like existing in a numb overactive space for a long time.

In terms of like my experience of my body. And so a big part of healing too for me has come in having a new experience of my body. and learning to stay in my body to be present, to feel safe, to not wanna escape all the time. And that was a big part of why the performance aspect of my dissertation project was important because the performing and the living through the words, that I had written and through the story I was telling and like really experiencing all that in my body through the rehearsal process and through the performance process helped start to move trauma too.

I started to feel different, like I would finish rehearsals and like things would hurt. And yes, it was a very physically active show. I did a lot of movement and breath work and stuff, but like things hurt. My hips hurt. And that's a place where we know that trauma gets stored. And I started to notice the places, the sort of what I call holding patterns, right? Like my default holding patterns where I was like, oh, I held my hips and like my gut and this whole like center of my body really tightly for my whole life.

And now I can start to release that. I can let it go. So it's also feeling those physical changes that tells me that I'm healing. And then I guess another big thing that's happened, and I've been doing EMDR too for the last couple of years, so that's been a really good companion to all of this other work.

But the way that I don't have my recurring nightmares anymore, and I know that a lot of adopted people have these sort of very similar recurring nightmares around like searching for something that we never find. And that's certainly been my big recurring dream is like looking for someone or something and spending the whole dream, like panicking and not being able to find whatever it is or whoever it is I'm looking for.

Or starting out the dream with my partner and then getting separated and then never being able to find him again. And now I, when I have this dream, it resolves itself and by the end of the dream, we're back together. And to me that's huge.

Haley: That is huge. Wow. That's amazing. Thank you for sharing all those things.

I am doing EMDR again, like I'm really in depth right now, but I feel often scared of writing. Even privately because I am worried that of the things that are gonna come out, it's like admitting things to yourself. It's but I, they're just my personal note. I know that you ran a group for seven weeks with other adult adoptees and were leading them through all of these different writing prompts and different exercises and I would love it if you would talk a little bit about that. Cuz I think it's such a amazing thing to talk about, writing on your own, but then you've brought in this other aspect of writing in community and what that could do for people.

Liz DeBetta: I think. Yes, it's really important for people to write and writing is scary, right? You're not the first person. You know, yes. You have to confront things, right? And , but it's also a way of getting it out. And so for the group that I just worked with for seven weeks, I was really interested in creating a space and adoptee only space, and creating an opportunity, as you say, to write in community. And what we, I called the group migrating toward wholeness.

Because like I said, that's healing. I think, for me as an adoptee and for a lot of other adoptees, especially as adults, is to try to move toward a sense of wholeness. And so the group was comprised of 11 other adoptees. Aged from their mid twenties up through their sixties. So we had multiple generations represented.

I specifically chose domestic closed adoption adoptees for this first group, cuz, because I was interested in having, seeing what the commonalities in our experiences might be despite the age differences. Just from a, like a researcher standpoint.

Haley: And that's your personal experience.

Liz DeBetta: Yeah. And that's exactly, that's my personal experience. And I am as a creative person and as a facilitator, as a sort of guide, like I, so I, this aspect of social justice, like this is real social justice work when we can create spaces for adoptees to come together and find ways to tell their stories and to heal in community.

Whether the writing that gets done gets shared publicly or not is a side bonus, but the act of writing and sharing in the small group, because we were witnessing one another for that seven weeks. We got together. Every Saturday for seven weeks, for two hours. The first week, people just shared their stories and we just listened to each other.

And and from that that first session, that's how I, everything was really emergent. There was, I didn't really pre-plan a lot because I wanted to work with who was in the room with me. Who was there and what was I hearing and what did I think people needed to start to think about and write about.

And so the prompts came out of every, things that people were saying, the questions that I posed to them. Each week we had two sets of questions. There was there was a set of writing questions and then a set of writing prompts. So those were just some direct quotes followed by ellipses that they could just finish the sentence and keep going.

Or, several questions that came up related to things people said related to the experiences that were shared. And then I also offered them each week questions for reflection, because one of the important things to do is not only to write about the experiences and start to discover what you need to te say, but also to reflect on it. Like what's happening as I'm right, as I'm working through this process, like what's going on in my body, right?

Am I sleeping better? Does my breathing shift? Things like that. And also there were some things that were really hard for people to write. Because for some people this was the first time they were giving themselves permission to write about being adopted and their feelings and like go there, right?

So to your point, Hailey , like some of them were like, I saw this and I was like, this is scary, but I'm gonna do it. They jumped in and what happened was incredible. It was an incredible process and we wish, like it didn't have to end. We ended up adding an additional session because by the time we got to six weeks, we were like, okay, we need more time.

We need a little bit more time together. And for some people, this was the beginning of creating space to feel what they need to feel. What they've been told has not been okay to feel. And many of us know that when there's something really special that happens when adoptees come together and adoptee only spaces. It's automatically a safe space.

So, I think I talked a little bit about this in the presentation that I, that we did after the seven weeks with the group, but this idea of reflective resonance, which is that, and that we as adopts do it automatically. When we listen to one another's stories we're not listening to respond.

We're listening to hear. And to be supportive and to be empathetic and say, yeah. What I'm hearing you say is, this is really hard for you. Or, this has been a really challenging way to go through life. What happens ,usually cuz we're socially conditioned to listen, to respond, which is not reflective resonance.

And so this happened so much as adoptees, when we try to speak in other spaces that are not exclusively adoptees, we get spoken to, we get spoken over. People are not listening to us and reflectively resonating with us. They're not going, oh wow, that sounds so hard. They're going, oh, but not all adoptees.

Or what, or, but what about the adoptive parents? And this is something that comes up a lot, like in conversations I have with my own, Which is incredibly frustrating at times, but I give my parents a lot of credit because they've also been on this journey with me for the last couple of years, and they're trying. They're really, they're listening and they're, they want to know, and they want to understand, and they feel bad that they didn't know 40 plus years ago what they know now.

And I know that it's incredibly difficult for them to listen and to hear. Anyway. So back to my point of this idea of reflective resonance, right? I think we do this instinctively as adoptees where we just listen. We're here and we can be mirrors for one another.

And so I think a lot of this work, part of the healing comes in the more that we can create adoptee centric spaces, I hope that there will be a shift in this more widespread reflective residents where people can start to receive the stories. But the first step is creating spaces where we feel safe together, and that creates that community of like braveness.

Right? And the ability to explore the feelings. Knowing I'm sitting here with 11 other adult adoptees whose experiences very closely mirror my own, despite the fact that we're in different parts of the United States, grew up in very different circumstances, in different decades. But here we are saying so many of the same things.

That gives me permission, or anyone who participated in the group, the permission to really go there and to have the opportunity to not be afraid to dive in. And that's really powerful.

Haley: I was just asked about this and the person challenged me or adoptees, is this adoptee activism thing? Are we just in an echo chamber? And my response was like I feel like we're practicing on each other and building up the muscles . And I like, I love that you said the bravery because it takes courage to share our story wholly. That is against the traditional narrative. Knowing that we, the responses we've gotten in the past may continue, the "but what about", and "I don't believe you", and all those kind of things.

So building the muscles in order to share outside, but it starts out with having the safe space. I love this reflective resonance, like just, I love that term. It's it's just, it's perfect. And could you speak a little more on having intergenerational? Because there's lots of, when we share stories on this show and there's like younger adoptees or older adoptees or, and some of them will be like I was in the baby scoop. Or, and you identify yourself by that sort of generation. But what was it like to have people from different decades participating and speaking to each other in that way?

Liz DeBetta: I think it was really important. I think what it did was it showed us that we are not the problem. It showed us that we are not the problem. That a, that the culture of adoption and the system of adoption as it has existed since the mid 1940s is the problem. Because we had adoptees who were in their mid twenties who were still products of closed adoption.

And adoptees in their sixties who were definitely part of the baby scoop, who had, who had been really effectively silenced by so. Like their sort of generational, and the guilt and the shame. But like all of us talked about this guilt and this shame and this needing to fit into a mold. And someone else's idea of who we should be, right?

There was so much crossover in what people said and shared and like parts of stories and like just the internal experiences. I guess that's really what I'm talking about is like having this multi-generational group of adoptees talking about internal experiences that were very similar.

Haley: And you had only closed. Adoptions, domestic adoptions represented in your group. And even when I think of some of the younger adoptees that I've spoken to who were products of an open adoption, that thread continues. So I love that you said that. It's not us. It's not me, it's you, system.

Liz DeBetta: Yeah.

Haley: Yeah.

Liz DeBetta: Exactly. Yeah. Huh. Yeah, and I think it was really empowering and affirming, for us to come together and for the younger adoptees to, to connect with the older adoptees. And again, I think the most profound thing was that, so several of the group members, this was the first time they were doing this kind of thing.

And so there was a tremendous amount of trust that they placed in me and in each other that wouldn't have happened if it wasn't adoptees only. And that in hearing each other share different parts of their stories or pieces of the writing that they were doing from week to week. It gave other people permission to keep writing and to keep sharing.

Haley: So we've both talked about doing E M D R and various therapy at other points in our lives. And you mentioned your social justice activist, and I'm curious if you have thoughts on the accessibility of writing. And if you think it's accessible and if that makes it just another reason why it's such an important tool. Cuz of course we can, I've said this on the show before, therapy is inaccessible to a lot of people. It's just very expensive and, it's inaccessible sometimes. So can you talk about writing and what your thoughts are on that piece?

Liz DeBetta: Yeah, I love that. And it's so $%*! that you know that therapy. Something that is inaccessible for so many people. When so many of us need it, not, not just adoptees, but so many people in the world. It's an, it's a part of our physical health, right? Taking care of our mental health. So we need to do better about that.

But yeah, I do think that writing is accessible to anyone regardless of circumstance or situation or ability because you can get a notebook and a pen or if you have a computer, you can open a Word doc or a Google Doc and type if that's accessible.

If you have, some physical limitations, you can speak to text, right? Like you can speak and the technology will type for you. And so I think that, recognizing that writing also can be a very private act, right? It doesn't like, it doesn't have to be something that you choose to share, but it can be something that you do for yourself because it is therapeutic. Because it helps you give shape to things that feel chaotic. That's some of the sort of the literature about why writing is a therapeutic thing. Is that when we created a narrative for ourselves, like we are, we're giving order to something that formally felt chaotic.

When we use something specific like poetry. We're getting right to the heart of the emotions, right? We're taking out all the unnecessary language we're using images to connect to the really deep, intense emotions that can then help us make sense of them.

An image that I work with a lot has to do with ghosts and tombs and bones and things, and I think that, it's really important to not just write the things but then go back and like what? Why did I write this right? What's, what are the ghosts? And for me, like I know the ghosts come up because we know there are ghosts in the adopted family, right?

And we, most people hopefully know about Betty Jean Lifton and her work on, specifically ghosts in the adopted family. But that actually came up in the group. One of the group members was like, I just learned about this and I was like, yeah, here's the article. But like it's true.

We live with these ghosts and so I, as a writer like I have to pay attention to what's coming up and what that tells me about my internal experiences and things that maybe I still need to process. But the writing is a process and an act of processing too.

Haley: You've taught us a lot during this whole conversation, but I just wanna double down on it, and I think you'll talk to this when we're doing our recommended resources as well right away, but it's a process. It can be a tool for healing. There's research and it's proven. And even as you were listing off the things that, what healing meant to you and the impact these doing this work has had on you, you were mentioning like physical, emotional, and mental things that have come about. So it's not, "oh, I'm just gonna scribble in my notebook". There's meaning behind it and there's things that come out that are like really beneficial.

Liz DeBetta: Yeah, so it's, it because it's, I think one of the important things about using writing as a tool for healing is that we're not just like word vomit.

Like we're not just like writing oh, all these terrible things happened. We're, we are describing them, right? Like we're specifically, we're using deep, detailed descriptions of experiences, and that can come, that can come out in, like I said, in the images, in the details that you used to talk about, who was there, when was it, what did it feel like?

But then we're also thinking about not only what happened, but how did it make me feel? How did it make me feel then, and how do I feel about it now? And so always like having that sort of conscious process of checking in with ourselves and saying, okay, I am writing, and I need to write about this.

And. . And often that's what happens, right? Is like the feeling, or at least for me anyway, the feeling gets too much and I have to do something with it. I can't keep holding it inside me or it's going to eat me up. I got, I don't wanna hold that. I don't wanna, sit there for a week feeling $*&! Inside.

I wanna, I wanna do something. And it comes out as a poem usually, like I did this yesterday, I was having a really complicated set of emotions, surrounding Memorial Day. My brother, who's also adopted, is a vet. Severe, complex trauma from both being adopted and his time on active duty.

And there's a lot of really complicated stuff going on with him and my family. And we watched The Five Bloods on the night before. And that story is about a group of Vietnam vets and one of them like said things that were so close to some things that my brother has said, and it hit me really hard.

And I woke up yesterday and I was like feeling all of this stuff and I was like, I gotta do something with it. So I wrote a poem to help move some of that stuff, and so like that's an active agency too, right? That I can do. That I have control over the things that are going on. I can choose to do something about it.

