259 Welcome Back!

Transcript

Full shownotes: https://www.adopteeson.com/listen/259


Haley Radke: This podcast is for educational and entertainment purposes only. Nothing stated on it, either by its hosts or any guests, is to be construed as psychological, medical, or legal advice.

You are listening to Adoptees On, the podcast where adoptees discuss the adoption experience. I'm Haley Radke.

Hello, friend, happy fall. So excited to be back with you, bringing you brand new episodes with fabulous adoptees that you need to know and hear from. I can't wait for the fall lineup we have prepared for you.

So starting next week, we are going to have brand new interviews. I...mmm. So good. I've had really excellent conversations and I'm thrilled to be bringing those to you. Today, I wanted to share a little bit with you about what we've been up to over this summer when you and I haven't been talking, but I have been having live events with my Patreon supporters and we have introduced this new monthly Live zoom event called ask an adoptee therapist.

And I wanted to share some clips with you from some of your favorite therapists who have been on adoptees on many times, and they're asking, answering questions from listeners. So I have compiled a few of our best conversations. Not even, I shouldn't even say that. Just a few of the great questions we've had and talked about with a therapist.

There have been so, so many. It was really hard to pick what to bring you. So we have Lesli Johnson with us, Pam Cordano, Marta Sierra, all expert adoptee therapists and giving their best advice to us. They are not your therapist. And of course, this is just for education and entertainment purposes. But I hope that no matter what they're addressing, we talk about relationships and grief and what our picture perfect reunion might look like or a successful reunion might look like.

I think all of these things were going to be helpful to you. Let's listen in.

Here is a listener's submitted question from our recent September Ask An adoptee Therapist with Pam Cordano. I'm grieving the loss of my adoptive father who passed away very recently. Although my dad and I weren't especially close, the enormity of this loss has surprised me.

Do you have any recommendations for working through the loss of a parent as an adoptee or any resources that you may have found helpful in this situation?

Pam Cordano: Well, I just think that even when a loss can be hard to understand or explain, if you weren't that close to, let's say an adoptive parent or a birth parent for that matter, and then they die and, there's a big reaction, bigger than expected reaction. I think that number one, trust that reaction, that the reaction is you know, it's you happening. It's you know, you're, there's something happening inside of you. I don't really believe in these over reactions here. You know, I think that any reaction is the right reaction.

And I'm just really tired of pathologizing any of this actually, you know, I just feel okay, you know, like we're sad, or this hit is hitting us bigger than we would expect. And then I think that. You know, with all losses, I used to work for hospice also with part of this whole cancer thing. I did that all losses seem to, you know, build on each other.

And so, losses are can be very complicated, whether it's break up deaths of people or adoptive family members or birth family members, even if we don't know them very well and changing forms when our, you know, kids and our kids are home and then they're not home anymore, that I was a wreck when my kids went to college.

I was just, I felt like I was losing them forever. I had no perspective. They had more perspective than I did on that. So the first thing is to trust it, to trust the reaction. And I don't think we get those messages a lot of places. I think that it can be hard for people to understand us on the outside of why we're having such a big reaction or, you know, pet loss too.

And then, you know, I think we need to find people, maybe a therapist, but people that can listen to us and be with us without trying to change us. Without trying to minimize it or put into perspective for us, but just let us not know why we're having this big reaction and just be with us. And that goes again to having somebody with us so that we're not alone as we're processing something hard.

It's healthier than trying to do it all by oneself. And feeling like one has to do it all by oneself.

One thing I learned working for hospice is that regular therapists are not the same as grief therapists. And there's really a big difference between therapy and grief therapy. And with grief therapy, the therapist does a lot of just listening, hearing stories, hearing what's coming up, and asking questions to just kind of fill out whatever a person is feeling in the moment without, without sort of attaching it to the person's sort of whole life, you know, like it's not a symptom, you know, it's a whole experience itself.

Haley Radke: I was also thinking of, when you, I think trusting your own reaction feels so freeing because I was thinking of someone I know when their adoptive parent passed and they were estranged and I was like, is this going to be a big thing for them or not or whatever?

And I think there's some sense of guilt that it wasn't a bigger deal. Are we supposed to fall apart? Is that, you know. It's unfair that we put those things on ourselves.

Pam Cordano: Right. Right. Cause I. I mean, I think that sometimes we just feel blank because the original loss was so, it's so unlanguaged, it's unprocessed, it's we don't, it's just too big and then, next loss has come.

Like I was really close to my grandmother and she died when I was 18. I didn't shed one tear. I just was like a robot and I just don't think that I was ready to let, I don't think I really, it's ever come up. I just haven't, I was more just in keep it together, second function kind of mode and it can feel like a blank instead of.

So I think we go both ways over blanked and over, you know, I don't say over, but big responses. And it's hard to understand when we weren't that close to a certain person.

Haley Radke: Here is a listener submitted question from our August Ask an Adoptee Therapist with the answer coming from Marta Sierra. If as an adoptee you are able to plan an ideal first reunion.

With first family, mother, father, married, full adult siblings, how would you want to set it up? The mother is open about having PTSD from relinquishment. Siblings didn't know about adoptee until after contact with the parents. All have been welcoming though cautious, some more than others. Everyone wants to meet face to face.

Geography is an obstacle that makes planning well in advance necessary. Ooh, set us up. Perfect scenario. What's that? Or help us temper our expectations.

Marta Isabella Sierra: Yes, I love that. One question. That's, of course, individual, but I'm going to post it. Anyways. What does a successful, I'm going to take the whole word perfect out of it, but what does a successful reunion trip look like?

I think we might all define that a little bit differently. So the clearer we can be about how we want to leave after and how we want to feel like leaving an interaction can actually give us a lot of information about what we're hoping for happens within it.

And I think the most successful experience has to honor everyone involved as best as possible with all of our very different experiences that we're bringing in and very different needs. So conversations before. I mean, I think my like simplest answer is communication, but communicating both what you think you might need. Starting a conversation, whether that's individually with everybody that's going or even in some kind of group chat around, hey, what does everybody need personally when you feel overwhelmed?

When you feel really emotional? What do you want us to know about that? Oh, you know, so that you can start to share a little bit about that and think through that as far as like lodging and where I think all of these have to do with what would make it successful for everybody as a group, but also individuals. Is there cultural pieces in there?

You know, I know with international, transracial adoption reunions, sometimes there's a lot of pressure to stay with your family in their home and so being able to advocate for, I'm actually not ready to do that. I'm going to book an Airbnb and, you know, let's, tell me more about what, you know, what are you sad that I might miss out on if I don't stay with you?

Oh, I really wanted to cook you breakfast. Okay, well, I can come over for breakfast. I can get up early and come do that. So, trying to make space for again, everybody's differing needs and differing wants maybe asking everybody what's the thing you want to do the most or the thing that you're most excited about. Is it eating together?

Is it going to the movies? Is it downtime where you sit on the floor and talk, right? Everyone has different stuff that they're dreaming about going into this. So to know that's kind of like a family vacation, right? What's most important to you? What do you do? You want to leave like definitely having done and so the more you can openly communicate about that before, you're also like building pathways of communication that you can rely on in the situation if things are getting rough.

Haley Radke: What are some things that you personally would build in for safety? Like I love the idea of having your own space you can go to.

When I heard, everybody's coming, I was like, huh, is that how I'd want my first meeting to be? Would be with everybody. Do I only want to meet my parents the first day? And then, you know, like those kind of things. Did you have any thoughts on that?

Marta Isabella Sierra: Yes, exactly. I think, you know, again, right. If you don't want to consent to everybody at once, that's something you have to speak up for.

But if we're talking about like a multiple day experience, there can be time in there for that one on one connecting and maybe for a party in there somewhere where everybody gets to go. Right. But Again, in that pre communicating would be a great time to say, I'd love to have a dinner or a meal, maybe one on one with my two siblings and my parent that are going to be there.

Can we schedule that? I want to be able to connect one on one as well as have these, make some group memories together.

Haley Radke: My big tip is you got to get all the photos you want and don't be awkward about asking for those, because you may want something tangible later to help you remember. I don't know.

For me, that was really important. I literally have one picture with my mother. That's all I'm going to get.

Marta Isabella Sierra: Also just the last thing, you know, do you want somebody with you from outside? Do you want a support person with you and who do you want that to be? I think when you just said that I time traveled back to this morning that I almost had a complete and total meltdown and I'm so glad that my friend was there that morning and could just even non verbally tell me that I needed to calm down.

I was starting to sweat. I was so anxious. My sister was super late. It's not important the story, but it was really helpful to have somebody there that could just look at me and communicate with me. But also that I knew could see that I was overwhelmed and I knew that it mattered to her when I was having this moment.

Not that my family didn't care either, but I just was feeling invisible. I went to that adoptee invisible place of not being important and to have somebody who could just touch my arm gently and be like, everything's going to be okay, was so clutch. I think that could have been a moment of a real explosion if I hadn't had someone there to ground me.

So. Yeah, support people can be a great resource.

Haley Radke: And if I guess if they're not able to like actually come with you, if you know, okay, my friend is on speed dial for emergency.

Marta Isabella Sierra: On call support person is also very valuable.

Haley Radke: We've got several listener submitted questions about relationships from our July Ask an Adoptee Therapist episode with Lesli Johnson.

Any suggestions on how to move forward in a relationship when the non adopted spouse did not, does not recognize or acknowledge the effects of adoption? Sorry for my paper noises. And number two, I am struggling to stay married at this point. I feel like my marriage was built around the person I used to be.

And I know that I'm a different person now, and I don't want to go back to being the old person. He is trying to be understanding and make space for what I'm going through, but I often question if there is real hope. I don't necessarily want to throw it all away, but I also don't want to try to be the person I was before and I feel like that expectation is there. I guess my question is, how do marriages work after coming out of the fog? It's complicated, but what are the key elements to success or failure? Trying harder and good intentions don't feel enough.

Okay, Lesli those are big ones. What are your thoughts?

Lesli A. Johnson: Those are big ones. Yeah. And I hear this a lot. The first piece is your partner willing to. Listen to a podcast, read a book, read an article, right? There was a recent article in the New Yorker that I think is a good one. You know, is the partner willing to read about the adoptee experience? So I'm assuming this person is telling her partner about what's happening, but are they willing to, you know, again, listen to a few of the podcast on Adoptees On. Yeah. Will you read this article? Can we read this article together? Right? Can we listen to a podcast together? Can you know, I think that it's is your partner curious about your internal world and your life experience? And if that isn't something that's happening in a couple, in both ways, right? You know, curiosity and openness and what's happening with you, then the relationship may not work right? We can't force our partners to try to understand us, but we, I think we hope and expect that there would be a willingness to have that curiosity. Someone just wrote in the chat that her partner binged.

Haley Radke: Oh, binged Adoptees On. Had a lot of discussions about the episodes together. Found that really helpful. That's nice. Thank you. I was trying to think of an example that you could, if our partner was now something and we were trying to learn about it, I'm trying to think of an example and I can't even think of one.

Lesli A. Johnson: Right. Thanks. Well, had an early loss, maybe, or had something traumatic happen in childhood and had not ever talked about it and then realized it did have an impact on their sense of trust or safety. I mean, there's, there could be similarities like that.

Haley Radke: I don't know. Do you have recommendations of- this is a huge life decision, deciding if you're going to depart from your partner? What are some things that people should be doing before to make sure they're doing like all the work for themselves to make this make a good decision here?

Lesli A. Johnson: Yeah, well, I mean, again, bringing up, will you please listen to this? Will you please read this with me? And if you're bringing some, this is my opinion, but if you're bringing something kind of as, that's not a hard task to ask a partner to listen to an hour long podcast or a two hour long podcast or read an article and begin a conversation, right?

And if the partner is saying no, there may be more than just this person isn't getting it. You know, isn't curious about my, my being adopted. There might be more to that. Therapy. Absolutely. I'm working with an adoption informed therapist and or an IFS therapist and internal family systems therapist can be helpful.

Haley Radke: Okay. Thank you. The last in this relationship set is I'm just beginning to be interested in possibly, maybe starting to date again. I've been feeling closed off and would appreciate tips for how to proceed with caution while remaining open hearted. Is this as hard for adoptees to balance as it is for me?

Thank you.

Lesli A. Johnson: Yeah, I think relationships are often difficult for people whose, you know, earliest attachments was severed. Right. So it creates, and then when I say the earliest attachment to our birth mother, right, the person that was supposed to care for us and be there for us. And when that happens early on in a person's life, the person grows up to develop a sense of mistrust. It's not safe to trust people. And then how does that translate into relationships? Right? Issues around I need someone, but also, you know, needing feels really bad. Right? So we develop these insecure, anxious or avoidant attachment styles.

And so really understanding your attachment style can be really helpful in relationships. I mean, there's a book called Attached that's a good one.

And there's also if you just Google attachment styles, there's lots and lots of information. So it's secure attachment, insecure, avoidant, insecure, anxious and disorganized. And usually adoptees fall into a category of anxious or avoidant. And it doesn't mean that we don't want a relationship or we don't want to be in relationship with other. It just means because of our circumstances, we developed a style based on our relationship with our caregivers.

So, and that we also, because of the beautiful gift of neuroplasticity, we can change our brains in adulthood so that we can have a secure, like it what's called an earned secure attachment and that's through relationships with friends, relationships with therapists and also a tuning to ourselves in that kind of parent- child way, like taking care of our younger parts and we can have that more, a sense of more security and safety in the world.

Haley Radke: Early in 2023, we had Mary Gauthier join us on Adoptees On, and if you're listening when this episode goes on live on September 25th, we are having our Adoptees Only Book Club with Mary discussing her book Saved by a Song. And here is a clip of us discussing her album, The Foundling, and then her subsequent writing of Saved by a Song.

This is from episode 245, and I hope you'll join us for a book club with Mary on Monday.

If you're listening after that date has already passed, the audio recording of our book club will be available in Patreon for supporters of the podcast, so you can also catch it there.

I've read your book. It's so good. Loved Saved by a Song, The Art and Healing Power of Songwriting. And in it, you share, you know, that you toured with The Foundling and you played the songs and as you just said, right, it's it healed something in you to write them, but just. Playing it over and over.

I mean, you're bringing up the most traumatic thing that has happened in an adoptee's life, right? The separation from our genetic connections. And what was it like to, you know, decide to kind of put that away and decide you're not going to perform those songs anymore, but then write your story on paper for, again, the masses to read?

Mary Gauthier: What a great question. This is awesome. This type of questioning is so beautiful and I don't get it very often.

So writing it into songs that I sang for about a year and then I really don't sing anymore was part of my healing. It was naming it, claiming it, owning it, and then doing the best I can to let it go. This happened. It shaped me. I was wounded, but I don't have to spend the rest of my life limping. What I can do is find strength in the telling.

And so I don't need to tell it over and over again. I need to tell it till it makes sense to me and then let it go. And then I was asked to write this book and writing long form around the story was a different experience than writing songs. In the songs some of it was fictionalized.

I didn't feel compelled to have to write exactly what happened. In fact, a song that does that is usually pretty boring. So in songs the fictionalization freed me in some ways to make it a story about all of us, you know? In the book, I got into the particulars of my own story because it was partially a memoir, and that liberated me as well.

So that I could look back over the story of my life and say, Well, if that hadn't happened, this wouldn't have happened, and if this wouldn't have happened, I wouldn't have been given this thing that I really cherish and love. I think that writing it long form really was an addition to the healing of writing the songs around it.

It alchemizes it in a different way. I think if we're drowning, we've gotta find a lot of different kind of life jackets. And for me, they're, both of the art forms, long form and songs were were driven by this thing inside of me that needed to be shown the light. The healing light of truth.

It really strengthened me. It took some of the weight out of the sorrow.

Haley Radke: It is so good to be back. It is so good to think of all the conversations that we have shared over the years on Adoptees On and on the adoptees Patreon events. Like I just feel really thankful for this community that we have built together to amplify adoptee voices and adoptees spaces, and thank you for being a part of that.

Normally I would be back a little sooner with new episodes. So I just want to let you know, we're back. We're flailing, but here and I have had a really interesting September so far. And you know, we don't need to go into all the things, but I'm really glad that things are sort of calming down and we're just ready to go with fall 2023 episodes. I'm so glad you're here. Thank you for listening to Adoptee Voices and Adoptee Stories. And if you want to hear more of these things, please consider supporting the show. It is literally how it continues to exist in this world. AdopteesOn.Com slash community. And you can join us at these amazing Ask an Adoptee Therapist events.

Ask your questions anytime, adopteeson. com slash ask, and we'll include them in an audio recording for patrons. So lots of good stuff over there. Join us for a book club, all the things. I love getting to hang out with you guys on zoom and really hearing from you what's going on in your lives. And I've built so many friendships over there. I just feel so grateful. So thank you for being here. Thank you for being a part of the community for helping adoptees on exist. And let's talk again next Friday.

258 Nicole Chung

Transcript

Full shownotes: https://www.adopteeson.com/listen/258


Haley Radke: This podcast is for educational and entertainment purposes only. Nothing stated on it either by its hosts or any guests, is to be construed as psychological, medical, or legal advice.

You are listening to Adoptees On, the podcast where adoptees discuss the adoption experience. I'm Haley Radke. We are so thrilled to welcome Nicole Chung back to the podcast today. Nicole's new memoir, a Living Remedy, is a heartbreaking pilgrimage where we walk with her through her grief and losing both of her adoptive parents within a few short years of each other.

We talk a lot about grieving today, depression, avoidance, grief, rituals, how our loved ones can show up for us. The joy pets can bring us in the worst of times. As an adoptee, Nicole has been one of the stalwart leaders in our community, and you'll know why when you listen to the compassion and vulnerability she shares in our conversation today.

Before we get started, I wanted to personally invite you to join our Patreon adoptee community today over on adopteeson.com/community, which helps support you and also the show to support more adoptees around the world. Make sure you stay tuned to the end of the podcast today to hear how you can join our book club with Nicole in October, 2023.

And for details on our upcoming summer break, we wrap up with some recommended resources and as always, links to everything we'll be talking about today are on the website, adopteeson.com. Let's listen in.

I am so pleased to welcome back to Adoptees On, Nivole Chung. Welcome Nicole.

Nicole Chung: Thank you so much, Haley. It's great to be back.

Haley Radke: I have been reading all the things. You're prolific. You've got an advice column and all of these pieces in magazines and all through the last few years. And even though I felt like I had followed along and knew the story, when I was reading A Living Remedy, I read it in one day in October last year, I was, blessed to have an advanced copy and I just, I was like, oh my gosh, it's so much. So anyway, do you wanna catch us up since the last time you were here in 2018?

Nicole Chung: Sure. And thank you so much for reading. It really means a lot to me. I mean, since the last time I was here, five years. It's actually not that long. Right. But at the world has changed. We've all changed. So living remedy, as but some of your listeners might not, it's a story of grief, it's a story of loss and of losing both my adoptive parents in a two-year span. My father died in early 2018 and my mother in the spring of 2020, in the early weeks of the pandemic.

So the book I had started working on it actually while I was touring, like on the paperback tour for All You Can Ever Know, in 2019. I knew I wanted to write about grief, losing my dad, and specifically how my mother and I were both grappling with how his loss had been sped and his illness before that exacerbated by these pervasive inequalities in American society that we all know about.

And in his case, financial precarity was a factor. Lack of access to healthcare was a factor in his early death. And also there were just various points at which, other parts of the safety net failed him and failed my mother. And it was something she and I were both, as I said, like grappling with, and I knew I just couldn't write the story of this loss, which for me was cataclysmic.