So I chose to sit down and feel what I was feeling and write it. And that's another reason why writing is both powerful and accessible for everyone. Louise DeSalvo in her book Writing as a Way of Healing, says that writing is an act of freedom we often felt we didn't have. She also says that through writing we change our relationship to trauma because we gain confidence in ourselves and our ability to handle life's difficulties.

We, we can, through writing and changing our relationship to trauma, we've come to a feeling that our lives are more coherent rather than chaotic, and that we can solve problems. And she says also that, because our writing, our work of art is a concrete object, it becomes a memorial and a testimony to the resolution of the mourning process.

And so that sort of connects back to what we were talking about earlier with the container, right? Like the poem is the container. And so I'm going through a mourning process of not having a relationship with my brother anymore because he's a really, he's really damaged and it's really sad.

And he's really angry. And so that poem became a, the concrete object where I could memorialize and create a testimony to my own grief and that sense of loss around that relationship, but also where it's coming from.

Haley: Thank you for sharing those things. So powerful. Before we do our recommended resources, I'm wondering if you would give the folks listening, a writing prompt or two if they're new to this, if it feels scary like me. One or two things that we could start doing that would, it's the intro. What's beginner level?

Liz DeBetta: I don't, I would say, The thing that's popping up right now is two things. I often like to find inspiration in other things. So sometimes like a word or a phrase or part of a sentence from something else that I've read will inspire me, and I'll start with that. So if you have a particular, line or quote that speaks to you for some reason. That could be a good way in. Another thing that, for people that are like, oh I like to think, I like letters. You can write letters to yourself, and this was actually one of the really hard activities. So maybe this is not great, but I'm gonna suggest it anyway.

Like we can write a letter to your younger self. For some of us as adopted people, that's really hard cuz we still haven't really fully embraced that little person. But it can be really helpful to, to do that as an exercise, over a week or two weeks or a month. Take 10 minutes every day and engage with that part of yourself and, say the things that you needed to hear. Things that maybe never were told to you that you as your adult self in your full power now have the ability to say, Hey, I see you, I'm sitting with you and we're okay. Or just letters to people that you need to say things to. And you don't ever have to send them . And if it's hard, if it's hard to write in the first person, shift that and write in the third person.

Because then it puts you outside. When you shift.

Haley: You're the observer.

Liz DeBetta: You become the observer instead of like in the story, right? And then as it gets easier, then you can shift back into that, right? And you can rewrite it in that first person narrative when it feels more comfortable and when it feels less intense.

Haley: I love it. All right, so we got the beginner level and intermediate level.

Liz DeBetta: There you go.

Haley: Oh, that's so good.

Liz DeBetta: Okay what do you wanna recommend to us today? Okay, so there's so many really good books, but I, what I chose today to share with everyone is a book called Writing as a Way of Healing, how Telling Our Stories transforms our Lives by Louise DeSalvo, who's a writing teacher.

And it's, the book is based on 20 years of research that she accumulated in teaching, writing, and also connected to some of the stuff I talked about earlier. She pulls in a lot of the research, but also her own experience. And what I like about the book is that it's both about the way that writing can help us.

And it's backed up by the research, but also she makes sure to continually discuss the idea that we need to have balance when we write. If we're just writing about negative experiences, that's not gonna be good for us, right? We need to wait both about the negative and the positive and create what she calls balanced narratives.

And there are lots of, each chapter is followed by some writing activities and exercises, so for people that want to start writing and aren't sure how to do it, this is a really nice kind of overview of all the things that we've talked about today, like this idea of using writing for healing and how we do it and why we do it.

Haley: I like that. I like that balance approach. Cuz I could see how if you're just constantly writing all the horrible things, that's what gets stuck, right? You're not shifting anything.

Liz DeBetta: Exactly. Yeah. And that can actually create negative health outcomes. But it's because you get stuck in a negative feedback loop, right? Like just focusing on the bad. But actually there's good too, right? There's always good.

Yes. And I, yes. Thank you. That's great. Fabulous recommendation. You mentioned earlier that you had presented on your seven week group and the outcomes, and I think I've mentioned before on the show this year that the Rudd Adoption Conference was virtual, and so their focus was adopted adults. Connections across generations. And so your presentation was the last one to wrap up this year for 2021. And so I'll make sure to link to that. So you talk more about the group and what's really special and Rudd actually linked both videos you have. There's two participant videos.

There's a shorter one and a longer one where people in your group are reading some of the work they did with you and some of the writing. It's very powerful. And then they're also a part of your presentation and talking about some of the things you said today about the impacts and I was there live, on Zoom. I think I was making dinner , but I was listening and it was just wonderful and accessible and really interesting.

And I highly recommend you go and check that out. And the other presentations that Rudd offered are also on their YouTube channel, so I'll link to those things. Then the other thing that you and I have in common, is we're both adoptees connect facilitators. And now that, I was just gonna say, now that Covid is wrapping up, I don't know, it's not really everywhere, but a lot of the adoptees connect groups are meeting in person again, we're still doing online here in Alberta because. Yeah. And just that's how it is.

But the founder of Adoptees Connect, Pamela Karanova just announced that they are now planting more groups. So if connecting with other adult adoptees has felt important to you, and if anything, what Liz was sharing about the power of community today was important felt important to you.

I would encourage you to go to the Adoptees Connect website and see if there's a group near you that you can join. And if not, you're the person like. Tag you're it. You can start it. You don't have to be a therapist. You don't have to have any credentials. You have to be an adult adoptee who's willing to connect with other adult adoptees.

And that's been one of great gifts in serving the community that I have, I've felt very blessed by doing it. Meeting new members and we have new people coming all the time to our group. We're still really small, but it's really cool to connect with other adult adoptees, especially people that haven't been in the community before and have no idea about the impact adoption has had on them.

And they're reaching out for resources and you could be the person that starts a group in your area. So I'd recommend you go and check out Adoptees Connect. Do you have any thoughts on Adoptees Connect, Lis?

Yeah, I think that again, we talk about the importance of adoptee only spaces and adoptee centric spaces and Adoptees Connect is one of the really important opportunities that we had to come together in community. It's about, building a community where we can just come together and share ourselves and our stories in a non-judgmental, social way. And we, my group in Salt Lake City just got together a couple weekends ago for the first time in person after host.

On Zoom, off and on throughout the pandemic. And we had two new members. And it's a it's been a slow grow for us here over the last couple of years, but people are, people we're finding each other and people are coming and I think it's, the more opportunities we have to create community together, I think it's another tool for healing.

And that's why it's been important for me. Is that I can bring more people together.

Haley: Absolutely Yes. Thank you. So speaking of that, where can we connect with you online and where can we sign up if we're interested in doing this writing experience with you?

Yeah, so I'm collecting, I guess a waiting list is the best way to put it. So lots of folks are interested and in order to keep myself sane and organized I will send you the link to the original Google form that folks can add their info to. They'll just have to skip through the part that says, are you available for all sessions? And just say no. Because it's from the Rudd, the original Rudd writing group that is already over. But everyone that is including their information on that Google form will, I will have your contact info and then as things develop, I will be able to keep in touch and let you know what's coming next. Things are still a work in progress, but I do, but I hope to do as, as much of, more of this as I can.

Love it. Wonderful. And what's your website? And I'll make sure to link to all that form and your other contact info in the show notes. But where can we find you?

Liz DeBetta: So my website is currently not live. It's of a work in progress, but it is my name: LizDeBetta.com. So easy. In the interim folks can look for me on Facebook.

Haley: Sounds good.

Liz DeBetta: And if it's okay, I would love to leave you all with a poem.

Haley: Yes. I can't wait.

Liz DeBetta: And though this is I also think about poems as gifts. And so this is for you and for all of us who might need to hear this. Right now.

I am here finally, fully frightfully aware of me, myself, and I, I. I've been afraid to be here, afraid to be me, afraid to present myself, my flaws and my imperfectly perfect self. I am here now knowing nothing is impossible because I am possible. I am me moving through grief, moving through pain, moving through fear to find peace in myself, with you, and in my circumstances. I am here unapologetically for the first time the fog has lifted. I am free. Free from shame, free from guilt, free from my own self-doubt. I am free to be me, myself, and I.

Haley: Thank you for that wonderful gift.

Liz DeBetta: You're welcome.

Haley: Oh my goodness, I cannot believe this is the last episode until the fall. It's our summer break and. Normally I would go to the end of June, but just because of Covid and having the kids at home, I know I've told you about this in the last couple episodes. This is just how it worked out. So I am taking the break.

I'll be ready and refreshed to come to you with new episodes in September. And there's a huge back catalog, so I am sure you ha you can have possibly listened to all 187 episodes. Have you scroll back if there's, things you haven't checked out yet, there's so many good episodes. I'm sure you can find a gem or two to listen to during the break.

And there's still gonna be new episodes for my monthly Patreon supporters. So if you go to AdopteesOn.com/partner. You can find out details of how to join us there. We are still hosting our monthly book club. This month we are talking about the Guild of the Infant Savior with Megan Culhane Galbraith, which is a fabulous book.

So excited to be reading that with her this month. We have Barbara Sumner in July. We are gonna have a round table in August. So many good things coming up. Even during the summer break. So if you can't get enough and going through the bad catalog is not gonna do it for you. Come join us on AdopteesOn.com/partner for the Patreon bonuses.

There's a weekly podcast there called Adoptees Off Script, and they're all ready to go for you. There's over a hundred episodes there. So if you really wanna go back and binge listen, there is more. I am so grateful for each one of you for listening. I am truly honored that I get to do this for you, to be in your earbuds and on your hikes and walks and commutes and when you're doing the dishes.

Thank you for allowing me into your ears and I am. I know I, it's so annoying that I say thank you a lot. I'm sorry. It's a Canadian thing. It's an adoptee thing. It's a people pleasing thing. It's just that's my quirk. Anyway, thank you so much for listening and I look very forward to talking to you again very soon.

In September, we'll be back with brand new episodes of Adoptees On to make sure you're subscribed or following wherever you listen to podcasts. Let's talk again soon.

117 [Update] Jemma Part Two

Transcript

Full show notes: http://www.adopteeson.com/listen/117

Episode Transcription by Fayelle Ewuakye. Find her on Twitter at @FayelleEwuakye


This show is listener supported. You can join us and help our show grow to support more adoptees, by going to adopteeson.com/partner.

(intro music)

You’re listening to Adoptees On, the podcast where adoptees discuss the adoption experience. This is episode 117, Jemma Part 2. I’m your host Haley Radke. Hey friend, it’s so good to be back talking with you this week. Last week, we replayed Jemma’s first appearance on the podcast where her biological mother adopted Jemma back. Well, things have changed quite a bit from that happy ending. Jemma felt it was crucial for other adoptees to know the ups and downs that reunion can bring over many, many years. We are going to wrap with some recommended resources and as always, links to everything we’ll be talking about today are on the website adopteeson.com. Let’s listen in.

(upbeat music)

Haley – I’m so pleased to welcome back to Adoptees On, Jemma. Welcome Jemma!

Jemma – Hi Haley, thank you.

Haley – So it’s been a minute since you were on the show. How about a couple years. And I just, I replayed your episode last week but I’m gonna just give Cliff’s Notes version. We talked about some really hard things, about estrangement from your adoptive parents, about your search and very quick reunion with your first mother. And even about her adopting you back. And we had this really you know, great conversation and it was so happy and lots of like, talking about, “It’s A Girl” party and all of those things. And then even by the time your episode had aired, some things shifted for you. So why don't you pick up your story there.

Jemma – Sure. So after we had our episode talk, and just before it aired, my mother received a terminally ill diagnosis. And was given a year maybe, maybe 18 months to live. And so that was kind of a rough blow because we had just kinda gotten to this point where it’s like, oh we’re gonna have time together, we’ve got all the time in the world. And it did not go that way at all. So she got her diagnosis. I went down, spoke with the doctor, I’m a registered nurse myself. So she didn't intend to tell me. She just kinda let something slip that was just enough that I was like, hey wait a minute. So I flew down the next morning in time for her doctor’s appointment and kinda of surprised her. And then you know, went in and got the details and what was going on. So then it was, she was going through a divorce at the same time, so yeah. So she, I had to kind of help her find a place to live and all of that. And once we did that, seemed at first she moved in with one of my brothers and that wasn’t working. So we got into a rental home with my youngest brother to kind of keep an eye on things. And then he was supposed to let me know when things were getting too much for him and then I would go down and take care of her. And come, gosh, I wanna say it was end of October, she was kind of acting not herself.

Haley – So only a few months after the diagnosis?

Jemma – Yeah. And so a few months after the diagnosis, it had spread to the brain and that kind of like, based on her behavior, I’m like, okay, this is spreading. And they got her to the doctor, turned out she had been skipping her appointments and all of that.  And so she, the doctor wouldn't release her from the hospital until I got down there to take responsibility and they instituted all of her healthcare surrogates and all that stuff which is me. So I went down to live and expected to stay until she passed. And that didn't go to plan either. So the brain metastases really altered her behavior very badly. And this person who, is really kind of a free wild spirit, but normally with me was very kind and very gentle towards me, certainly verbally and stuff. There are things she would never have said and next thing you know, I’m getting called the C word, the B word, you know, saying F you, go the F home. You know, all the stuff. And I’m like, well if I go home, you have to go to a facility, ‘cause they’re not gonna let you stay on your own at this point. So it got kind of rough. And she was pretty rough with my little brother and she would have moments of clarity where everything seemed fine and so forth. But it just kind of kept getting worse. And her terminal diagnosis was lung cancer, secondary to smoking. So I was also a hospice nurse. So I'm like hey, smoke away, as long as you're safe about it. So we had rules around the smoking. She wouldn't follow the rules. And I had to place her in a facility because she was putting all of us at risk. And I mean, we’re talking, sticking her head in the oven kind of risk to light a cigarette. It was bad. So she obviously, did not appreciate. So basically right after Thanksgiving I had to put her into a facility. But I found a facility where she could drink and smoke.