The biggest loss of my life thus far as an adoptee. It brought up so much for me as well. I couldn't write about that without facing these other things, these injustices and inequalities that led to his early death. But at the time, my mother was alive and she wasn't sick, and I didn't know that cancer was coming for her.

I didn't know that a few months after starting the book, she'd receive a terminal diagnosis. And I certainly didn't know that, by the time she started hospice care, because her cancer really was untreatable at that point, we would all be in the midst of the pandemic. Right? So she started hospice care the same month that we were all asked to stay home.

And so my mother and I were separated, like with a country between us, as had long been the case. But in this time, I could not get to her. And so many people. I lost her kind of sight unseen. I mean, we had video calls, we had phone calls and texts but I wasn't able to be there at the end because she died in the spring of 2020.

And at that point, honestly, the book was like the furthest thing from my mind, right? Like I had stopped working on it when she got very sick. I was focused on her care, helping to manage her affairs and parenting two kids. Working full-time through a pandemic. Can't take time off in this country if you're supporting a parent who's sick.

And so I was just kind of juggling a lot. Like many people I think in the sandwich generation, caring for elders or parents and caring for young children will be familiar with but in the midst of a pandemic and I couldn't imagine writing about it and I couldn't imagine leaving it out of the book.

So I picked it up again, I think it was probably six or seven months after my mom died and just kind of started over from the beginning. And as, because you've read it, like my relationship with her is really what provides the foundation for the book. As I rewrote it, I realized that was really at the heart of it.

And so when you read and you experience like my father's illness and loss, we're still getting that in the context, I think, of like my mother and I experiencing that together and mourning him together and then going through it together when she gets sick. So yeah, again, like it's, it's not like it's been a huge span of time since you and I last spoke, or it's not a huge span between the two books, but yeah, everything kind of shifted and my relationships with my parents, my relationship to grief, my relationship to my work and writing all had to change as well.

Haley Radke: I had never thought of memoir being a way to introduce readers to the people that you love. And I heard you talk about that in several different conversations that you've been a part of, different podcast episodes, and I see that so clearly in your book. Is there something that you could tell us about your mother in particular that I don't know, and just an anecdote or so something to get us to meet her through your eyes.

Nicole Chung: Yeah, I mean, to, to the first part, I guess of what you just said, I think it's so important in crafting memoir like nonfiction to make sure that the narrator, the you, the I, I cannot be the only fully realized, like human seeming whole and nuanced character in the book. It's important for me to be there. I'm obviously the guide through it. You're getting everything filtered through the lens of my perspective, and I'm the one deciding what's important for you to know about my life, about everybody in it. But it's so important for the other people, the characters who come into the story to feel real and to be given, I think, the dignity and respect of that and to.

And for readers, trusting your readers enough to give them like the fullest portrait that you can. And so it was very important to me that readers get to know my parents in this case before I lost them, to get to know who they were before they got sick.

I don't think they or any of us should be defined by the worst things that have happened to us, by our losses, by our traumas. These things are obviously enormously important in who we become and in shaping us, but it's not like we all are trauma. And the same is true of them. I didn't see my parents' lives, even though there were tragic things certainly, or things that were enraging, I didn't see them, their story as this, like American tragedy.

I experienced them in our life together as so much more complex than that, and in many cases that many times as a story of love and resistance and resilience. And so those are things I really wanted to capture. And the job as a writer is picking. Since you can't share everything, picking the things that feel most important, the memories, the conversations, and the most obvious thing to share about my mother is just like her deep love.

For me and her faith in me, which I know I was very lucky to have, even when we did not always understand each other. But I also remember things like she had an extremely dry and sometimes sarcastic sense of humor. And she always, her faith in me was such that, I don't know, I just, I truly believe, like she could have somehow justified any choice I made in life and supported it. Which is rare I think, in a parent. And I don't even know that should always be the case. Right. But that's, that was what her love for me meant. I don't know, like I think about just like her overarching goal as a parent was to make me feel like I was enough. And so many of us, I never really felt like I was, but that's what I remember most clearly about her, honestly, is that it was like her lifelong quest to get me to believe that I was enough.

And it just, it took a very long time, I guess, for me to learn that. So that's one thing.

Haley Radke: I love how you portray it comes across very clear to me in the book. And so I think this is true, if I'm gonna say this, that it seemed like your adoptive parents were so good at holding you with like open hands, right?

Like ready to launch you, ready to cheer you on, support you in all the things rather than this other way that parents can sometimes be like holding you so tightly that you feel crushed and stuck. And so to see them model that for you as you left as a teenager off into the world, into the east coast, far away and lived your adulthood so far away from them.

Can you talk about that a little bit?

Nicole Chung: Yeah, so part of it I like grew up dreaming about escaping the town where I lived. I was, as I wrote in the first book, I was the only Korean I knew. I was like the only transracial adoptee. I knew if there were others, at least, like we didn't talk about it. I didn't know about it.

I'd experienced a lot of racist bullying. Like it was just, it, I felt from a really young age, like there must be more than this and I can't stay here. And it sounds depressing, but I actually think that helped me like survive until it was time to leave. Not to sound dramatic, but you know, it was really hard for a long time.

There were years in elementary school especially where I remember not a week went by where I didn't experience some form of racist bullying. Whether it was like the ching-chong chants at recess or like being called actual slurs, it was not like a place where I felt safe, that school or that town.

And so I always knew I was gonna leave. And it's true, I didn't have to go as far as I did. But I don't know, like my parents, as I write in A Living Remedy,, they're from Ohio. They were the ones in their family who left, who got out. They didn't go to college. They got married very young and they moved to Alaska and then Washington State and then Oregon where I grew up.

So they were kind of like the pioneers of their family. And I think that's why they didn't raise me- as much as they loved me and I think wanted me close by- I mean, they didn't raise me with that expectation or that weight. And even though we didn't talk about race, and we certainly didn't talk about racism, they knew enough I think, to know that I wasn't going to be able to stay.

I write in the book that I think in many ways, my mother especially, was preparing me to go because she wanted me to have these choices that due to our financial situation when I was growing up, might well have proven impossible. They wanted me to go to college, but they couldn't pay for any of it and we weren't really sure how I would go or if I would go until I left.

So again I think back to that faith and that trust in me coupled with like real questions about what it would be like for me going out into the world whether there would be the resources I needed to do that. But yeah their love for me was never about like ownership or control or living like some life that they expected for me.

They really wanted me to go out and to find my own path and my own happiness. And again, I thought that was just what parents did, but I know now as an adult, sadly, that is not always the case. I just don't think there was a lot in my parents' love for me that was selfish or clinging. I think they would've loved for me to stay at home, but understood that from a young age that I wasn't going to do that.

Haley Radke: Here's a line from your book you say: she did not think about leaning on or drawing strength from me, but of protecting me, lifting me up to her. That was what it meant to be my mother.

Nicole Chung: I mean, it's hard too, right? Because my mother was moving into a situation at that point in the book, due to her terminal diagnosis and everything. Like she, I don't know, like she needed help. And I think one of the things I really wanted to address in this book, this latest book, was that changing relationship that you have with parents, with elders, when you start to move into more of a caregiving role when your positions are kind of reversed.

I think that was so difficult for both my parents, but especially my mother to grasp. And in this country there's such a focus on like personal responsibility, what we owe our elders, what we owe our parents.

For adoptees, I think sometimes wrapped up in that is this like unfair expectation to other people have that you'll be grateful or loyal, right? But we just aren't given the resources or support we need, really, when it comes time to care for each other in a crisis. And like the focus on individual personal responsibility obscures the reality of so many systems that fail us in our time of need. But it was just so difficult. I knew my parents needed more help. And at times I was able to give it, but often I wasn't.

At times they were not able to accept it or let me in. And that was just kind of an ongoing point of tension, I think because as they saw it, their role as my parents, that wasn't part of it. Accepting my help. Accepting my care even when they needed it. And I think that's something so many families have to navigate as people get older.

Haley Radke: Oh, definitely. I mean, I think that's probably a huge part of your story that was really resonating for folks outside of the adoption community because, of course, your book is like way out there. So thanks for coming back to adopteeland to talk about it.

You, speaking of that, you did this interview with Rebecca Carroll, and I'm gonna quote you a line that you shared with her in that you said: what does it mean to be an adoptee when your adopted family is gone? What does that mean?

Nicole Chung: I mean, I'm still figuring that out. I think there was a time right after my mother's death and I was obviously grieving for her. And it was, I was still at home. Covid lockdowns were still ongoing. I had to live stream her funeral from my living room sofa with my family. And my cousin, who is like the only person in my adoptive family I'm still close with, he's my same age, he called me and, at one point he was like, what is it like, like how do you feel?

And I was just like, it feels like being unadopted because not only were my parents gone, they and my grandmother had been like my very last link to that family. I have a large extended family. Because I grew up so far from many of them and we didn't have money to travel, but also just due to choices and estrangements and personalities and conflicts, like I didn't grow up all that close to many of them. And some of the people I did meet later, I think as a transracial adoptee or an adoptee, you can tell who kind of accepts you, who's really okay with it in the family.

And sadly, I think you can sometimes tell who's not. And I guess I can't really say for sure that I know that's the reason. But like my father's family, for example, I don't think ever really accepted me. And so I'm not really close with anyone left except as I mentioned my cousin. And so my parents' deaths really did feel in a way like, that's it.

Like everyone, they're gone. That means I don't have an adoptive family anymore. I am obviously still an adoptee, but, and being an adoptee is, that shaped so much of my life. But the people who are in that defining relationship, that important relationship with me are gone. And for a while it did just feel like I was completely untethered.

I don't identify with the term orphaned exactly, but. I mean, for a little while, I think that's kind of how it felt. I just felt really bereft. And yes, of course a lot of it was just grief for my parents in the way anybody might feel grief for their parents. But as an adoptee, there was this added layer of I don't know, this was my only family and like my only tie.

These were the people, the only people who really believed in that bond in my whole entire extended family. And they're gone. I'm carrying all of these memories alone. Now. There's nobody left in my adoptive family who like remembers my childhood or remembers what my, or who would talk to me about my parents when they were younger.

Like those connections are just, aren't there. So that's just been something I think that's been really hard to sit with and to live with and to adjust to. And of course I'm not alone. I have reader, people who've read my first book will know, like I have a sister I'm very close with that I reunited with my biological sister. And of course I have my husband and my own children, but it's just I'm very conscious of this other family that I grew up in, like no longer being there. And it feels like missing a limb sometimes.

Haley Radke: Do you feel like you inherited the matriarch role, or because Cindy is your older sister, are you like, okay, I guess I'm gonna pass that to her? Or you're too young to have that? Your parents lost, they died so soon, so early. Too early. And I don't know, what did you feel something when I said that word?

Nicole Chung: Oh gosh. I immediately was like, that's not me. And I don't think it's an ageism thing. I mean, I think I would be proud and happy to be a matriarch, but that's not what I feel like yet. Gosh, that's like an interesting question, I suppose like in my immediate family, my mother-in-law, I guess is who I consider like the matriarch of our family. Even though we are not, we're only related by marriage. And I think when I think about my family in terms of my own children, like that's who I think of as like the matriarch.

And I guess my sister and I are so close. I don't think of her as matriarchal yet. But yeah, that's, oh, that's an interesting question. I don't feel like I've inherited that role yet. And maybe that's part of why I feel unmoored. It's just, I definitely have these connections and they're powerful connections and their chosen, loving relationships.

But I dunno, my family tree like that part is gone. Yeah. And my relationship with my birth parents, though I'm in Reunion with my birth family is not really what I, it's not really a substitute, not that I would be looking for it to be a substitute, even if my adoptive parents were alive, but it's not at that level.

And actually my relationship with my birth father has changed a fair bit in recent years. And I think part of that is because of the deaths of my adoptive parents. But I think, I still feel even, it's been like three years since my mom's death, my adoptive mom. And I still feel this sense of, I don't know what's next. I'm still kind of waiting, to figure that out.

Haley Radke: Okay, this is gonna take a big turn. Are you ready?

Nicole Chung: Okay.

Haley Radke: Star Trek. Yay. How excited was I to hear Deanna Troi mentioned in your book. As a faithful Star Trek Next Gen rerun watcher, through my childhood. Which I've gone to try, I've tried to rewatch now, and it's ooh. I don't know. It's tough.

It's a tough rewatch for me. But anyway, so you mentioned Deanna Troi, and there's a little story in the book and I was, I just got kind of fixated on it. Oh my gosh, she was the counselor. She had these like telepathic abilities and empathy and I was like, woo, that's like us.

We grow up having to parachute it into a new family where we have no connection. There're strangers to us. We have to read the room and adjust to where we are and like get really hypervigilant about these other cues that these strangers to us are giving us. I'm curious, as with that piece, I'm picturing her as an adoptee. She's not. But those empathy skills. How is that having that superpower through grieving for you?

Because we're taking on other people's feelings around us. Your children, your husband's trying to support you, your sister is there to support you, but you still are like feeling those things. I don't know, am I reading too much into Deanna and conflating you too? I don't know. You tell me what you think.

Nicole Chung: Oh, I'm always happy to talk about Star Trek or Deanna Troi. I don't necessarily think of myself like as an empath. Maybe it's because some of the people who describe themselves that way to me, I've been like, no, you're not. But I think what you have a point in terms of as adoptees, I don't wanna say we're like shapeshifters, exactly. Nor should we have to be. But I do think there's a lot of reading the room, trying to read cues and trying to sometimes be what other people want. Of course, that's like a universal experience that children have. Like we learn very early on whether we're adopted or not, like you learn what things you say that really upset your parents and what things are okay and safe.

You learn whether it's safe at all to disagree or to make them upset. Like you, you're always picking those things up. In my case, I write in a living remedy about being a very watchful kid and part of that was anxiety, I think. And part of it was being in a place where I knew my presence was often unexpected or unwanted.

I mean, not by my family. My adoptive family, my parents, but like out in the world, in the community where we lived, this very white community. I just didn't really feel safe, as a child from a super young age. And I was always like aware of where I was, who I was with, whether I was drawing attention to myself, wondering what people thought. And so yeah, I mean those qualities, that watchfulness and that wanting to find a place or people with whom I can feel safe, that's persisted for sure.

How it relates to grieving. I mean, I don't know that I had thought about that till you asked the question. I don't know. So many things besides being adopted, went into that. Like being a writer, being observant, like making my living literally observing and remembering and then trying to listen to the story and tell that. Those are things that like I can't exactly trace to adoption. They're just part of me. But yeah, I think just the hardest thing for me to do in grieving my parents was learning to show myself grace and show myself care and like grieve without this self-recrimination and like desire, I guess, to keep myself suffering because that's what I thought it meant to grieve.

That's what like a good, loyal daughter does when her parents die. Learning to grieve without that kind of self punishment, that self-blame, that was really difficult and I'm sure some of that stems from just like the way I grew up feeling very responsible for other people's feelings and other people's comfort. Which is impossible, I guess, to divorce from growing up as a transracial adoptee.

Haley Radke: In the book, when you are sharing some of those first months of grief, both after your father's passing and then after your mother's, you share some deeply private thing, private thoughts that you, that came to mind about not wanting to be on this planet anymore and about your anxieties and things. And I don't necessarily want you to share about that because you lay that bare in the book very well and I felt so appreciative that you were saying, the true thing, so you could really invite us in.

And I'm curious if you have memories during those times of friends or other people in your life who loved you well, like what were the best things that people did to help you through that time?

Nicole Chung: When I think back to the depths of my depression after my father's death, first of all, I didn't really know that's what it was.

I thought, of course I feel horrible. Like my father's dead. This is grief. This must be what really deep grief feels like. It's not exactly the case. In many ways, I wasn't actually letting myself grieve. It was just too painful. And so I was cycling through a lot of anxiety and like guilt and self-blame over what I felt were my failings as his daughter.

Like the things I wasn't able to do to help or save him. Practical things like not having enough money, like to pay for the medical care he needed when he needed it. To like other things that maybe I couldn't really help, like where I lived, where I settled, in part because I had my own children and my own family. I just kind of, I was so wrapped up in like blame and in punishing myself, and I think that's where a lot of the like depression came from.

I don't know, like some of those months are a blur. Like I mentioned in the book. Like I cannot, we moved from one house to another in that the first few months after he died. Our rental term was up. We had to leave. And I don't remember packing or unpacking. I know we did, we live in this house still.

But I just don't remember really any of it. I can tell you about the four or five moves prior to that, but not that one. So things like that are just kind of lost to me. And that's trauma. That's, and that was a reaction to that. But I do remember of course my husband was great.

He's always been our rock. I mean, I don't think it took a loss in the family to make that really clear to me. But he was doing a lot, not just like a lot of the practical things, which he's always done, but like the lion's share of parenting.

And then, when I got to see my sister. I mean, that was very important too. And we didn't see each other for a long time because of the pandemic. But we would talk often. I mentioned my cousin would check on me a lot and no one could really do anything. No one could make my father's loss or my mother's loss any less painful. But, the people who I really trusted and loved who I could be my whole self with, who I could be messy with who I could admit, like my, the dark thoughts I was having too, that was, I mean, helpful, as helpful as anything was.

And then, I'll just say and give a shout out to therapy. I sought therapy a few months after my dad died. I still go. It's been really hugely helpful and I don't know, like I recognized that I needed that and it's why I continue to go. I started going because of grief. And needing help with that.

But of course, like so many other things come up once you start. I am really grateful, like it was a horrible time, but I'm lucky to have had the support and like the access to that support, that I needed.

Haley Radke: I was gonna- I watched you take care of your mom, like obviously not reading about it in the book, all the things you would send to her and the ways you were trying to connect with her because of Covid 19 and not actually being able to go physically to her.

And so I guess I just imagine that your people would do those same things for you. And I get it in that grief blur, like it's hard to remember and bring those things to mind.

Nicole Chung: One thing, I mean, I remember after my mom died is that I mentioned this in the book, but I was so anxious about the phone because for every, for months, like the only calls and texts I got were like, about my mother.

It was like always horrible news. And even when I was reaching out to other people for help and support, it was like through my phone. And in the days after she died, like when the phone would ring, like my heart rate would spike, and I felt like I was gonna panic sometimes. So my husband started carrying it and telling me if I had to talk to somebody, if it was important, because I like, just couldn't have a phone for a few days, few, maybe a couple of weeks after.

So my friends knew this, but they wanted to be with me and they couldn't call and talk to me cuz I wasn't really in a state to have a conversation. So they, a group of them recorded these like video condolences, just like them talking at their phone, cameras telling me they loved me and they were there for me.

And when I was ready they would be there. And they sent them to me and it meant so much because they were trying to be with me in this way that they could. And even though we couldn't be together, they also could not get on a plane and fly to me. And then I, couldn't even talk on the phone in real time.

So they wanted to make sure I knew, even though I couldn't answer the phone, that they were, they loved me and they were thinking of me. So I just remember that being like profoundly important at that time. And it's still it was just awkward freely. That's not the kind of thing you would think to ask a friend for, when you're grieving.

It'd be great if you could record a video just like telling me that you're there and I can just watch it over and over or reach out when I'm ready. I couldn't like think of tasks to give people and I certainly wouldn't have ever thought of that one. It just meant a lot that they took the initiative, they realized it would be helpful and.

They did it. And it meant a lot to me.

Haley Radke: That got me teary. See, I know you have good, you've got good people in your life. I love that. Thank you for sharing it. You mentioned earlier and you share in the book that you had to view your mother's service live streamed. I'm curious if there's, if you're comfortable sharing, this is pretty personal, but if there's anything that you've done since then, any grief rituals or things that you've done to make that more concrete's the word that's coming to mind, but it's not the right one.