Haley - Really?

Jemma – That’s Polk County, Florida.

Haley – I was gonna say like, you can Tweet Jemma if you wanna find out the details for this place, so okay.

Jemma – As I say, only in Polk County.

Haley – Wow, okay, so things deteriorated really quickly. And it’s almost like you’re having this relationship with someone who’s completely different from the person that you’ve known for 20+ years.

Jemma – Well it’s sad, she seemed a lot more like my former adoptive mother in her behaviors. So it was really like this massive blow and I, you know every night I’m in bed and I’m crying and I’m saying, it’s not her. It’s not her. I mean, she actually got to the point where she was planning to threaten me with a knife but my little brother was the one who walked through the door, not me. And so she dropped it, kind of thing. And at that point I had to have her committed to check her medications and stuff. And they did find one medication that needed to be adjusted. After that we got her into a facility and it was very nice place. You know, I’m thinking gosh, if it was me, I think I might be okay with this place. It’s kinda cool. They had happy hour every Friday night. So there was a lot of fun and social stuff going on but she’s not really a social person in that way. I mean she’s social with parties, she does like that. But she didn’t view herself as part of this place. So it’s kind of tough. And she was at that point, then she’s fighting, then she’s threatening to get the attorney to overturn the, all the legal work that she did and I’m just like. Well, good luck with that.

Haley – To overturn your adult adoption?

Jemma – Power of attorney and–

Haley – Oh, all the healthcare things, okay. Yeah.

Jemma – Yeah, but it just, you know, there was one point when she was just calling me every name in the book. And I just, you know you have that moment. It’s like on the one hand you know it’s not really them talking. But at the same time, you’re human and you have that human moment and I’m like, why the hell did you even adopt me back if you were just gonna treat me like this? And she said, I don't know.

Haley – Ugh.

Jemma – And I’m just like, well alright then. You know, and then you go back and again, I mean thankfully I go back and go okay, not her. Not her. But it just, it still hits you in the gut.

Haley – Now in our last episode, you told me that, in your, almost very first meeting, she told you who your father was. And that he wouldn't really, he wouldn't give you the same reception as she had. And you said that you had met him once and that you had you know,a  couple of relationships with some people on the paternal side. But he had passed away I think.

Jemma – Correct.

Haley – Okay, so now I know there’s some stuff with that as well.

Jemma – Yes.

Haley – Why don't you tell us about that.

Jemma – Sure. So, after all this stuff with her, then in, and I had been asking, ‘cause I had some questions. Because my uncle, my paternal uncle, had done a DNA test for me. and it wasn’t matching up. And I’d be calling Ancestry saying, what’s going on. And they’d be like, oh no, it’s something with the algorithm. And they kept giving me the runaround. And so my gut was kinda going, ding, ding, ding, ding, ding. But they kept telling me this, and my mom kept swearing that this was the only possibility, saying, I was a virgin when I met him. And he’s the only one and all this stuff. And I’m like, okay. And of course, you don't wanna believe that your mother would lie to you. You certainly don't wanna believe that she would adopt you back with that hanging over you. But I was in an adoptees only group one day, it was like in January. And this is the following January after she adopted me back. And this gal started talking about her crazy Polk County family. And I started making these jokes about hey, I’ve got a crazy Polk County family. You know, maybe we’re related. And we started talking behind the scenes. And I said yeah, maybe you can get a match to my uncle ‘cause I sure can't. And she said, come again? Pardon? And I told her what was going on with the DNA and she goes, oh gosh, how do I tell you this? She said okay, there’s two scenarios here. Either your father’s adopted or he’s not your father. And I said well I know for a fact he’s not adopted. She said, well then, he’s not your father. And I said, well, but they’re saying, she goes, I hear you, I tell you what. Why don't I pull you into the DNA detective groups that I’m a part of and we’ll see what you can post in there and see what everybody says. You know, or if you just wanna trust me with it, I’ll help you find the right dad. And I pulled up her profile and on the bio it said something like, part time DNA expert. And I just yeah, I think I’m gonna trust you on this one. Because I don't think you would tell me this willy nilly. So let’s, okay. And I said, and I’m just gonna tell you, you’re gonna need to beep this one out. I said I better get <bzz> sisters out of this mess.

Haley – Oh my word. Okay, so the person that your mother first told you was your father and that you had met –

Jemma – And formed relationships with his family, his brother, is not the daddy. So now it’s like, I say, this is the not the daddy, this is the not the uncle, the not the cousin. You know, and I got off the phone with her and I was like, practically hyperventilating. And I called my not the cousin. And I’m just, I just lost it. And I told her I’m like. And she said. well I don't give a damn what that DNA test says, you’re still my cousin. You’re still part of this family. And I just, oh I just lost it. Just lost it. And in fact, I was down in Florida shortly thereafter, within like 2 weeks, I flew down the end of January to confront my mother. And to get her to do a DNA test so that I could isolate her DNA. And understand, I had –

Haley – This is like 6 months after her diagnosis and you’re already seeing these challenging things with her personality.

Jemma – Oh yeah, and so, and understand, I had given her a DNA test back in 2015 when I gave one to my uncle. And she kept coming up with excuse after excuse about why she hasn’t done it yet. So I swung by the house, I picked up the old DNA kit, this 3 year old DNA kit and I brought a new one with me from a different company, just in case there was a problem with the failure of whatever. And I had those in my purse. And I, and my best friend had already called her and gone to see her and confronted her. And tried to get her to tell her something. Give her some kind of information. And you know, she kind of acted shocked and oh, gosh, you know, whatever. And at any rate, I was having an issue with one brother with all this stuff that went on with my mom and he wasn’t speaking with me at the time. Which is, it’s been resolved, but back then he wasn’t speaking to me. It’s my younger brother, when he found out that my mother had lied to me, about who my father was, he was just really, really upset. It really hit him hard. And my brother said, if it’s okay with you, I’d really like to be there when you confront her. And you know, this is a brother who generally really isn’t much for confrontation or anything, but he just, he felt like he needed to be there to support me as I talked to her. And my best friend also went with me. So the three of us go into her room and first we start kind of like with these, you know, the little niceties. And at this point I’m already kind of really just livid underneath. And I had to keep reminding myself, she needs to be able to play the victim. You have to give her that to get what you need. And so I finally just said hey, listen, there’s this elephant in the room. Let’s get it over with so we can move on. And she’s like, okay. And I said, so Randy’s not my father. DNA has excluded him as being my father. And so, what can you tell me about that? And she was like, oh gosh, I mean, well there was this guy, Mark, and he was gonna be an attorney. And she just gave me this whole thing, which by the way, also not true. Also not the daddy. She’s like, I can’t remember you know, his last name. And I said it doesn’t matter, I don't need a last name, I just need a little info, whatever you can give me will help. And she’s like, really? And she just gave me all this other fake info. And from what I’m hearing, honestly Haley, I don't doubt there was a Mark. I believe there was a Mark. There might have been a Jim, a Joe, and John too, from what I’m hearing. So, which, I mean, okay. I’ve never cared about that. I mean, it’s kind of funny because I told her, I don't care if you screwed the whole football team, I really don't. I just care about who my dad is. I’m not gonna judge you for who you had relations with. I mean, that’s none of my business.

Haley – Yeah.

Jemma – Outside of who my father is, I really don't care. I’m like, I’m no angel. I’m not gonna judge you for that. So I didn't really address with her, why’d you lie to me. You know, because it just, it wasn’t gonna get me whatever it was I needed. And I said, so at this point I’m like, she gave me this information, who knows at that point, I’m like, who knows if this is real or not. And I said, so mom, there’s one more thing that you could do that would just probably help me better than anything. And she said, well what’s that? Well, you could give me a DNA sample so that I can isolate your DNA, so that I can know that what I’m left looking at is all my father’s family. So that I can kinda figure this out. And she’s like, oh, okay, sure, send me the thing. And I said, yeah, no need, I've got two kits right here. So she said yes obviously, she’s got witnesses seeing her agree to this. And she’s thinking I’ll say yes and you know. So I pull them out and her mouth just kinda popped open and that little, oh! Oops, I’m caught. Oops, I’m in trouble. And my best friend went over there and we just did the samples. We’re like, here you go.

Haley – Why do you think she was so against you finding out who it really was?

Jemma – I really, well I think because she not only lied about the fact that she hadn’t been with anybody else, that there were these other possibilities. She also said, you know, that my father knew about me and that he didn’t you know, that he wasn’t interested or whatever. But none of that’s true. I mean, and I think she was afraid.

Haley – So just that she was like, caught in this lie, and also just ashamed that she literally didn’t know who it was?

Jemma – I think there was toxic shame there, that there were multiple partners within a short period of time, she didn't know who the daddy was. And I was always willing to say, okay listen, maybe you really believe that this guy was the guy, but to lie to me and tell me there were no other options is where you went afoul. I mean, that was the problem that I had. It wasn’t that there were multiple options. I don't care. I mean, but, I could’ve done a DNA test with Randy 26 years ago and known then that he wasn’t my father. And so since then, like I said, I did pull out the DNA thing, she’s like, oh, she said, I don't, my mouth’s really dry. I said, no problem, came back with lemons for her sip. And all of a sudden, water water, here you go. And she’s like, yeah, hello, nurse here. I know the tricks. So I you know, so got it and literally dropped them in the mailbox on the way back to her house from the facility. And then I just, I didn't really talk to her much over the next two months or month and a half. Because I was still just you know, so I talked to her where I had to. Things that I had to deal with, I dealt with. And you know, relative to her care and making sure she was okay and all of that. But to sit and have a chat like we used to, I couldn't do it. I was like, I'm not, I can't fake it. What I feel is always written on my face. And it comes out, you know they say resting B face, I’ve got resting B voice as well. I can't hide and I can't lie. I always say I’m allergic to lies. I can't lie, I suck at it. And to hide that I, I mean I guess if my life depended on it I could. But for that I’m like, uh uh. So for me it was easier to not talk to her until I was able to kind of compose myself. But anyhow, March comes around and her DNA comes back isolated it out. Let me backtrack for a second. When I was talking to the gal, the gal that not the daddy on the phone, it only took her like 5 minutes looking at my, I gave her access to my stuff on Ancestry. Took about 5 minutes. She said, well I know that this first person here is a paternal one. And it was like, my closest match that wasn’t my mother or my daughter kind of thing. Or at the time wasn’t my daughter. This is a paternal match based on the other information that you’ve given me. She said, I can’t say about the, anybody else, but this one I know is paternal. And it was a first cousin to my father. But it was a female, so it was, who knows last names or whatever at the time.

Haley – That’s a really close match.

Jemma – Yeah, oh yeah. But she’s like, but I can’t find her anywhere. She said, I’ve already run a search and I can’t find this chick anywhere.

Haley – Oh.

Jemma – And it’s like, she said, I think this is a married name and it’s not, we’ll keep looking. And so she started on a mirror tree at that point and by the time March rolled around and mom’s DNA came back, she had given me a couple of surnames to look out for just as possibilities. And when my mom’s DNA came back, I found that the second highest match that wasn’t my mother or daughter, was also a first cousin match to my father on the other side. So now I had first cousins on each of my father’s family sides.

Haley – Okay so that means like, your father’s maternal side and your father’s paternal side?

Jemma – Yes. Exactly. Yeah. So I just had to at this point, try to narrow this down. And I’m looking at it. Neither of them had a tree. And neither were responding to me on Facebook. And neither of them had been on, I mean not on Facebook but on Ancestry. And neither of them had been on Ancestry in a while. So I’m like, okay, I’m kind of at a dead end. But what I did was look at, I went up to the next people on each side that had an extensive tree. And those were third cousin matches for both sides. So I went those, basically 3 generations up, and then I basically, using the genetic genealogy, where you go line by line, coming down and ruling people out based on age or what have you, just kind of came down until I found where the two trees intersected at my grandparents. And that was after two days, 12 hours a day sitting in front of a computer.

Haley – Oh my word.

Jemma – So then I looked at that, and then I looked a little further, and then I kinda said, okay, well so these are like possibly my grandparents, let’s look at their kids. And they had three kids, and two of them were boys. One of them was likely too young you know. I didn't think my mom would go high school after she was already out. Then again, I’m finding I really don't know her. But my instinct was correct, and unfortunately, when I did a Google search on my grandfather and kind of hit the mother lode, there was this, I don't know what you’d call it, like an anthology of this family name all the way back to the 1600s in Scotland on Google. And it just was coming down and boom down, boom, found my family line and boom, there’s the likely father. Father, brother, father, uncle, aunt, whatever. Father deceased.