But for yourself I'm thinking of the adoptees who maybe don't get to go because of estrangements or finding out their birth parent has died after they've searched, or the things that are out of our control. Just like the pandemic was. Are there things that have been special or important to you or things that you've tried to build in to have this sense for yourself of - closure is not the right word either, but I think you get the gist of what I'm trying to say.

Nicole Chung: Yeah, I mean, I don't think of the book as therapeutic. That's not really what writing, at least for public consumption, is for me. But I will say I do think of the book in many respects as like the legacy of my family and like that story, just knowing that it's preserved imperfectly, but still- that it's a place where people can still meet and learn about my parents and hear their voices.

It's a place that I will always have and my children, will always have to do that. I mean, that is very meaningful and I, I mean, I recognize too it's more than that. It has to mean something to readers. It's not just about me and my feelings, but it is actually kind of comforting that's the case because, I don't have those physical connections to home anymore.

And like when my mother died her, she wanted to leave her house from her manufactured home to her sister. Partly as thanks for caring for her. And my, her sister recently passed away and has left the house to someone else, which is of course like her right. But I don't have any claim or any stake too to what was my parents' house, the place where they lived and died.

There isn't going to be some visit home, where I go through everything and pick out things to keep and sell others and say goodbye to that place. Again, like the book is the structure kind of through which I get to do that.

And I don't know, I think in terms of like rituals, I've done things like send flowers to be placed on my parents' graves, like on their, the anniversaries of their deaths or their birthdays or their wedding anniversary.

I try to think about them of course, and sometimes I've done things like have a meal in their honor. Sometimes I've written letters, which of course, go unsent, kinda just telling them things. And I look at their pictures a lot. And the pictures I actually love most are the ones when I was very young or not in the picture yet.

I like thinking a lot about who they were before I really got to know them as parents. I'm so curious still, as much as I've learned and as much as I've written, like I, I'll always be curious and have questions about who they were as people before I entered their life. So like those things are really meaningful to me, but it's imperfect and sometimes it doesn't feel like enough.

There's still this physical distance. There's very real emotional distance from the rest of my family. There aren't these physical connections. Like I don't really go back to my hometown a lot. I can't go back to my parents' home. So it's hard. I think I'm still learning what missing and grieving and honoring them will look like.

Haley Radke: Are there stories or things that you are- oh, maybe even traditions, I guess, that you are like planning. I am gonna share these with my children in their honor.

Nicole Chung: I don't know that I think about it consciously, but of course like when I think about traditions around like holidays or birthdays or even the way, like I try to talk with my kids or be available emotionally and all of that.

Like so much of that is based on how I was raised. I guess the fact that like the only vacations we ever took as a family were to the Oregon coast, and it's partly because we couldn't actually afford to go anywhere else, but it's also because it was like our favorite place. And it was a really special place to my mom and me especially.

So like I do wanna take my kids out there again. They've been before, but also just like going to the beach or beaches that are closer to us. That's kind of like a special place for my family. I don't know, we got a dog and my mother always loved dogs. Just had a very special connection with them, including her last dog Buster who was like faithfully at her side, like all during her illness and even as she died.

In a way I think about us having a dog that we love, who's a real comfort to the whole family is this extra connection to my mother. Just I dunno, I think it's something she would've understood and been really happy about. So there are some things, but mostly it's like everything in life.

There's a part in the book where I write that like to live is to remember them. And it's true, like everything I do in and with and for my family, but also beyond that is, is part of what it means to love and to miss and to grieve them. And it's what they would've wanted from my life to go on, and for me to find contentment and fulfillment and like meaning and joy and all these things despite these losses.

So I think of my whole life in some sense as like an extension or honoring them, like being what they really wanted for me. And it's kind of lovely actually that I get to do that without the pressures. Some people feel, right. Of feeling they have to live up to something or accomplish something or achieve something, to really honor their family.

I know, like I'm un I'm under no illusions about like my parents' expectations in that regard. They just wanted me to live and be happy and have my own family and, love them. So that's kind of what I'm carrying forward.

Haley Radke: I have the photo of you and your mom up on my screen because I was just double checking the time article. One of the ones that you wrote. It was one you wrote while you were deciding whether or not to visit her and you were expressing that in the article. We can link to that. And so I, I see her face as we're talking and there's a pup in that picture. And I, I noted in the book you're mentioning Sebastian, your cat and your mom's dog Buster. And then your new little friend, Peggy. God, what a....

Nicole Chung: Peggy is not so little anymore.

Haley Radke: No. One more reason to follow on Instagram is Peggy. Yeah. But in your book launch, which I attended virtually, someone made sure to ask what happened to Buster? There's this importance for us of animals and we actually recently did an episode on adoptees and grief around losing our pets.

But I'm wondering, you mentioned your mom's love of animals. How has that been for you, having Peggy in your life and seeing your children really enjoy connecting with Peggy as well?

Nicole Chung: Yeah, I mean, I sometimes joke that I don't think my mental health should be so dependent on the dog or anything else that's mortal. But no she's been like so good for our family. So we, like many people, we got our dog in the, like during the pandemic. She's very much a pandemic pup. We got her about six months after my mother had passed and, you all remember like the fall and winter of 2020, like nobody was doing, maybe you hadn't suffered a deep personal loss, but like no one was thriving.

I didn't know anybody who was like genuinely happy and we were facing down this long pandemic winter where we weren't vaccinated and we still really weren't seeing people and it was grim. Okay. Even if my mother hadn't died, I was just like, I know a dog does not magically fix anything. I know grief is just something you live with.

But at the same time, like honestly, I just felt like we really needed a win. We needed something really good to happen. So that was Peggy and she demanded all our focus in the way dogs often do at the beginning. Especially like just meeting her basic needs and learning how to take care of her. Kinda like having a newborn, but like only for a few weeks.

I don't know. It was just like a new place to put all that energy, right? But she is, she like quickly became the emotional center of the family. My kids, my kids immediately felt happier. Like I could see real joy on their faces for the first time. And more than that, like I could actually feel that, like I could access it.

And I mentioned in the book how, like for months after my mom died, I always felt like if I was viewing someone else's joy or happiness, it was like through a glass. It was something about, it wasn't quite reaching me, like I could see it, but I couldn't feel it. And Peggy crashed through that glass, that wall.

And I really felt like I could feel joy again very deeply. And seeing, experience it with my kids for the first time since her death. So yeah, it's, I don't know, she's the family comfort animal for sure. She got the kids through that like long zoom school year. Like they would take Peggy breaks. Yeah she's still really kind of at the heart of the family in many ways. So we're, we are very like lucky to have her.

Haley Radke: It's nice to have some piece of joy while you are still moving through. I just, I don't know. The more we've talked before, like adoptees are just experts in grief. There's just not this endpoint, but as our life grows around our grief, you know that diagram that everybody shows. There's gotta be Instagram reels about it or something. I know I've seen like all the circles and my therapist too has drawn them out for me.

As our life grows around our grief and incorporates, it's just like somehow coming back to some sense of normalcy and I kind of breathe this sigh of relief when you said it's been three years because preparing to interview you, this grief of your loss of your mother is like raw to me as the reader. And I feel oh, you've had time before. You have to go on this tour and talk about this over and over. Not that it's makes it that much less painful, but it's still yeah. How are you talking about this over and over after I've participated?

Nicole Chung: That's like the hardest question to answer. I, I don't really get nervous like going on the radio anymore, but I had this interview that I felt was kind of a big deal with Steve Inskeep at N P R and the, I was like we're getting through this. It's okay. I feel like I'm not bombing this. And then the very last question he asked was like, how are you doing?

And I came up with something, but I'll just say that is the hardest question to answer. Every possible answer flew out of my head in that moment. I don't know, it's just, it's been- tour's been hard. Like it's a privilege and it's been- parts of it have been really joyful. It's been wonderful to meet readers and to see friends and to talk about the book.

And there's no substitute for that. I really- like more than the reviews, which I'm thankful for, and more than interviews or articles, like getting to actually meet and hear from readers and hear that the book mattered to them and hear why there's no substitute for that as far as I'm concerned as a writer.

So I love that and I'm really aware of what a privilege it is, especially after the pandemic when so many people couldn't do that after publishing books. And at the same time, it's a lot, it's been a lot to hold this grief and to hear, at every event someone will often, many people will share their own stories with me and I, that's been happening since All You Can Ever Know.

And I'm very conscious too of that being an honor, but also being a lot to hold. Right. Yeah, it's been, I think. I think I'm doing okay. And unfortunately I got Covid at the end of my tour and had to cancel some events. So it feels a little unresolved right now. Actually. I was supposed to go to Chicago and Boston and didn't make it there, but I don't know, I've been, I thought it would be even harder than it has been emotionally to go on tour, to relive events, to answer questions like about people I've lost.

And while it's been difficult, I think there's been like a lot of solace and beauty and humor and community and joy in that as well. So I don't know. The book really means so much to me. I think it is the best thing I've written and I'm very like proud of that. So it has meant a lot to get to go out and share it with people.

Haley Radke: I'm absolutely gonna recommend that people pick up A Living Remedy. I read All You Can Ever Know. And we did a book club for that all the way back in 2018 when it came out. And when I first read A Living Remedy, I loved it. I read it very much with these eyes. I came away being like, wow, that was a scathing critique of the American healthcare system.

And oh my gosh, capitalism. And, I came away like angry and I think I already told you, I, I read it in one, literally one sitting on my laptop. So you must know if I'm gonna read it on my laptop with that, our copy then it's the big deal anyway. And then to prepare for today, I listened to the audiobook and I came away with this oh my gosh, it's your soul laid bear.

It's so deeply personal and I found it so interesting that I had these two different experiences reading it and it wasn't- you're not the, you're not the audiobook narrator. And for me that made it a little bit easier cuz hearing it in your voice, I think I would've like really been broken and I felt thankful that you didn't have to read it.

Some piece, I don't know if you have a comment on that or not, but I was like, oh my gosh, if you'd had to read this out loud to us, I don't know if we could have bear, just beared with it.

Nicole Chung: I don't have that much faith in my performance skills. Like I haven't read either of my books, although I will say, like I, I think I'm a decent reader of my own work, but in short form. I enjoy like reading in public speaking. I did like theater a little bit in high school, so like I'm not afraid of it. And I I like to read aloud with my kids even though they're old and they don't need me to read aloud to them anymore. But I enjoy doing the voices. I think I do a good job reading. I don't know that I could have read either of these books, like to my satisfaction.

So I was kind of happy to outsource that and. It is kind of interesting. I, so I love the audiobook of A Living Remedy. I think Jennifer Kim does a beautiful job with it.

Haley Radke: Amazing.

Nicole Chung: She doesn't sound like me, but of all the readers, I just, I listen to different samples and everybody's very talented. But I was really hoping she'd be available because like her sample was my favorite.

I don't know, it is always really strange listening to your words and your life, but not in your voice, but I think you're right. And it hadn't occurred to me till you said it, that having that separation, I guess it might have been like beneficial to me as well. I didn't think I was shying away from having to read it out loud by choosing a different narrator.

But of course, like it would've been a difficult very emotional thing to do my own audiobook. I really do recommend the audiobook. I think it's, I think Jennifer did such a wonderful job with it and it doesn't surprise me that hearing it read aloud, and also just encountering it a second time, months later, you'd have a different experience of it.

I think that's actually kind of, I'll take it as a compliment because I think that's how books can reach us at different stages for different reasons and leave us with different thoughts and impressions. So I know like I always love like revisiting favorite books and I always get something different like every time I do.

So yeah, that, that part does not really surprise me that the experience for you was different.

Haley Radke: I remember going into reading it and already being mad about the situation, right? Because I'm like, oh my God, you didn't get to go to the funeral. I knew the story, like I knew it had as much as you can just know facts.

So that's how I went in and that's what I experienced. That's what I read. And so now I'm just like, oh my gosh, I wanna hug you. I'm just like so yes. It's amazing. I loved All You Can Ever Know. A Living Remedy is just you, as just a much like- . Okay. I feel like I'm gonna say this and it's some, I don't mean it at in any way as an insult to All You Can Ever Know, because it was so good.

This is just so good. Like it's just elevated. You're writing, everything is just amazing. I can, I know why it's all on the best of book lists everywhere.

Nicole Chung: Very good publicist as well.

Haley Radke: No. Shade to your publicist, but also just it's amazing. It's amazing.

Nicole Chung: Thank you. I mean, one of the nicest things, one of the best compliments I think a writer can get is: you've improved. I love that people always think I'll take it the wrong way and I never do. Like I'm truly thrilled. I also think it's true and I also. Some of it's like agent experience, but also just what I had to give to this book emotionally. Like what it demanded of me. The fact that I was five years older and had finally learned to give myself more grace and to be more patient with myself and acknowledge my limitations.

Like all these things, I think just made it a much, I think it's a much better book. And that I love my first book too. It'll always mean a lot to me, but I do feel like A Living Remedy is like a different kind of flex for me as a writer. And it also just pushed and challenged me in ways that no other piece of writing ever has.

So it changed so much in the writing and in the rewriting that, yeah. That is why I think that I'm so proud of it, is just it I've said it before. It's like my whole heart. That's really what it required of me.

Haley Radke: And we are thankful to receive your whole heart. Okay. In 2018, you were here. I. You said to me, one of my wishes is to edit and publish an anthology of adoptee authors.

What do you wanna recommend to us today, Nicole?

Nicole Chung: I had love to recommend an anthology I co-edited of fellow adoptee authors.

Haley Radke: Yes, I know.

Nicole Chung: It's young adult fiction. So every, all short stories, every story is by an adoptee of color featuring like an adopted teen protagonist. And my co-editor is the wonderful Shannon Gibney, who probably your listeners will be familiar with.

Have you talked with Shannon before?

Haley Radke: Yes. She's been on our book. She's the one repeat book club author Until you Okay. You're gonna be the second one. How about that? Yeah.

Nicole Chung: Okay. So this is a high honor. So your listeners will know all about Shannon and her wonderful books. But yeah, this is kind of just a labor of love and we were connected by a mutual friend, Sarah Park Dahlen actually who is a not an adoptee, but a scholar in the field of like children's literature who's really knows so much about like adoptee literature especially.

And Sarah had been like encouraging Shannon and me and probably other people too, to pay attention to the space of children's lit and literature for young people because there's- as diverse as it is, I think as it's gotten so much better than it was when I was a kid. I mean, adoptee stories by adoptees are still so few and far between, and many of the portayals that exist by non adoptees, like, how do I say this? They aren't great.

And so there's definitely a vacuum to fill. And even though Shannon and I both had books coming out this year, and so it was like not the greatest like time for us. We, again, it just felt like a passion project. So we put out a call. A lot of writers we knew and many we didn't sent in stories for consideration and we managed to winnow it down.

So this collection is called When We Become Ours, and it's coming out at the end, toward the end of October of this year. So we're both really excited about it and hope people keep an eye out for it. It just, it's just so special to get to do this and we hope it is the book for a lot of adoptee, but particularly teens, that we didn't have when we were growing up.

And I'm personally hoping every one of our contributors writes their own standalone books. Some of them already have, I should say. But I hope everyone else does because like it's just such a deep, rich well of storytelling and we need so many more stories. Our kids, like young adoptees, need so much more. So we hope this is not an end, but like kind of a beginning and the first of many more like it.

Haley Radke: It is tremendous. I am honored again to have been received a advanced copy and just loved it. We have talked to, you have heard from so many of the authors already have appeared on adoptees on, you're gonna be so excited to read this.

So I'm so glad you're recommending it to us. We will all advance order today when we've heard this. Thank you. Thank you so much for coming back to the show. Thank you so much for your work and I'm so honored that we get to, we had to get to have this conversation. Where can we connect with you online and find A Living Remedy?

Nicole Chung: You can find A Living Remedy wherever books are sold. I especially love if you would like to order from your local or favorite independent bookstore. And yeah. So I mean there's that. And then in terms of finding me, I am, against my better judgment, still on Twitter. So Nicole SJ Chung same handle on Instagram.

I'm on Blue Sky as Nicole Chung giving that one a whirl. So you can find me there for now. And my website is nicolechung.net.

Haley Radke: Wonderful. It's got all your events coming up so folks can still, if you're listening when this comes out, there's still things coming up this year. So we hopeful get a chance to meet you in real life at one of your book talks.

Thanks you so much, Nicole.

Nicole Chung: Thanks Haley.

Haley Radke: I am so excited that Nicole will be joining us for our book club number two with her. We are going to be reading and discussing A Living Remedy in October of 2023. Nicole will join us for a live Zoom discussion and details and dates and all of those things are to come adopteeson.com/book club. Our book club is for Patreon supporters. So those are folks who contribute to the cost of writing Adoptees On. Did you know it is listener supported?

So we would love to have you join us over there, adopteeson.com/book club and we are really thrilled to be able to do this. We also have our book club recording way back when we did All You Can Ever know, and that's available on Patreon as well. I'm really thankful for the generosity of our patrons who make all of this possible.

So I wanna leave you with two things. One, a tear up because we're going on summer break and I didn't realize I would be emotional about it. I still truly love making this show for you. And in order to be sustainable, I take a full summer off to be with my kids and get excited about the fall and recording again.

And I'm listening to myself and I'm like, oh yeah. I'm really glad I still love it because that means we're gonna keep going. So this is our last episode, you will hear until mid-September of 2023. We'll be back with amazing new episodes and, there's well over 250 podcast episodes for you to listen to in the back catalog.

In the meantime, if you want to keep up with me in the summer, we are still doing shows every Monday for you over on Patreon, Adoptees Off Script. And we have this amazing new thing we're doing once a month called Ask an Adoptee Therapist. And the recordings of these are dropped in podcast format into your podcast app for Patreons.

And I'm going to give you a little clip of the one we just released in June. Ask an adoptee therapist with Marta Isabella Sierra, and you can hear that right here.

(Upbeat music)

Haley Radke: Our last question submitted is from Bruce. Bruce asked Janina Fisher, who wrote Healing the Fractured Selves of Trauma Survivors, describes the conclusion of trauma recovery as being, when the nervous system can finally experience the sensation of it's over and no longer has to defend against a threat that the body experiences a still being active. There have been periods of time in my recovery where I thought I had to reach that point only to discover a few triggers down the road that there is a whole nother floor of the house littered with trap doors to explore. For adoptee trauma, is it realistic to think that there is an end to the healing work or even a stage where we can just sharpen the saw?

Marta Isabella Sierra, LMHC: I loathe this moment to be the bearer of really rough news. I just was talking about this actually in my own supervision today. No. If I'm gonna be as simple and honest, no, there is no end. This is lifelong healing. I don't believe that I. What happened to us is recoverable even in one generation because it wasn't one generation of trauma.

This is generations of trauma in our birth family system and the adoptive family system often as well. And so I don't think it's realistic and I think there's ideally some compassion, some self-compassion that can be had in that. If you know that this is lifelong, that doesn't mean daily suffering.

That's not what I'm saying. I think when we pursue healing, especially when we pursue it with the open heart and really commit to ourselves, that there can be long periods of joy and growth and building things. That's always my wish that adoptees can heal enough to build things in their lives to make being here okay.

Even to make it okay. And to make it feel like you wanna wake up tomorrow. That's the work there. There is joy here. There is love here. And ideally we can stay around long enough to have those experiences. But I, I cannot sit here and lie to you that it's not gonna be forever, because there's just so many layers to this healing.