Haley – Oh.

Jemma – Died 7 years after I found my mother.

Haley – Oh no.

Jemma – So her lies kept me from meeting him. And then I looked a line down and found, I have 2 sisters. I have sisters. I got my f-ing sisters. So I thought, well, okay. Which is, it’s kind of funny, because I always felt like I had sisters out there. It just never made sense to me that I kept finding brothers. And I just felt like I had sisters. And turns out I did. You know one is 3 years younger than I am and the other is 11 years younger. So I tried finding them and I has having trouble finding them and so thankfully in this anthology, it had their mother’s name and they had been, their mother and our father had divorced. But I found her on Facebook. And I couldn’t access her friends list, ‘cause you know a lot of people have those really locked up tight. And so I just pulled up on any public post that she had, I pulled up anything that had a lot of likes on it, to see if I could find anybody with their names. And sure enough, I found them, I found their names that way.

Haley – Wow.

Jemma – So then, so once I had their current names and stuff, I tried to, you know I tried White Pages which is the thing where you can pay to get current numbers and this, that, or the other. But they didn't have any current numbers for them. So the first person I contacted was, my father’s second wife. And this is before I knew that I had sisters. I actually had tried to contact this second wife. And basically she said, he’s dead, that’s all I’ve got to say.

Haley – Oh.

Jemma – Didn’t even tell me I had sisters or anything. So, okay. So then found out I had sisters, and then I thought, well you know I think I’ll reach out to my uncle first. ‘Cause I don’t want to mess with them until I see if the DNA matches. Because I don't wanna upend their lives, I’d rather upend an uncle than sisters. I just figured an older adult would probably handle it a little bit better than younger potential siblings. And contacted him and he was a little sketchy on talking to me. He spoke to me and stuff and mentioned that I had sisters. And then said some not very nice things.

Haley – Oh no!

Jemma – And I just said well, that’s between y’all, I still wanna talk to them. And he agreed to, he told me to send him all the info that I had on how I came about my discovery that, or thought process that led to them. And led to his brother. So I sent him everything, I screenshotted everything, all the DNA, all the everything. And sent it to him and then he sent me a note back saying, okay yeah, I’ll do a DNA test. And so I sent it to him and whatnot. But I sat there, after I got off the phone with him, and just based on what he said, my gut said, if I don’t contact my sisters, I’ll never get to talk to them. Because he’s not gonna facilitate this, he hates them. He is not gonna help me.

Haley – Yep.

Jemma – So I contacted them the only way that I had which was through Facebook Messenger. And I just constructed a message and sent it to both of them, you know I pulled them up, sending them a friend request. And that I was going to put a special photo album on my Facebook for them to look at. So that they could decide. In the meantime, before I did this, before I reached out to any of them, I did call this DNA friend that told me not the daddy and said I think I found my father. And she’s like, okay, and she took a look and then she took one look at the photos and said oh yeah, you got the right guy.

Haley – Oh my goodness. And she’s done this a bit, so she knows.

Jemma – Oh yeah. She’s like, oh yeah, you got the right guy. Seems kinda funny but –

Haley – So what was in your message to your sisters that you crafted?

Jemma – So what I said was “Hi, I’m contacting you because I believe I am your older half-sister. I know this is likely a shock to you as it certainly was to me. For the last 25 years, I was told my father was someone else. DNA, however, has just recently excluded him as my father. I am pretty sure that GA was my father, based on a very close DNA match to his first cousin. My mom dated him for a month or so in the summer of 1970, as confirmed by both my aunt and my mom. I was born just before he went into the navy and before he met your mother. I was placed for adoption in March 1971, he knew nothing about me. I would love to speak with you. I will friend request you so you can check me out a bit. I will give you a little info here though, I am 47 in 2 days, I am an RN by profession, a stay at home for a long time now, have two children so and so, and so and so, and gave their ages. This one’s still in college here in Missouri studying equine sciences, my husband’s a CPA, partner at PWC, live just outside of Philly, grew up in Winterhaven, Florida. I have two half brothers on my mom’s side who are in Lakeland, Florida. I’m just trying to find the truth about who I am and where I come from, medical info would be a plus, especially for my kids. I’m happy to pay for DNA tests through Ancestry DNA, I would be grateful if you would speak with me at least once, although I am very open and hoping to get to know you and developing a relationship as sisters.” I give my cell number and just said, I assure you this is real and not a scam. I just want to know my family.

Haley – And you, you said you had had some pictures and things. Did you send them like, here’s all the DNA work I did, like you had to, send receipts?

Jemma – You know, it’s kind of funny, I did eventually show her some of the stuff. But it wasn’t like they were like, I need to see this and so forth. And so I sent this same message to both sisters. And then I was sitting there and I was talking to my husband on the phone and I’m just like, shaking and then all of a sudden, the little thing comes up next to the message that shows you that someone just read it. And I’m like freaking out, I’m going, oh my God, she just read it.

Haley – It’s live, and you know. Things are happening.

Jemma – I’m like, oh! She just read it! And then I’m like, okay, let’s see what happens. And apparently, like she read that and she called my other sister and was like, have you looked at Facebook yet this morning? And she’s like, no, I’m just getting up. Now this other sister is in the UK. And so she is 5 hours ahead of me. But it was just kind of, you know, she’d had some fun out on the town the night before. So she was like, ugh. She said, why, what’s going on? She goes, sit down and open your Facebook.

Haley – ‘Cause, did you send it like a group message to both of them at the same time?

Jemma – No.

Haley – Oh okay, but you sent the same thing to both?

Jemma - Yeah. So she, they're just kinda like oh my God. And then they hold up the photos that had, so they got on my thing and pulled up the photos that it had put in. And they immediately I guess called their mother and said mama, what do you think? And she goes, oh yeah, she’s an Arbuthnot.

Haley – Oh.

Jemma – She said, I can see it, I can see Greg in her. Right there. She’s definitely, yeah, she said I mean, the DNA stuff will confirm it, but you honestly don't need it. And this was their mother. So anyhow, my baby sister sent me a thing says, hello, this is definitely a shock. I would love to chat with you. Is there a good time to call you? And I was like, I’m available anytime, I’m available now, whatever works best for you. And then next thing I know, I’m getting photos of my dad sent to me. You know, from his wedding to their mom and a picture of him holding her when she was little and just different various pictures and stuff. And then there’s like this one that they sent, and then she sent pictures of our grandfather. And I’m just, you know, and we’re just kinda going –

Haley – So you’re back in like the reunion, honeymoon stage.

Jemma – Yes, so then she called me that day. Like right then and we started talking. And it was so comfortable. It was like, you know, it wasn’t weird. I mean, we were you know, kind of laughing at all kinds of different things and just talking about different personality traits and going, oh my gosh yes. And oh wow, me too. And one of those things was that she has a degree in equine sciences.

Haley – Oh my, so, and that’s what, your daughter is taking that.

Jemma – Yeah, my daughter is doing equine facilitated therapeutics but at the time she actually equine sciences major. But yeah, so same, they both have that same love of horses. And studied in college and stuff like that. And just, sent a picture of me when she was 18 and I put up a picture of when I was 18 we look like the same person.

Haley – That is so wild.

Jemma – And yeah, I mean, and it was cute ‘cause her husband, she says, my husband went nuts and photoshopped me into one of your photos. And it was just so cute. And I mean, it was really, really cool.

Haley – Are you still in touch with them? And do you have relationship with them?

Jemma – Yes. So my other sister called me the next day and again more funny coincidences. Like we both have a Phoenix tattoo on our backs. You know, just stuff like that. We just kind of have been, we were kind of talking. I contacted them on a Sunday. But that Friday prior, my baby sister had sent out a DNA sample to Ancestry.

Haley – Come on.

Jemma – So even if all this other stuff hadn’t happened when it did, the universe was bringing us together no matter what.

Haley – You would have had, you wouldn't have had to do all of that genealogy down all the layers.

Jemma – Right?

Haley – And you would have had a match with her.

Jemma – Yeah.

Haley – That’s incredible.

Jemma – Yeah, so it just kinda, it kinda all came together that way. So that was mid-March and I got a call then in April, that my mom was taking a turn for the worse. And I got on a plane to go down and basically they said, you know, they told me oh well it was this day that she started, things started to change. That day, Haley, was my father’s birthday. And so then I got on a plane the next morning to go down and be with her for her last days. And then while I was there, my, both brothers, I got them both up there. And we kind of healed the stuff with the brother that we weren’t really having a good time with at the time. And we got that kind of worked through which was good.

Haley – What was that like for you, being with them and being with her in this time after you know, so much, so many things had happened, that were really painful for you?

Jemma – It was probably the hardest, one of the hardest things I’ve ever done, was trying to give this person grace, that had lied to me the entire time that I knew her. That because of those lies, I never met my father, I never met my grandmother, who also died during that time. So you know, there was a lot there and I just, it was kind of hard because when I did find out for sure who it was, and this is kind of important. I called her to tell her. And she’s like, oh, so who was it? And I gave her the name and she’s like, huh. Well, I’ll tell you the same thing I told you with the other one. Don't expect a good reception. And I said well mom, I don't really expect any kind of reception considering he died. And she says, good, then you don't have to put up with that crazy family. And I kid you not, I almost vomited. I was just like, wow. I just, and I literally got off the phone. I’m like, I gotta go. I gotta go. And I just, I couldn't even say I love you. I was like, I gotta go. ‘Cause it was just like, it was just nauseating.

Haley – Yeah.

Jemma – Cruel. It was cruel. And she had just never been, even talking about my not the father, when we thought he was the father, she was never cruel about it. She was matter of fact and trying to, seem like she was trying to protect me. But this was, she was just being cruel. And again, I mean, brain metastases, it just totally changed her behavior, but I don't, so that was tough. Being down there in that space, and of course you know, I told my brothers what was going on and they were both just like, oh my gosh. And they were both I think, very upset with her for doing that to me and for you know, acting that way. But just for the lie in general. But it was a very, a very healing time for my brothers and me. with the previous rift there that had come up, we just kind of, we’re sitting there. And it’s actually, there she is on her death bed, the three of us sitting in the room with her, she’s basically comatose at this point. And we’re talking about everything that was going on and the things that she had done and so forth. And at one point I literally stopped and said, turned around to her and said, we’re not talking about you mom, we’re, you know like, we’re not bad mouthing you, we’re just explaining who you are, this is who you are. And my brothers kind of laughed like, we all kind of had that odd chuckle like, this is so inappropriate. But what are you gonna do? This was the only time there was gonna be to heal this. It needed to happen and it was in my gut was saying, do this while she’s still here and you can tell her that everything’s okay. And then she can go on. She can, it’s not something she’ll worry about. It’s not something that’s gonna make her hold on or what have you. And she, at one point, my brothers left and went home. And I was there with her alone, she kinda opened her eyes at one point. And I just said, I just wanted to talk to you for a minute because one of the things that one of my brothers had told me was that, whenever I had spoken to her about the trauma of adoption, and so forth and what I had experienced and you know, as a result of adoption, because here I am trying to get into a space of advocacy, and I’m kinda starting to get pumped. And I’m excited and I’m trying to share this with her. But what she heard was me trying to guilt trip her. And that’s what she had said to my brothers was that I was trying to make her feel guilty for the decisions she made. So there I was with her on her last day and said, I understand that you’ve made this comment to my brother and she said yes, I said that. And understand she hadn’t talked in like 2 days. But she says yes, I said that. I’m like, okay. And I said, well, I need you to know that that’s not true. How you feel isn’t the truth. That is not the truth. I said, if you feel guilt over what you did, you need to let that go, in terms of giving me up for adoption. You don't have to hold on to that, I’m not holding on to that in terms of, I mean I wasn’t you you know? You had to make the decision. You dd what you thought was best at that time and I’m not gonna waste my time being angry over that part. I mean I am, not happy that she didn’t even tell my father I existed, because everybody says, he would not have consented.

Haley – Consented to you, being relinquished?

Jemma – Yeah, he would not have consented to me being relinquished. So I’m just kinda like okay, little salty about that. But I told her I said, if you wanna feel guilty about something, feel guilty about lying. But the truth is mom, I’m really angry with you. But I don't wanna be angry with you. And so I’m gonna have to choose here and now to let that go with you. And she said yes, let it go. And those were her last words. I stepped out of the room briefly so they could kind of, do some comfort measures with her. They came out and got me and said, you need to come back in. and I walked in and I put my hand on her and she took her last breath. And I just, you know and it’s strange because as a hospice nurse, I’ve attended a lot of deaths. And I just sat there like, really? That’s it? But it was, you know, a little irreverent I guess, but I was like really that’s it? And they looked at me and they all knew that I was a hospice nurse so they were kinda like, yeah, that’s it. I think that’s the last one. I’m like, okay. So walked out, called my brothers, and everybody came up there and that was that. But the interesting thing is, as I was flying down to be with her, my sister’s DNA results came in that night. So when I went to see her, I had that solid feeling of, I found my people. So I don't know, I just was like okay, I’ve, this is, I’ve got this.

Haley – Did that make it any easier for you? Knowing that you had your certain answers, did that make it easier to tell your mom like, I can let this go?