And the more we heal, the deeper that gets, we get to touch into different places.

Haley Radke: I appreciate your honesty and I mean, we're all living just a human experience as well, so I think there's just always going to be things, and I think our community too, right? If you're here, you're a curious person and you're, interested in self exploration and personal growth and all of those things.

So we're already on the path. So as much as you're like, oh, I don't wanna tell you this, it's but we kind of already knew. We kind of knew. Yeah. Yes.

(Upbeat music.)

Haley Radke: Oh my gosh. I love Marta. She just says it like it is. If you wanna join us for our upcoming ask and adoptee therapists, we've got one scheduled in July and August and September every month. So we would love to have you join us. Again, you can go to adopteeson.com/community or slash book club, whatever details you wanna grab to join us. All the events are up on the website and I'm just really proud of all the work and resources we are making for you and for our community. So again, a huge thank you to Nicole for joining us today.

A huge thank you to every guest who has been generous with their stories and talking through their adoptee experiences all year long. And I'm really yeah, I'm sad about my break. I'm happy it'll be kid time, kid summer for me. I'm still in the middle of mommy time. My boys are nine and just about 11 as I'm recording this and so I just don't wanna miss a moment.

I am so thankful for each one of you. Thank you so much for listening, and we will be back in September with brand new episodes for you. Thank you for listening. I'm sending my big love to you.

257 Sarah Myer

Transcript

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Full shownotes: https://www.adopteeson.com/listen/257

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Haley Radke: This podcast is for educational and entertainment purposes only. Nothing stated on it either by its hosts or any guests, is to be construed as psychological, medical, or legal advice.

You are listening to Adoptees On, the podcast where adoptees discuss the adoption experience. I'm Haley Radke. We are so excited to introduce you to Sarah Meyer, author of the forthcoming graphic memoir, monstrous. Today, Sarah and I talk about their love of comics, anime, and cosplay, and how it led them to explore their own identity as a Korean adoptee and comic artist.

We also talk about anger and violence and how it can be incredibly scary when it's erupting out of ourselves. Before we get started, I wanted to personally invite you to join our Patreon adoptee community today over on adopteeson.com/community, which helps support you and also the show to support more adoptees around the world.

We wrap up with some recommended resources and as always, links to everything we'll be talking about today are on the website, adopteeson.com. Let's listen in. I'm so pleased to welcome to Adoptees On, on Sarah Meyer. Welcome Sarah.

Sarah Myer: Thank you for having me.

Haley Radke: I am really excited to talk with you today. I'd love it if you would start by sharing some of your story with us.

Sarah Myer: I was born in 1986 in, according to the papers anyway, Seoul, South Korea, and I was adopted three, or I arrived in the United States three months after I was born, so in August of 1986. And my parents had already adopted my older sister who was also born in South Korea. And she's about, I think we're like 18 months apart in age, so she's not that much older than me.

I grew up in a really rural part of Northern Baltimore County, Maryland, where there wasn't a lot of ethnic and racial diversity. Oh, and on a farm, a 10 acre farm at that, cuz my dad's hobby was farming on the side, but he actually had a government office job in the county seat, Towson. So growing up I was around our beef cows and for a short period of time we had chickens. We had a duck at one point.

Haley Radke: Very rural growing up.

Sarah Myer: For sure. And then I studied sequential art, which is a fancy word for comics which was always like my, my lifelong ambition was to be an artist because of my love of cartoons and animation and anime. And currently I'm working in the comics industry, so I was able to pursue that dream.

Haley Radke: Amazing. You mentioned growing up in Maryland and that it's pretty white there, I'm assuming.

Sarah Myer: Right in the area that I grew up in. Yeah.

Haley Radke: And so your sister was also adopted from South Korea and, but you were not biologically related.

Sarah Myer: That's right.

Haley Radke: So was she the only other Korean that you knew growing up?

Sarah Myer: No, actually we, so we did, we do and did have some friends who were also Korean adoptees. But there, I would say that my experiences and my interpretation of the area differs vastly, I would say, from my sisters as well. While I consider those other adoptees from the area to be friends and good friends, we don't necessarily see eye to eye when it comes to perhaps my more pessimistic and sort of negative view of some of the events from my childhood.

And everybody's experience was a little bit different in regards to that. Yeah.

Haley Radke: So I'm guessing you didn't talk much about adoption growing up.

Sarah Myer: I tried to talk about it a little bit more with my sister than I think she liked. And then occasionally I think I've sort of over the years asked those friends who were also adoptees, hey did you deal with, racism?

And sometimes they would sort of, express that they had similar experiences to mine. But I think that I was often- and this is not their fault by any means, this is just my personal interpretation of it- I often was left feeling a little bit like, oh, I guess I'm overreacting, or I guess I'm like too sensitive about it, or I seem like I'm angry angrier about those experiences than, they are.

And it sort of, I would often feel like- I'm making a mountain out of a mole hill, so to speak, and maybe I oughta just drop that with them. So I actually ended up talking a lot more about my personal frustrations when I lived there with my mom and my dad. In many ways, like my mom and my dad were more of like my close social circle when I was a teenager, which is a little bit different, I think, from what many parents are expecting a teenager to be like. I often would, stay home and wanna talk with mom or dad.

Haley Radke: Okay. You are releasing this. Stunning graphic memoir called Monstrous. It's coming out very shortly, and you chronicle multiple racist events that happened to you throughout childhood like that with, 2023 eyes, it's obvious, like not microaggressions, like macro, like full on aggression.

Sarah Myer: Yeah.

Haley Radke: Situations. I don't know. I've talked with lots of transracial adoptees that, did experience that growing up and it sounds like you were sort of trying to talk to it with your peers and they were not really - oh, let's just ignore it or put it to the side. I imagine they were experiencing some of the same things you were.

Sarah Myer: Right? I, yeah. And you can see in throughout the book that, now with the benefit of hindsight, I'm able to sort of express how much emotional and mental health turmoil that really- all those experiences with racism put me through. And I guess if I had to theorize as to why they were a little bit more tight-lipped about it. I think to some degree there may have been some component of like subconscious embarrassment where it's like distancing themselves from me. Cuz it, I was also like, just as a teenager, I was like very nerdy and very like odd maybe compared to like their efforts to maybe sort of blend in a little bit more.

And then also I think that. Whenever there's something really uncomfortable going on where you don't have or feel like you have any control over the world around you, which I'm sure as I felt they likely felt to some degree as well. I think that sometimes people like to try they develop like a coping mechanism of com compartmentalizing. So I feel like some of that may have been like pushed way down. I know it's not my place at all to. Try to psychoanalyze what was going on with them. But I'm just saying I can understand why they maybe were thinking, I'm not ready to, nor will I ever be ready to discuss this with you, Sarah. So I totally understand like why they didn't feel comfortable talking about that as much as I did, or they wouldn't react in such a open way about it in school.

Haley Radke: It's something I learned, I think maybe only a year or two ago. About internalized racism. And so I imagine, yeah, if we're like psychoanalyzing from far away, some of it's that too. Are you comfortable sharing a little bit more about your experience with that and what that was like growing up and how that affected you emotionally?

Because it sounds like you were more aware of those things are willing to actually look at it even at the time?

Sarah Myer: I think so for, in some ways, for me, I think that it on the one hand, it- I guess if I'm gonna be more like pessimistic about it objectively- I do feel to some degree that some of those ins insecurities about my physical appearance, like my facial or features, that, that kind of did sort of, I feel a bit robbed of the average teenager experience. I didn't really feel necessarily like anybody in my school would want to date me. So I was kinda like afraid to even really I think, express any form of adolescent, like teenage, sexuality that other teenagers at the time were expressing.

But I do think being optimistic about it, it did also, force me to confront a lot of internal identity issues that any teenager would be facing or any child, coming of age would be facing maybe a little bit earlier because I had such, I had to deal with those negative emotions, so early and, that could have gone very wrong.

I think for me, because I do see and when I was writing and drawing this book, I could see in hindsight a few parts of my life where I think- it's probably a good thing I was a little bit more nerdy than I was because I easily could have become one of those kids who really like rebels and sort of, gets into substance abuse or something to cope with their emotions.

And I think to some degree, my nerdy side is what helped me stay away from that. But it did make me feel simultaneously- and I've said this to my parents, in hindsight, sometimes I think I was almost like still a five year old when I was 16 and yet I also felt like I was 96 years old. Cuz I was like so freaking like weary sometimes and so cynical because of some of the racist encounters I would have.

I sort of would, I think I subconsciously got used to thinking if I'm walking into a room, I have to be emotionally prepared that people are maybe not going to like me or, not like what they see or something, or say something that's upsetting. So I think I was like really under a lot of stress that made me feel a lot older than I really was.

But also my interest in like cartoons and animation and anime and cosplaying was sort of something that also made me feel like, what's. What's going on with all my peers, they wanna drive but they wanna hang out what? You know what I mean? Like I feel like I still maintain this weird like childlike side and I still do to some degree.

Haley Radke: That's amazing. I have a son that's very artistic and is always drawing and of course, at this time, he's only eight. He can draw better than all of us put together. Right. Because he spent so many hours doing that. And we talk on the show so much about writing is healing and different ways you can use art and creativity to get those feelings out. So it sounds like you were doing that.

Sarah Myer: Oh yeah. I think I think the cosplay was an extension of that. It was like when you draw or when you write you're you're either, expressing your interpretation of how the world, how you see the world, or you might be expressing an idealized version of, Hey, here's how I wish the world around me was, and you might be escaping into that a little better.

Or using that as a vision board, I guess, for like how things could be, how good things could be. And I think cosplay was sort of my way of taking that, like artistic expression and wishes so to speak, for how I wish the world could be out into my reality.

Haley Radke: For the older folks can you just say what cosplay is, just in case people haven't heard of that?