Jemma – No. And I mean, it really didn't, I mean I, my focus at that moment was, I don't wanna say, it wasn’t disingenuous. It just was, I wanted her, she was my mom. And I loved her. And I wanted her to go with peace. And I wanted to just kinda set myself aside to give her that. And I mean, ‘cause the reality is, you know mentally she was already gone. And had been and so it’s, I knew I was never gonna get the real closure of her acknowledging that she lied or saying she was sorry for lying. Or even, I knew that was off the table because she wasn’t even capable anymore of that. And so it was just gonna be a matter of giving her enough grace to let her go peacefully. And it wasn’t easy. That was pretty rough and then actually a couple days after that, I went and had lunch with Renee Gelin of Saving Our Sisters. And after lunch with her I was sitting in my car and I realized that I was only about a 30 minute drive from where my father was buried. So I drove to Florida National Cemetery. And went to visit his grave. And my grandparents are also buried there. I also went to their grave and while I was sitting there at his gravesite, my baby sister called me out of the blue. It was just like, how did you know? I needed to hear from you right now. It was just another one of those coincidences and stuff. And so after I sat and kind of talked to his grave for a little bit, I walked over to my grandparents and introduced myself to their grave, because I was their first born grandchild. None of them ever knew about me. But it’s, you know, I get to hear stories from my sisters and from their mom and probably my older of my two sisters is the one telling me most of the stories just ‘cause she was older. So she probably remembers our grandmother I think a little bit easier and stuff. But it’s nice when she says stuff like, you’re just like our grandma. She was a such a sweet woman and stuff like that. But I did go out and visit them, they were together in Oklahoma last July visiting with their mom. And so I flew out to Oklahoma, near Fort Sill. They met me at the airport with a bouquet of flowers and hugs and we were going along, just kinda doing our thing for a couple of days. And then on the third day I went over to actually meet their mom and everybody. And I, you know, it’s funny I thought that I’d be boo hooing the whole time because it was just so emotional. And I was just like stoic. I don't know, like I disconnected. It was really kinda strange. When I met their mom and I went over and she gave me a hug and I sobbed like a baby. I broke down in their mother’s arms, just like, sobbing. And of course I’m sitting there like I’m so sorry, she goes nope, no apologies, we do emotions in this house. And she saying things like, it’s okay, you’re with your family now. You’re home, you’re with your family. We’re all here. And just, and then my baby sister stands up and says well it’s about damn time you showed up Jemma. I mean it was just, and I guess I didn't even realize, it’s almost like you’re kind of holding your breath for all of it. I don't even know how to explain it. I just was so, it was so strange for me. And that was that. I mean, after that there were tears, there were lots of laughs and stuff. And I got to meet my cross sister who’s their half sister on the other side. And she’s awesome and you know, and I did say to her, I felt like I needed to say something to her because she’s had these sisters for 20 some years. And here comes this stranger stepping into the picture and I’m just like, I’m not here to take away, I’m here to add. And she’s like, cool. And I said, if it’s okay with you, we can be bonus sisters. This is a bonus. And so we were like okay, cool. So there’s that. And then—

Haley – Oh my goodness, there’s so much. Your story is like, it’s like this huge rollercoaster and I feel like you’ve had so many ups and downs and finally you have the truth about everything and I think you’ve handled it, I mean, amazingly well. I can't even imagine what it must be like to go through that.

Jemma – And I think that’s the thing with adoption and with reunions and stuff. It can turn on a dime. I mean, it just, it’s one minute here, one minute not. One minute not, one minute there. And it’s just, it seems so ever changing and for me I’ve been struggling with that whole, that fear of abandonment. That fear that something’s gonna go wrong and then they won't be there. And I just point blank told them that. And they're both like, not gonna happen. It’s just not gonna happen. You're our family, this is, you’re our sister and that’s all that matters. So don't, you don't have to worry about that. And there are gonna be times, we may get upset with each other at some point but that’s okay because we’re sisters, we’ll work it out. And so it, that’s been nice and they’ve been very reassuring in saying things like, the more you're around us, hopefully the more relaxed you’ll feel about it. And maybe it won't be as big of a fear for you. And the more we connect and stuff. But when I met with them and just being around them, it’s very much, very natural. Very like, you can tell, this is what was supposed to be. We were supposed to have each other. And it’s, I don't know, there it is.

Haley – Well I’m so glad that you’ve got another, happy ending? I don't know, happy beginning? Do you have a last thought on anything that you wanna share before we do our recommended resources?

Jemma – Yeah, I think that’s really the big thing. And just, you know, that fluid nature of all of it, how it just, it is up and down and around every curve. And I just thought I was through a lot of it. So it just kind of, what is it, just when you think you’re out they pull me back in. it’s like, you know, kinda—

Haley – Yeah, no kidding. Well the reunion roller-coaster is real for you, for sure.

Jemma – It is real. The struggle’s real. But just looking forward to every moment I get to spend with them and you know, one sister came over at Christmas and my baby sister’s coming this July, so we’re just, we just keep planning. We’re planning a trip to France in the next year. So yeah, and we’ve already decided, I’ve already told them my 50th birthday we’re going to the ancestral home in Scotland.

Haley – Exciting.

Jemma – So we’re doing that.

Haley – Lots of good stuff coming up. I’m so glad. Okay, alright, let’s do our recommended resources. And, ‘cause I knew were gonna be talking about some challenging things in your story today. I picked this article that’s called, To Grieve is to Carry Another Time. And it’s by our fellow adoptee, Matthew Salesses. And it’s on Longreads. So it’s this really beautiful and thoughtful piece about grief and adoption. And Matthew lost his wife last year and he has two young children and it’s just a really beautifully written piece. And I think because so many people don't understand the intricacies of grief that are woven throughout adoptees’ lives, I think Matthew really gets it. And so I really recommend this piece and it’s a little bit of a throwback. It was written in April 2019 and you can also find other things that Matthew’s written, his Twitter is @Salesses and I’ll link to that in the show notes. Jemma, what did you wanna recommend to us today?

Jemma – You know, I think the best way I can say it is all things Anne Heffron. I just, I seriously, every day on Facebook and she’s posting, she’ll post a picture of a flower or some pretty view or something. And it just, I don't know, it’s kind of soothing seeing them. And then like, her book, I’ve been reading through her book and it’s just, yeah her book, You Don’t Look Adopted. It’s so real, I mean that’s the thing. You read some stuff and you go oh gosh, boy this is really, you know, but this is just real. It’s raw. It’s Anne. And she holds nothing back.

Haley – That’s very true. You had a chance to go to one of the retreats that she does with Pamela Cordano, how was that for you?

Jemma – Yes, oh it was wonderful. We did the Beyond Adoption:You retreats. And it was amazing. And I think it’s very accurate to say, healing happens in community for adoptees. And I’m not gonna lie, it was rough. To do some of the things that we did, some of the exercises. And it was hard, but it was a good hard. It was the kind of hard that pushes you to a better spot, you know, you walk away going, I’m better for this. I’ve gained insight and I think we gain into yourself and into others. And it just, we had a wonderful group of people that you get to know made some, what I feel are gonna be lifelong friends. And I actually got together with one of them at the American Adoption Congress—

Haley – Where we got to meet!

Jemma – That was a highlight for me by the way. That is definitely a highlight for me to get to sit and chat with you for a minute, face to face.

Haley – That was so fun.

Jemma – It was very, I found it very valuable to go and do that and meeting Anne and with Pam, and it just, it was just, again, I mean, you get the real, raw person. To me, that’s refreshing. Because it’s that space where you can really let go and be the real you, whatever, whoever that is in that moment. Because I think we’re all evolving on that front. But you know, you just, you get to let the emotion out and you don't have to feel any shame for having the emotion or whatever you’re feeling, it’s just okay. This is what you’re feeling. And so it was very, really wonderful to me to do that. So yeah, it’s all Anne Heffron for me.

Haley – So you can find links to all things Anne Heffron, her website is AnneHeffron.com. And she’s got all her social media links there and you can find her book there and all the things. Thank you so much, Jemma, thanks for sharing your story with us again, the ongoing saga of reunion and search and all the things. Where can we connect with you online?

Jemma – A lot of people connect with me on Facebook, but generally I’m on Twitter.

Haley – Your handle is @J_R_Sullivan.

Jemma – I interact a lot there. Well thank you so much for having me again to kinda go through and it just, it felt unfinished after everything changed. It felt like there was this thing hanging out there. Like everybody thought that everything was just so perfect and lovely and everything was just, you know, and I’m just, I didn't wanna leave with that complete impression, that that’s the way it ended up. It felt wrong to leave it that way.

Haley – There is this, I think for, I don't know, I don't wanna speak for all adoptees. But I think for a lot of us, there’s a deep desire to be authentic because we search our whole lives to find our identity and so you know, you said for you, lies is like, I don't lie. That’s a deal breaker. Yeah, you know, we wanna tell people the whole story. And there’s so many like, picture perfect reunions and we don't get to see the after the airport moment. Thanks again Jemma.

(upbeat music)

One awesome, free way to support the Adoptees On podcast is to share the show with one other adopted person that you think would really benefit from hearing adoptees’ stories. I find when I recommend a podcast, sometimes it can be a little overwhelming, especially if there’s over 100 episodes like we have. And the best way to do it is to share one specific episode that you really love. And I would love it if you would share this show that way or on social media. Another way you can come alongside and support the work of Adoptees On financially is adopteeson.com/partner where there are perks and bonuses to financially supporting the show every single month. And I’m so grateful for my ongoing Patreon supporters, without you guys I wouldn’t be able to continue making the show. So I’m so, so thankful. Thank you, thank you, thank you. Thanks so much for listening. Let’s talk again next Friday.

(exit music)

116 Mariama J. Lockington

Transcript

Full show notes: http://www.adopteeson.com/listen/116

Episode Transcription by Fayelle Ewuakye. Find her on Twitter at @FayelleEwuakye


This show is listener supported. You can join us and help our show grow to support more adoptees, by going to adopteeson.com/partner.

(intro music)

Haley - You’re listening to Adoptees On. The podcast where adoptees discuss the adoption experience. This is episode 116, Mariama. I’m your host Haley Radke. Today I’m honored to speak with Mariama J. Lockington, author of For Black Girls Like Me, which releases this month, July 2019. We talk about her experiences growing up as a transracial adoptee, what microaggressions are, how writing was always one of her passions, and why it is so critically important to share our personal adoption narratives. We wrap up with some recommended resources, and as always, links to everything we’ll be talking about today are on the website, AdopteesOn.com. Adoptees On is celebrating our 3rd birthday this week. And I’m gonna talk about that milestone a little bit more at the end of this show. First let’s get to the amazing conversation I had with Mariama. Let’s listen in.

(upbeat music)

Haley - I am so pleased, to welcome to Adoptees On, Mariama Lockington, welcome!

Mariama - Thank you so much, I’m really excited to be speaking with you.

Haley - Will you please start out the way we always do with sharing your story with us?

Mariama - Yeah of course. First of all, I just wanted to say that I love this podcast so much and its just been a really great way to stay connected with the adoptee community and I just appreciate the work you do on centering our voices. So I was excited to be on it and just have really enjoyed the community that you’re building. So thank you for that.

Haley - Thank you so much, thank you, that’s so kind of you to say.

Mariama -My story is, I am a transracial black adoptee and I was adopted in the 80s. It was a closed adoption so I was actually born in Atlanta Georgia. And when I was three weeks old, I was actually flown across the country by a social worker and I met my parents who at the time were in Colorado, living in Denver Colorado. And you know, like many couples who maybe turn to adoption, not all, but many, my parents had fertility issues up front. However my mom also has talked to me about the fact that she always sort of had adoption as something that she was interesting in doing as well as having biological children. So you know, I was adopted –

Haley - Did she say why? Was that like, a religious thing or a social justice thing or--?

Mariama - A social justice thing. I don’t know if she would use those terms, but I think she grew up in LA and actually has told me a story about the fact that her parents, my grandmother and my grandfather at one point actually started to do the process of trying to adopt a young black boy in the 60s and 70s. And they were actually told they couldn’t adopt because they were on government assistance. And so they were sort of deterred from continuing in that process. And so the story that my mom tells me is that sort of that moment with her parents sort of influenced her in thinking about ways to build her family in the future. So that’s the story that she has told me. I actually, I heard it from her but not from my grandmother when she was alive. So that is something that she has talked to me about a little bit. I am the oldest of four. Because two years after I was adopted, my parents got pregnant with my sister. So I have a sister who is my parents’ biological child and she’s a couple years younger than me. And then I also have two other younger transracially adopted black and biracial siblings who, my brother was adopted when I was 6 years old and then when I was a junior in high school, so I’m quite a bit older, my baby sister was adopted as well. And none of us are biologically connected. But we all are transracial adoptees. So it was not a secret to me that I was adopted of course. I am a different race than my parents. My parents are white. And so, to some extent growing up, I knew that our family was our family, and that families get made in different ways and that sometimes babies come from, my sister came from my mom’s tummy, and I had a biological mother somewhere out in the world that I came from. And you know, similarly, when my other younger siblings were adopted, my parents had to sit us down and talk to us about you now, we are adopting a little boy and give us a little bit of limited background and history that they had on that. So it was never a mystery to me, it was definitely a part of the narrative. And there was no way it couldn’t be. And so you know, I think that in my family, within the confines of our house, our family, our rainbow family was the norm in many ways. And we all belonged to one another. But as I grew up and as my family grew up, my parents are both classical musicians and so we actually had a nomadic childhood. And we moved, I’ve lived in more than 10 states, you know, spanning from childhood to now adulthood. And as my parents progressed in their careers, we moved from city to city or state to state. And so you know, the way that our family operated, sort of on the inside or as an insular unit, didn't change when out into the outside world. But I think the world looked at us differently and I began to encounter the world in slightly different ways than when, and maybe some of my white family members based on my race. And then you know I was definitely a curious, nerdy, overachieving child who really wanted to please. I've always been kind of a people pleaser, really wanted to, a peacemaker, I play the role of peacemaker in my family. And also a bossy older sister. But I think as I began to grow up and sort of experience microaggressions and then just questions from kids on the playground and kids that I was encountering, everything from sort of where are you really from to, are those your parents? To where’s your real mom? All the questions that you get as adoptees, as transracial adoptees. So I think that you know while I felt a lot of love in my family growing up, there was also a lot of silence and a lot of shame and a lot of grief. And a lot of fear of rejection and abandonment which are all things that you know, we’ve heard many adoptees talk about on this podcast. And you know, one thing, my family is not particularly religious, but music is a kind of spirituality in our family and is a big part of my parent’s life. On both of their sides we have sculptors and artists and other musicians. And so I did grow up, I had to play the piano. But I got to pick the flute as my instrument of choice. And so I grew up playing classical music, but I also always grew up writing and telling stories and journaling and writing really embarrassing diary entries and just cataloging and observing the world around me. And then also writing became a way to sort of interrogate some of those messier feelings that I was having, those contradictory sort of scary feelings I was having about who am I? And where to do belong? And what does it mean to be a black person? And who do I look like? And will my parents understand if I bring this sort of grief and questioning to them? Am I being disloyal to them if I, you know, ask them questions about my origins. And so writing became at first just a way to survive and to document my life and to sort of write my experience into existence. Because as we’ll probably get to later, I did not find a lot of literature when I was growing up that really spoke to my experience as a transracial adoptee, as an adoptee in general. So writing was really that survival tool and a tool of resilience for me growing up.

Haley - Oh my gosh I want to get so much of these things. But I wanna stop you before we go too much further. Cause you talked about experiencing microaggressions. And that’s sort of a word I've heard used many times. I'm hoping that you can just explain what that is.

Mariama - Yep.

Haley - And can you give a couple of examples. And then how you might have processed those through writing which is my guess as to how did that based on what you said?

Mariama - Yeah, so I actually looked this up for the best way to explain this. I don’t think, I obviously when I was young did not have the term microaggression to use and so I think—

Haley - That’s pretty new, right? That’s pretty new, yeah.

Mariama - Yeah, it’s pretty new and also just as a kid, you know you’re experiencing difference, right?

Haley - I should have corrected that. That term I think is new but what happens is not new.

Mariama - Yes, so the experience itself is not new. But the term was actually coined in the 70s.

Haley - Oh, okay.

Mariama - So it’s relatively new but not. But basically it’s like, brief, daily sort of consistent verbal, be it unintentional or intentional remarks that are kind of hostile or derogatory or that sort of negatively portray or insult a person of color. Microaggressions can also happen to different groups of peoples as well. But also the best way I've heard it described is, there’s some video on the internet that’s like, imagine you know, getting a mosquito bite, right? You know, one it hurts and it itches and it bothers you. But imagine getting like, consistent mosquito bites over and over again, that is another way to think about a microaggression. Obviously as a child I didn’t have the language to say it like, that’s a microaggression, what’s happening to me? But things for example like, someone asking me where are you from? And that’s a complicated, for me in general, just I've lived in so many different states. But when I would say here, or Atlanta Georgia, sometimes is what I would say, because that’s where I was born even though I really have spent very minimal time in that area. And then they say to me, but no where are you really from? And they’re asking me, they’re not content with the answer and they're asking me like, oh but you must be, people assumed I’m from, you know, different countries in Africa or that I wasn’t born in the United States. That’s an example of a microaggression. You speak so well, is another example because it implies things like, why wouldn’t, this is the way that I speak, why wouldn’t I speak this way, or that there is a correct way to speak, a proper way to speak. So those are some things that I’ve encountered when I grew up. And various different ones to varying degrees. And sometimes they can be really, really overt and sometimes not so much. But it’s sort of a buildup, a buildup of comments and phrases and things that make you definitely feel othered and definitely feel as if there’s something wrong with you or as if people are questioning your truth. Or the things that you’re telling them. Another microaggression is people refusing to get my name correctly. Or saying, asking me how to pronounce my name, and I’ll say it’s Mariama and someone will say, what is it, Miriam? And I’ll say, it’s Mariama. And they’ll say oh well that’s just too difficult. That name is too difficult. You know so it’s, moments like those it think, I encounter them as an adult and definitely as a child and you know, they are a part of my experience as a black person in the world that hasn’t always been a comfortable thing to bring to the attention of my family members, to my parents. And also sometimes you question yourself. You question yourself like, well is that really happening to me? Is that happening or am I imagining it? because also sometimes the world asks you to sort of stuff those things and just sort of suck it up and be like, eh. Maybe that’s not actually what’s happening there. But oftentimes it is what’s happening. And you know, as I've gotten older, I've gotten better at identifying and being able to suss those things out and call them out when I'm able or when I'm feeling like doing that work. And then sometimes letting it pass because I don’t feel like doing that work or there are battles to pick.

Haley - Can you remember like a specific instance in your childhood where maybe that happened and you’re like, I need to process this but I don’t necessarily wanna go to my parents with it, and you wrote about it?

Mariama - That’s such a good question! I wish I had my like stacks of journals that I’ve kept, it’s so embarrassing.

Haley - Oh my gosh, no.

Mariama - It’s actually wonderful, it’s like an archive of amazingness.

Haley - Yeah! When we get, we’re gonna talk about your brand new book very soon and like, I’m assuming that was a treasure trove for you.

Mariama - Yes it is, and it will continue to be. I think the thing is like there are so many. And you know, honestly, there are microaggressions and things that have happened at the dinner table with my family, unintentionally. I think things that family members have said that have sort of struck a chord with me and that have been really problematic in a lot of ways.

Haley - Do you remember coming to a point where you realized those things were happening? Like that, the mosquito bites were adding up? Like, to me, it just seems like, over time, I don’t know, it either is like you get used to it and it’s terrible to say that. But it’s sort of like, well this is just what life is like for me. Or you’re like, oh my gosh, stop this, what is happening right now?

Mariama - Yeah, I mean so I think that the answer is I felt it when I was a kid. I felt those moments building up and yes I did write about them. I mean some of them weren’t microaggressions but just instances of racism that I faced too you know. I had this really terrible moment in 5th or 6th grade where a girl sort of like swatted her nose and was like, you know black meat attracts flies, right? So this idea that I was dirty or unclean and going to attract, you know flies and insects. That one just sticks in my mind. And it’s definitely not something that I talked about. I think I've talked about it as an adult more so. I’ve identified that moment as sort of a really traumatic moment and a moment where I didn’t know what to do with that. At first I was confused and then I sort of figured out what that meant. And then I felt ashamed. And I didn’t, I don’t remember processing that with anyone. I don’t really remember having anyone to process that with. But I do remember writing about it. I feel like I wrote about it in college as sort of like a memory. I don’t know, it might come up in you know, in a journal from that time as well. But my early writing was a lot of just journaling and reflecting, I wasn’t really sharing my writing as much as I was when I got into college, honestly. And it was in college where I started to get the language for some of these things. So I started to understand more things that were either happening at my dinner table. Or I went to the university of Michigan and I was there between the years of 2003 and 2007, and you know, I would come home and hang out with friends and go to parties. And you know sometimes white kids would say, oh, you got into Michigan? They were like, oh well that must be affirmative action. So you know, just, there are many, many instances and yes they build up. And yes they cause anger and, but I think one of my main experiences as a transracial adoptee was, figuring out if it was okay to bring those instances to my parents. And also a lot of times, just sitting in silence with some of those moments. And you know, I had other adoptee friends as a kid, other young girls and people that I knew that were adopted, you know, when I was like in elementary and middle school. But we didn't really talk about those things. We didn’t really, so there was also a sense of not necessarily a sense of am I the only adoptee that exists, but are there other adoptees that are feeling the way that I'm feeling. That are feeling silenced and conflicted and that are sort of stuffing and burying these things. I don’t think I had a sense that there were adult adoptees when I was a kid. So that’s another thing that in college I was like, oh my gosh there’s a whole community of us. So yeah, so I think the answer is there are so many and they're every day and they're constant and they continue to be that way. But I think that what is really important is that, you know if you are an adoptive parent and decide to adopt transracially is, being really aware of the terminology and the things that your child might be experiencing and your own biases and unpacking your own privilege. But also not leaving your child of color to sort of sit in those moments alone in order to preserve your own comfort. Because I think my parents did the best that they could with some of the resources that they were given. You know, they definitely tried to have books featuring black characters in the house, picture books, you know, we had black Santas all over our house. And you know I think they well intentionally put me in African dance and thought that that was a place that I might see myself reflected. But we didn't actually talk with one another very much. And we still don’t talk with one another very well about some of the uncomfortable, hard things that are different about our experiences in the world. And I think for me, I won’t speak for other transracial adoptees but that has been really silencing and hard to wade through both as a child and as an adult, to figure out how can I figure out how to speak a common language with these people that I love, but also that sometimes we are in conflict with each other. And we do not understand, fundamentally do not understand each other’s experiences sometimes. And that’s really hard place to be I think for a child. And then also as you know, as I move through my adulthood as well.

Haley - And I’m curious about your relationship with your siblings then. Because the 2 youngest you said were transracially adopted and your little sister is quite a bit younger than you. And then you have the one bio sister. I mean, biologically your parents’, all children are biological. I was just at an adoption conference, I’m not supposed to use that language. I'm trying to do better. Okay. But did you talk with your siblings about any of that or was it just like, as a family we don’t really go there.

Mariama - Yeah, yes and no. I mean I think also the other true thing is that even though I feel like there are some threads in commonality in adoptees’ experiences, we’re all very different people. And so definitely my sister who is very younger than me, who I honestly only lived in the house with her for about 2 years ‘cause I went to boarding school for my senior year of high school. So we’ve never actually lived together for very long. Because she's actually about to go to college which is frightening and wonderful. And exciting. But yeah, so we have a very different relationship and we actually have had conversations. You know I think, sometimes I am her big sister but I'm like more of an auntie figure because I'm much older. And so you know, we agree on things, and sometimes we don’t. And sometimes she doesn’t wanna talk about adoptee things and that’s fine. So I just try to let those conversations be organic if they are and talk through them. But you know, we do talk about it maybe a little bit more than I did with my brother who has a very different outlook than me on adoption. And so we don’t talk about it much. And then my sister who is my parents’ biological child, you know we do talk about like, she’s very supportive and reads my work and is excited and proud of me in many ways. But I wouldn’t say that we have very sort of in depth conversations at this point now. And I think growing up you know, this was our family and we were sorta like, this is who we are and this is what our family looks like and that was the extent of things, but no we didn't have family conversations necessarily about racism and our perspectives and just who we are in the world in that particular way growing up. That wasn’t, you know, my parents would leave me, there were books about African American history in the house and you know, I would do projects on different or at certain points I got excited about like doing a project about the civil rights movement. But no it wasn’t part of our everyday sort of makeup and language as much as I think I maybe needed it to be. And I think definitely as we’ve all gotten older, and gotten into adulthood, it’s become much harder somehow to talk through some of this.

Haley - Absolutely. We get in our patterns, right? And then you’re like this is how we are. Okay let’s switch back to talking about your writing and what your reading life looked like when you were a young adult. And into college, I’d love to hear your thoughts on that.

Mariama - Yeah, so I actually was a late reader. But once I got hooked onto some books that I really enjoyed, I could not put books down. So I was actually, was actually homeschooled for a period of time and I, you know my mom took us to the library all the time. And I got super hooked, this is so ridiculous, but no shame, I got super hooked on the Sweet Valley High twins for whatever reason, that series. And you know, maybe part of it was escapism and just wanting to read about like two teenage girls who have very minimal issues and you know. And I mean, they have issues, but like, you know, I felt like they were kind of like low stakes, lovely books to escape into often. And so I –

Haley - Can I, listen this is confession time, I'm gonna go for it. So I read those a bit, but I really liked Lurlene McDaniel which was all the pretty teenagers who got cancer and died. So yeah.

Mariama - Well I will say that like, I've never been a big reader of fantasy. Like I always wanted books about real girls or real teens or kids going through real things. And so you know, I feel like there were different levels of stakes for some of those books. I also was a really really, I've always been really drawn to books that are about young kids who somehow are left behind or have to venture into the woods. Like I remember reading Hatchet or Island of the Blue Dolphins about like teenage characters who are sort of left behind or stranded or abandoned somehow by family members or society. Or stories that were just about like characters that were orphaned in some way. So I love Anne of Green Gables, loved that story. I loved Heidi, the musical Annie, just you know, stories that were about young people who were trying to figure out where they belonged in a sense. And those are the stories that I gravitated to, I wonder why. A lot growing up, and then you know, I loved Jane Eyre, which is a complicated book and very advanced, and I read it probably when I was much too young. But you know, all of these books I feel like I loved and I latched onto but none of them really mirrored or depicted exactly some of my circumstances and I specifically didn't find books about black or biracial kids who were being raised by white families or in white families or in mixed families when I was growing up. But I was always keeping an eye out and trying to hunt and look for those. But you know, didn't really find those. And so I think I gravitated to these out there novels. And then I also encountered Toni Morrison much too early probably. But you know my parents were happy that I was reading and there wasn’t any censorship on what I was reading really. In fact, my mom was actually more horrified that I was reading Sweet Valley High and I had to start like, hiding the books from her. And getting some other books as well ‘cause she was like, those are cheap trash. So I specifically remember like, hiding Sweet Valley books under my mattress at home. But I you know, I read The Bluest Eye and Beloved probably way too early. But I just remember being blowing away by The Bluest Eye and while Pecola Breedlove, and one of the main characters in the book has a very, very different life than me, there was a lot that I related to in that book as far as being a little black girl and trying to figure out what that meant in the world. And encountering racism. And encountering internalized racism. And that longing sometimes for, she longs for blue eyes, Pecola Breedlove longs for blue eyes. And you know I have memories as a kid of like, putting a towel on my head or being really envious of my sister’s whose, my biological parents’ child, of her hair and sort of the ease at which my mom was able to do my hair. And sort of longing for straight beautiful hair that I could braid easily. And so reading, you know even though that’s, Pecola has a very different story than me, that book was really affirming in a lot of ways, as well as devastating. Toni Morrison doesn’t write easy books. And she is not trying to make it easy for a reader and that’s what I like about her work. She makes you work. She makes you grapple with things and I like that about her work. And so she's been a big influence, I've read all her books. And I'm a big Tomo fan in general. because in some way it provided a mirror for me growing up. And then into adulthood as well her books have. So yeah, but I became a voracious reader. I still to this day read as much as I can. Books are my friends. And another way that I survived and I learned to sort of build my identity and to sort of learn about the world around me and was through reading and writing together.

Haley - Okay so you have stacks and stacks of journals from when you were a kid and to now I'm assuming. But when you went to college, did you already know, were you like, okay, I know what I'm gonna study. I'm gonna do this, how did that come about?

Mariama - I have like, been making books and talking about being a writer since I was pretty young. But I think that when it became like an actual goal and a profession and a practice was in middle, end of middle school, beginning of high school. So I actually had the privilege of attending a summer music camp that’s also a boarding school in northern Michigan called Interlochen and Arts Academy and Interlochen Arts Camp. And I went for one summer as a flautist, so for music, was not very successful, it was very competitive. And even though I’d practiced flute for many years, I was not as good or as talented as some of the other students who were there. But that arts camp also had a creative writing program. And so the next summer when I attended, you know I told my parents I really wanna go as a creative writer, that’s really important to me. So that sort of was the beginning to practice my craft and think about being a writer and being an author and honing my skill in that way. And then I actually attended their boarding school for my senior year of high school and was a creative writing major. So even before I got to college, it was a goal and you know I was practicing poetry as like my core and my love. But I loved fiction, I loved nonfiction and so I went to college knowing yes, what I wanted to continue to pursue literature and creative writing so that’s one of my degrees is in. And then I also majored in African American studies at the University of Michigan. Yeah, I went into college knowing that was the path I wanted to follow. In addition to also finding a way because I think for me I love writing and I'm an introvert, I love to be alone, I can be alone for days. But I also felt like it was important to also teach in some way and be an educator and be in the community in that way. And so teaching and writing have always sort of been things that have been pretty focused on for a while. So but in college, I also found spoken word and slam poetry. And I participated in poetry slams like every Friday night in the student union. And then my junior and senior year of college, I actually made it onto our national poetry slam team. And we went to nationals and we competed as a team and so that was also a really important part of my writing identity, but also my identity as an adoptee because I wrote a lot of angry, loud poems about being adopted. And I got to perform them on stage in front of people who were not my parents although sometimes they did come to poetry slams. And so I got to work out a lot of things out loud through that environment. And then also I found my people, I found a really lovely community of friends and chosen family through that slam poetry, spoken word scene at the University of Michigan, many of whom continue to be my writing support and my community today. So you know that time was, I wouldn’t, those poems exist somewhere, but thank goodness it was before YouTube was really a thing and people weren’t filming them because not a lot Mariama, Self Portraits of Mariama at 19 exist in a recorded fashion, but yeah, it was a really important time in my development as a writer.

Haley - Well I’m super disappointed that I can’t see some of this. And maybe I was gonna ask you to, you know, give us a little something by I won’t.

Mariama - I honestly don’t, like, I don’t have any of those poems memorized anymore. So gonna be real honest there.

Haley - Oh my word. That is amazing, I'm just like, my eyes are just huge as she's telling this. I'm just like super invested. Okay. I love that. Okay the question that came to my mind instantly when you were talking about performing angry adoption stuff was, did you ever have any reactions from people after saying something about adoption that maybe people would be surprised by?

Mariama - Yes. I have had many unsolicited comments. The one that sticks out the most is just someone coming up to me and saying, aren’t you so grateful that your mom didn't have an abortion. Which just don’t say that to people. Don’t ever say that to anyone. You know I believe in a woman’s choice, that’s my personal belief, but there’s so much in that statement that is offensive and personal and just an assumption about a person that is a real person that you don’t even know who made a choice for themselves that they felt was best for themselves. Honestly that was in college and I had read a poem and you know it was well intentioned and I didn’t actually know what to do with it. I don’t think I handled it very gracefully, I think I just sort of shook the woman’s hand and was like, on my way with it. But that is a reaction that I've gotten. You know I think that in general, you know I was reading a lot of poems to my peers. And people were really supportive in general of me telling my story because people were getting up and sharing their stories. And that was what was so inspiring about it in the first place, was the truth telling that I saw come out of spoken word and slam poetry and I’d never seen that before and there was something really powerful about getting up and working out some of the messiness of life on a microphone. And so that’s what I was really inspired by. I definitely also remember reactions from my own parents who came to one of like the final poetry slam competitions that happened to be in Michigan that year, the nationals. And you know, there were two different poems that I was sort of, were part of my repertoire. And one of them was a poem about the fact that I grew up in a vegan, vegetarian family til I was 8. And was sort of like a more funny poem about like all the things I dreamed of eating and snuck eating like Skittles and chicken nuggets and my parents didn't know. And so it was like a funny you know goofy poem that got a lot of laughs. And then there was a very intense poem that was basically a self-portrait and I referred to my mother as a Venus Flytrap and I referred to my father as like, a colonizer. Or sort of within thinking about, this is a family that I know and also like bigger histories around us. And so you know like called out some of those things and I just remember my mom, we got to the final round of competition and I was trying to decide, you can repeat a poem when you get to the final round. So I was trying to decide do I do this like Venus Flytrap poem or do I do this Skittles poem? And I remember like, running it by my parents and my mom was like, I like the funny one. you know? Like, I like the Skittles one which you know is like a valid response.

Haley - Fair enough.

Mariama - Fair enough. I definitely went with the other one so I did the exact opposite of what she asked or what she recommended which is just, you know, like my typical behavior. So you know, those types of reactions, I feel like the one that sticks out is really the one just about aren’t you so glad, aren’t you so grateful, don’t you feel so happy that this choice was made for you in this way? And that one was really hard. Don’t say that to people.

Haley - And I mean, I can’t tell you how many times like, that’s been said to adoptees, like you are so not the only one that’s been told that. Me too. I've been told that too, so yeah. Oh my gosh. Okay. Let's get to your new book, For Black Girls Like Me. Wow, I loved it. I read it in, if I did not have teeny kids, it would have been one sitting. I got interrupted and then I read the whole rest of it in one sitting. And as you’re telling me some of your story, I'm realizing there’s a lot more of you in this book than I maybe thought there was. So will you tell us a little bit about writing this and yeah, I mean, I don’t know what else to say, I really loved it.

Mariama - Thank you, do you want me to explain a little bit about what it, like what it’s about?

Haley - Well, yes. I’m trying to be super spoiler-free. And then at some point we will talk again and spoil it and people will already have read it and loved it just like me.

Mariama - Okay, gotcha. So yeah, For Black Girls Like Me is my middle grade, so that’s roughly ages like 8-12. Although I think you could read it if you're older or younger depending on the kid you are or the adult you are. And it is the story of a black transracial adoptee named Makeda and she’s the only black person in her family. And the book sort of begins when her family is sort of uprooted, they move across the country from Baltimore to New Mexico. And it’s the middle of 6th grade for Makeda and so her life is sort of upended. And you know things in New Mexico are very different as far as the landscape and she goes to school and deals with some bullying and she’s also dealing with like a big sister who’s white, because both of her parents are white. And her sister is white. And a big sister who’s kind of too old to play with her anymore and mom who’s not really doing so well with the move and the dad who’s really absent because of his new job. And so Makeda starts to sort of dream and wonder and question where she comes from and what it might be like to grow up in a family that does look like her even though she loves and is part of this family that she was adopted into. So through singing and dreaming and other anchors, she sort of finds a place for herself in the world. And you know this book is, there is, it’s based on some of the experiences that I've had growing up as an adoptee. And there are, you know, parts of the character that I drew from myself. But it’s also very much fictionalized in a lot of ways. But in many ways it’s the book that I wish I had found when I was searching for books on bookshelves. And you know I think it’s about a young girl searching for her voice, it’s about family, about sisterhood, about friendships, about trying to figure out where you belong when you belong in a lot of different places, potentially. And you know, in a lot of ways it’s my love letter to adoptees, to transracial adoptees, and I feel really excited and nervous. But it’s gonna be out in the world very soon.

Haley - I love how you were able to incorporate, so seamlessly, your poetry and all of these, I’ve heard it described as lyrical. You know like, all of these so beautifully written passages. And they just flow so seamlessly with the story. it’s really remarkable.

Mariama - Thank you. Yeah, I think I sort of got my start in poetry but I loved to write all things and I like to write what I call hybrids. So things that look like poems or stories and I play around with different forms and so, I think something that I love about writing this book, or the process of writing it, is that actually the process of writing, of jumping from something that’s more of a traditional poem to something that’s a little bit more like a prose story block, to a song, to definition or things like that, is that it kind of mimics the main character’s identity and the fact that she often feels like a lot of different things and feels like she belongs in a lot of different places. And so in that way, it’s kind of memetic to her experience. And so it was fun to sort of write something that isn’t either or, it’s a little bit of everything. Which felt really natural to me.

Haley - And another thing that seems like such a simple thing, I haven’t seen this done before, though, is that lots of the chapter titles just like flow into the first sentence and so it’s easy to just read in one sitting because everything just keeps going and you just wanna keep the momentum going. And you know, as you said it’s really, it could be for all ages. And there are some very challenging topics addressed. Do you wanna talk about how you decided to incorporate some of those things? Hard without being spoilery, but there’s some mental illness, and some other really difficult things that you know, maybe you wouldn’t have read about as a young adult? Yeah, can you talk about your decision to write about that?

Mariama - Yeah, I mean, I will be the first to say that this book is not a book that, it’s not a book that’s interested in necessarily like a clean, tied up in a bow narrative that I was interested in writing a story that brings to light the nuances of the adoptee experience. But then also, that trusts young people and adults to grapple with some really difficult subjects. So you know, there, the book touches on mental illness, it touches on some really overt racism, it touches on you know, just everyday messy things that you might encounter as a young person or as an adult. And that was really important to me to include those things in you know, hopefully in age appropriate way because I know for me as a kid, I was looking for those stories. And I was looking for those reflections. And I think sometimes we do not give young people enough credit for the things that they’re actually experiencing in their lives. And I think that young people are super observant, super intuitive, and that they are you know, as much as we want kids to be kids for as long as they can be, we have, there are a lot of young people who are dealing with really, really real life things. And so it was important to me to write a book that spoke to some of that truth. And hopefully might validate a young person that needs it. And to trust that you know, the young person who needs this book will find it hopefully and will find some commonality and some thread that is important to them and that’s really why I chose that. And then also because this, you know I feel like it was important for me to write a book that showed that you can both have, you know, something really terrible and sad happen and there also be still hope and joy within a story too. And so you know, I feel like what I wish that adult me had been able to go back and tell young me, was that it is totally possible and ok to feel two things at once. So it is okay to both love and feel a part of my family and it is also okay to be deeply sad and grieve and question and think about where are my biological family, that those two things can live side by side. That it’s possible for me to be in conflict and feel anger about my experience while also feeling gratitude, right? Like those things can coexist, side by side. And so it was important for me to attempt to put that into a book too, where you know these feelings and experiences exist at the same time and it’s not one or the other. It is my daily reality that I am both a part of my family and love them and also deeply mourn and feel sad and angry about being separated from my biological family. Like those two things, one is not more important than the other. They just live side by side.

Haley - Yep.

Mariama - So it was important for me to tackle that. It was important for me to tackle, just some of the other things you deal with when you’re growing up, the messiness of growing up. It’s not always sunshine. It’s just not. And sometimes there’s messiness along with the sunshine.

Haley - So I wasn’t sure if I should ask you this or not. because I almost feel like it’s sort of a spoiler but not really. So the main character, Makeda.

Mariama - Yep.

Haley - She doesn’t, this is not a book about search or reunion. And so much of you know adoptee literature, this small amount there is, is about that. And I was kind of like, excited that it wasn’t included in this story. Because that’s not the experience for most young people. Can you talk about that? Like was that ever on the radar? Or was it just like, you were like, I'm not addressing that in this story?

Mariama - To be honest, I wasn’t addressing, I think it was not part of this story. So it was never, you know this book actually started as a series of sort of disjointed but somewhat connected poems. And I wasn’t thinking about necessarily a young adult audience for it, it was more of like a literary poetry manuscript that I had worked on, and so it was much more abstract and less I guess character and plot driven, than maybe this book is now. But it was a series of poems just about an eleven year old nameless girl at the time who was transracially adopted and some of those poems were definitely more autobiographical then what has made it into the book. But it was really, initially it was you know, a project about sitting in that messiness of adolescence and grappling with those questions. And yes, having the thoughts and the wonderings about what if and who am I and where are the people I come from, but also it was important to me to write a story where that’s not really the point, where the character is yet. The character is just beginning to sort of question and interrogate and really really think about what does this mean for me in the world as I grow up into a person and how do I find my voice? And how do I tell my truth while being myself and loving myself and also loving the people around me. And that was what was important about it. So you know, I think yeah, I don’t think it, I did it intentionally because I wanted to stay within this, you know, one concentrated year or so of this character’s life.

Haley - And you said, like, she has these dreams or thoughts or you know, or there’s the fantasy life that, a lot of experience as young people wondering about our biological families. And so that’s sort of just interwoven just as a normal part of her thought life which is just yeah, so interesting. Everything I have flagged in here, in For Black Girls Like Me, they’re just, as you said, there are these little examples of microaggressions I have flagged, I have moments flagged where Makeda is thinking, I should be talking to my mother about this but I can’t. You know, it’s really things that we talked about in your personal story at the beginning of this interview. But the one you know quote that I wanted to share, was “I have two mothers, you both held me.” And I just think that’s just such a beautiful reflection of what you just said, the both and. Yeah. I don’t know.

Mariama - It’s the yes and. The both and. Both of these things exist at the same time and I think it’s not, not every family is like that. But I think sometimes there’s a fear, or at least in my end that like, well, you know, will one cancel out the other. And that’s not how this works. And it’s not as simple as that.

Haley - Okay, thank you so much for all of those thoughts and let’s go to our recommended resources. And spoiler alert, I'm gonna recommend that you pick up For Black Girls Like Me, it’s just, I loved it. And I think that there are so many moments that as an adopted person reading this you’re like, oh my gosh I just feel, I feel exactly what is happening in this moment for this little girl. And yeah, I think people will be able to relate, especially if you’re a transracial adoptee which I'm not, but also just an adoptee in general. There’s so many things that we have in common with this sweet girl Makeda. Also I picked up your poetry chat book, the Lucky Daughter.

Mariama - Oh thank you, yes.

Haley - And I have to recommend that too. It’s, I, oh my goodness. It’s so good. And I read it and I had to just like slow myself down because there’s so many very deep thoughtful, thought provoking things in your poetry. And one of the lines that I highlighted was from your poem, In This Story. And at the very end it says, “Even when I am wanted, I don’t know how to belong.”

Mariama - Yes.

Haley - Does that still ring true for you? Definitely rings true, yep. In a lot of therapy still.

Mariama - And this is the more adult of your books.

Haley - Yes it is.

Mariama - Definitely not middle grade focused.

Haley - No, no. there is some sexy time and, so yes.

Mariama - Definitely yeah, don’t buy it for your middle grade student. It is definitely more adult although there are some poems that are less adult, but yeah.

Haley - Yeah, so the Lucky Daughter and For Black Girls like me. You guys have to go grab both of those. And For Black Girls Like Me is out July 30th, of 2019.

Mariama - It is.

Haley - Okay, what would you like to recommend to us?

Mariama - So I'm really excited for my book to come out and for it to be in the middle grade sort of cannon but, I really wanted to recommend another adoptee’s young adult novel called, See No Color. And it’s by Shannon Gibney who is an adoptee, transracial adoptee based in Minnesota. And I similarly, if I had found this book when I was a young person, it would probably be dog eared and marked up and just worn with love because it is about a 16 year old biracial transracial adoptee who is growing up in her family. She has a sister and brother and two parents and they’re all white. And you know, in my story and Makeda in my book’s story, sort of the legacy in her family is music. And in Alex Kittridge family in this book, it’s baseball. It’s sports. And so you know, it is a story about a young girl who is very good and very passionate about playing baseball and has this relationship with her father who also is a former baseball player but it also much more than that. It’s a story about a girl who sort of at 16, stumbles upon, in a way that I won't spoil, her adoption file which I think is something that a lot of adoptees can relate to, sort of seeing that document or getting that information for the first time, finds out some information about her biological family and just sort of can't stop thinking about it and is just really is upended by that information and then at the same time is also falling in love with a young black man who is sort of validating a lot of the things that she hasn’t been able to talk about maybe with her white family. And also trying to navigate that relationship and not feeling black enough or you know, like she fits in. And there’s so much, there’s so much in this book. It is a story that touches on reunion a bit, it’s a story that touches on hair care and black identity surrounding hair. And then also that same messiness of coming from a loving family that sometimes doesn’t speak the same language or have the same experience in the world as you. And how you navigate those often uncomfortable, awkward, silencing moments as a young black woman, a young transracial adoptee. So I can’t highly recommend it enough. I devoured it when I read it. It’s also you know, like if you’re, it's got a very cover looks very sporty because that’s a big part of the story. But I would not turn away from it if you’re not a big sports person because there’s so much in it that’s more than that, that compliments sort of the legacy of this character’s family as well. So yeah, it’s about self-love, it’s about romantic love, it’s about familial love and then finding yourself in a lot of ways. And I am really, really honored that Shannon Gibney was able to read my book and give a blurb about it. And that our books hopefully will be in conversation with one another. Because I believe her book is one of the only possible YA books that’s written about a transracial adoptee by a transracial adoptee and I think mine will be one of the first for middle grade as well. And so it’s just been really validating to read her work. And she has another book called Dream Country and I believe she has a memoir coming out eventually as well.

Haley - Can I ask you to put your teacher hat on just for a second.

Mariama - Yes.

Haley - And give us a little lecture. Why should adults not be scared of reading middle grade or YA fiction? Or you know like, sometimes I think people are like, well that’s not written for me, so why would I read that?

Mariama - It’s that or people or like, well that’s just for kids. And it’s not like a real book. Which is problematic in many ways.

Haley - Ouch, ouch. Okay.

Mariama - Well there is, first of all, there are so many incredible like writers who are writing middle grade and YA, just talented storytellers. And so the first reason is that you’re missing out on some fantastic, innovative storytelling that I think that in many ways, YA and middle grade writers are not afraid sometimes to like, break rules or to experiment or to come up with an idea for a story and they don’t feel maybe as bound by some of the boxes that maybe more adult literary fiction sometimes puts you in. So there’s some like, there’s some, such talent, talented people writing middle grade and YA fiction. I also think that for me, I have recently been reading a lot more YA and middle grade and it has been so affirming and so wonderful also to see, you know, I think, there’s a long way still to go, sort of representation and the types of stories that get told or get published. But there is so much more than there was when I was growing up. There’s so many more stories featuring the LGBT community, featuring black characters, black girls on book covers. So many different stories that are out there. So that’s another reason to do that. And I also think that we can learn a lot from young people. I definitely feel like young people have a lot to teach us and a lot of wisdom. And they're looking for stories that are not dumbed down or stories that are not easy either. And so I think young people also will be the first to like critique and tell you about yourself and about your work and so I think that as adults we have a tremendous amount to learn from young people and from the literature that they’re reading and the things that they care about as well. It just, you know, good books. If you wanna read good books, you should read middle grade and YA. And also maybe feel some part of your child, your inner child like validated or seen or just find joy in it as well.

Haley - And you can go back and relook at your childhood. I mean, I had these moments reading this and I was like, oh my gosh, I totally, like it sparks things in you. Okay, you mentioned covers. And black girls on the cover. Your cover is so beautiful. And I kept flipping back just to look at her. And I don’t know, there’s just something about it, it’s just mesmerizing. It’s so lovely.

Mariama - I have to give the cover artist a shout out. Jamea Richmond-Edwards is a phenomenal artist and you should all look her up. She actually did the original piece of art that’s on the cover of the book. And I could not be more happy and in love with it. And I'm also just in love with all of her amazing art. She does beautiful textured, colorful work. And you should all be fangirls in my opinion. because she is just phenomenal.

Haley - I'm getting on the fangirl train, I’m doing it.

Mariama - I am, I stalk her on all the Instagram, on all the social media and just feel really really lucky and honored that she created such a beautiful piece of art for the cover of the book.

Haley -So good. I will link to her in the show notes too, I promise. But where can we connect with you online?

Mariama - So I am on Twitter, @marilock. I’m also on Instagram @forblackgirlslikeme. So a lot of pictures of my dog and other bookish things.

Haley -Who is so cute.

Mariama - He’s pretty adorable. So get ready for some cute dog photos. As well as some other things. But I just feel like you should know it is a lot of pictures of my dachshund Henry, or Sir Henry as we like to call him. And I also have a website for the book, it’s Forblackgirlslikeme.com and so that has more information, just about upcoming events which there will be some events that I’ll be posting shortly, throughout the summer, and just other ways to connect with me and also if you’re interested, if you’re a teacher and interested and bringing me for a Skype workshop or to a school visit, I love engaging with young people and also have a degree in education and so love going in and teaching writing workshops and engaging with young readers in that way as well.

Haley -That’s fantastic. And we will be doing a book club with you in the fall.

Mariama - I’m excited!

Haley -So make sure to follow both of us so you can get more details on that, when that is happening later this year. Thank you, thank you so much for sharing your story with us and just so many insights. I'm just so thrilled that we had this conversation.

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Haley -As I mentioned at the top of the show, Adoptees On is celebrating our 3rd birthday this week. Or is it anniversary? I don’t know, I think it’s our birthday. And I wanna share some fun stats with you. So there are 5,384 minutes of Adoptees On content for you to binge. That’s almost 90 hours. And you’re listening the 116th episode. We have been downloaded in 123 countries around the world, 277,560 times, which kind of blows my mind. I have to thank my monthly supporters and people who have given financial gifts. Without that, I couldn’t continue this show. And in fact today I wanna ask if Adoptees On has supported you on your adoptee journey or taught you something, if you’re an adoptive parent or a first parent and you have benefitted some way in listening to the podcast, I literally cannot continue the show without some more people stepping up to partner financially with us. I don’t get, if you think like, I don’t get paid for making this show. All the money that comes in goes to my editor, it goes to the costs of hosting the show, and the website, and other behind the scenes costs and at this moment, I am trying to hire some help from other adoptees to kind of step in and take care of some social media for me and do a couple of other things that are so critical to the continued success of the show that I am just not able to do on my own any longer. So if you do value Adoptees On and want it to continue, today’s the day, I’m asking that you go and sign up. AdopteesOn.com/partner has the monthly Patreon support and there are more episodes of Adoptees Off Script to download, there’s over 20 when this is being released. This show cannot continue without your support. So if you are able to financially support, you can do a one time gift at AdopteesOn.com, there’s a link for that right on the home page, or monthly which is fantastic because that helps us budget and figure out how we can hire and do kind of those things which again, I said these things kind of happen behind the scenes, you don’t see them necessarily because you just see your episode pop up each week in your feed, if you’re subscribed. And so there’s a ton of work that has to happen before an episode ever appears on your podcast feed. Another way to support the show that doesn’t cost anything is to leave a review in Apple Podcasts and to share the show with just one other person that you think would learn something. And because there’s so many episodes now, the best way to do that is say, hey have you heard this one particular episode of Adoptees On? Because sometimes people will go and be like, oh my gosh, there’s like a hundred episodes! I don’t know where to start. And it’s kind of overwhelming so if you just share one specific episode, that’s the best way to share a podcast. With that pitch, I asking you to go to AdopteesOn.com/partner to help cover the costs of the podcast and share the show. And I just wanna say a gigantic thank you to those of you who have already been doing those things, who have been listening since the early days back when I didn't have an editor and I didn't have my fancy windscreen on my mic which, you know. And I was doing absolutely everything by myself which was so unsustainable. So I'm so honored that you choose to download the show and listen and allow me the opportunity to speak to you in this way each and every week and I would be just so grateful if you chose to support me in this way. So AdopteesOn.com/partner has details and thank you so much for listening and cheering me on for these last three years and I hope we are able to continue. Thanks so much for listening, let’s talk again next Friday.

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