Sarah Myer: So cosplay I guess the general definition would be making or cobbling together a costume that, dressing up and wearing it and dressing up like an anime character that's traditionally what it was, like a Japanese animation character like Sailor Moon or Goku from Dragon Ball Z. But it's now been used as a label just to refer to the act of wearing a costume to look like a fictional character. Now people will say, oh, It's my Benedict Cumberbatch Sherlock Holmes cosplay. So now it's used, it's kinda used to refer to any act of dressing up as a fictional character from a variety of media sources.

Haley Radke: And so you were doing that as a teenager?

Sarah Myer: Yeah.

Haley Radke: Uhhuh. And were you doing that at. Events like where it would be traditional for cosplay comic-Con, that kind of thing or other.

Sarah Myer: So I kinda I started doing that before I went to my first anime convention, which was in, which was Otakon 1999 technically was my first anime convention that I attended, but I cosplayed to Otakon 2000, which in the book I've sort of amalgamated those two events to make it seem as though Otakon for the book's narrative purposes. I made it seem as though Otakon 2000 was my first anime convention and also the first cosplay at an anime convention.

But, I was always excited about Halloween at school cuz I was thinking, oh, I can wear my Ash Ketchum costume and not get in trouble, in middle school. But like I, I would wear my Shinji Ikari, the main character from Neon Genesis, Evangelian and School Uniform and Ava like, earpieces in high school almost every day. I had five pairs of black slacks, five white shirts, like blue t-shirts. And I had made those little, they look like sort of these high-tech looking white cat ear things that I would wear around school.

So yeah, I cosplayed whenever I could, felt I could get away with it at school.

Haley Radke: That is interesting to me, like now we're looking back. Right. And your book really spans, your whole childhood, through adolescence, young adulthood, sort of as the endpoint of that, the story there. But looking back and looking at, adoptee sorts of issues. It's interesting, right, to observe yourself as Oh, I was dressing up as a character every day.

Sarah Myer: Yeah. Or almost every day, whenever I could sort of get away with that, but yeah. Yeah. I think that was a bit of an emotional shield of some sort. Also I think it was my way of expressing my frustration with the high school that I went to. Where football was definitely valued by the administration more so than our theater department. Or the art department for that matter. So I kinda, at that point in my life, I had thought, you know what people are gonna think I'm really, maybe think I'm weird no matter what I do, or I'm gonna be an outsider in this community no matter what.

Whether I'm wearing an Abercrombie and Fitch shirt or like dressed as Ash Ketchum from Pokemon, may as well just do what I want. And I really, I haven't looked back from that though. I guess I recognize where I could have reigned it in a few times, I think. But I really, in the long term, I'm not at all sorry for having done that.

Haley Radke: And like here I'm gonna say two different things. Love what you love. I love that you knew you love these things from childhood and they've brought you so much joy and now you've moved your way all through to a career in this. And then the other thing is it's safer to be attacked or bullied or made fun of for, because I'm in cosplay versus my deep down identity. Asian person raised by a white family. Nobody looks like me here except my sister, and like it's very complex and as a kid growing up I wasn't.

I know I had lots of issues. I've had suicidal ideation since I was like 12 years old. I had depression. I had all kinds of things I was working through as an adopted person. Confused. Like, why am I here? And like you're processing all those things. And so to give so much grace to our younger selves, like we're just like doing the best we can with what we have in this weird situation. Right.

Sarah Myer: Right. Yeah.

Haley Radke: Okay. I'm curious if you're willing to talk about some of the things you show in the book.

Sarah Myer: Sure.

Haley Radke: You portray some incidents where somebody is, poking you in some way, usually racist, calling you something or something like that, and you get this like volcanic eruption of anger. And there's like this dark monster that you show sometimes. I, like I said before, my, my son is eight and he loves drawing and I'm lucky that I got an advanced copy.

And so I was able to, I showed him, I'm like, oh my gosh, look at this artist. Look at her drawing. I said, some of the books scary, so I'm just gonna flip through a couple things. And I showed him, in particular, the one where you have this this big moment of revelation. So I think you know the page, it's like, the monster is like huge. And anyway.

Sarah Myer: Right.

Haley Radke: He is oh my gosh. Anyway, you have a fan for life in him too oh, can you talk a little bit about that? About having this anger and I don't think it's something we talk about that much in the way that you share in the book.

Sarah Myer: Honestly, I don't know if it's, scientists are always debating, aren't they, about nature versus nurture.

Are there, I feel like every other week there's some article saying, are we born angry? Are some people prone more to anger than others? And I just, for as long as I can remember, I always had a short sometimes long, very volatile fuse when it does go off.

But I've always had an anger about me. I think that even when I'm happily drawing something, like even nowadays, I sort of think is this like energy that I feel and the drive that I feel when I'm drawing or really hyper focusing on a project, is that technically the anger just being rerouted. You know what I mean?

I've always felt very high energy. I've always felt almost like I, I don't mean to say this in the clinical way, but I've almost always had like a manic energy about me. Ever since I was a kid where I would flip between really gleefully happy and hyperactive to like furious like in a second. But I can flip right back.

So I don't know if I maybe was just, maybe in my DNA or my genetics, there's a little bit of a hot tempered sort of streak in my biological family. I don't know. But yeah, I always, I definitely think that the environment I grew up in didn't help. And I do think though, that my sister the difference between her and I, not being genetically related of course might point to a little bit of possibly a genetic thing, and the anger, like the temperament that I maybe was born with.

Definitely my anger was a lot more on display than hers. And I think I, at one point in the book I addressed how it was a weird, almost like, I don't wanna say miracle, obviously, but you know what I mean. It was almost like a weird, like lucky thing that I think the stereotype, the racial stereotype of the meek and mild Asian is actually what kind of kept me from being considered and labeled by administrative staff members at school more of a problem child, you know what I mean?

So that's a really weird, messed up double-edged sword thing, because I feel like my anger, because they just saw me as like this small, like Asian kid, I feel in some ways, like they look the other way when I would do things that maybe might have gotten other kids suspended or even expelled.

And I'm definitely like, those were some of the hardest pages to draw was like, not even the monster character, not even the quote unquote the flat face character who's a monster. It was actually the pages where I showed just Sarah, just hitting somebody or doing something that brought up a lot of shame in me, just like now as an adult drawing it.

Yeah, and I still, I think. Feel a lot of anger about those past incidents. But I noticed that nowadays, it's few and far between now. But if I do encounter somebody who's being racist or ignorant or saying something that just might set me off, like I definitely now am more a little bit more focused on educating them.

So I'll still like, give them a piece of my mind, but it's nowhere near that kind of explosion that I had when I was a kid.

Haley Radke: I think it's so vulnerable for how you shared those incidents in the book especially. I think it will give people permission to talk more about those things, and I can't imagine like it's oh my gosh, I see where it was coming from my child's self.

And not knowing how to channel this appropriately and safely. And yet I still wanna tell the truth and say I, hit them or whatever the case may be.

Sarah Myer: Right.

Haley Radke: So I hope that you've been able to process some of that and have, it's like a forgiveness for your younger self, right? I don't know. It's so hard.

Sarah Myer: Yeah, I mean I, and there was a temptation in some cases to try and reach out to, some of the individuals upon which these fictionalized versions of the characters were based on the character's name is Calvin. But I'm like, no, that ship sailed a long time ago.

You know what I mean? I'm not. I try not to chase people, quote unquote, anymore. You know what I mean? I try not to look for that validation from people. But yeah, I mean it definitely, it's hard cuz like you were, like you've mentioned a few times, our child self versus who we are today.

It's like we have these two different minds observing things and remembering things and interpreting things. So yeah, my child self would definitely wanna say to, to Calvin, Hey. Just so you know. I still remember that. Just so you know. That really messed me up. That really upset me. But, how do you feel about this Calvin?

But to be honest I don't, I feel like wherever that individual might be I really don't think he would care. Even if he saw this thing plastered in Times Square or something. I don't think he'd care.

Haley Radke: And like just to also give little Sarah a pass too, it like they were doing some stuff where you don't wanna say anyone deserves violence.

Sarah Myer: Right.

Haley Radke: But also bad behavior all around.

Sarah Myer: Yeah. I, and I have to admit, like my adult side, I guess looking back, I tried to think too, what kind of indoctrination occurred in that character, Calvin's home, to make him say in middle school some of those things that he says, which reference World War II and reference comfort women and other atrocities of war in regards to my, Sarah's, ethnicity like and racial background.

What kind of indoctrination was he going through at that time too, where he clearly over, I guess a summer, had been, probably told by some authority figure in his private life, you're not to enjoy Pokemon anymore. You can't enjoy Japanese animation. So he was probably going through something that I can't hope to understand even now.

Haley Radke: Yeah. We're all bringing different things to the table. You, there's this, a quote from the book. You said, my ferocity drove people away. Even the ones I liked.

Sarah Myer: Yeah. Yeah. I think that, first of all, I think my parents were sometimes a little bit a at a loss as to like how to handle my anger. And then I think for sure, like in that instance it was the Power Ranger's friend. I think that she, that friend, like she was in the book. I used an amalgamation of a few childhood, like young, early childhood friends that I had that I think, yeah, they were like really confused by, or baffled by like the anger that I would show even if it wasn't directed at them because, and again, with the benefit of hindsight, that really was, I'm sure, shocking to other little kids.

Especially, and to contextualize it, this was the early nineties back when toys and TV shows for kids were still very gender binary. This is blue and red. It's for boys. This is pink. It's the Barbie car for girls. So I, I do think to some degree there was a confusion of Sarah's acting like one of the boys and eww boys, we don't like that.

But also I think, yeah it was frightening for my classmates to see me just suddenly go off on that one kid in the like recess incident.

Haley Radke: Can you tell us about choosing the title Monstrous.

Sarah Myer: My editors, Robin and Michael and I went through a lot of different titles and it was actually a late, later arrival on Monstrous, and I think, I wanna say it, it wasn't my suggestion. I don't think. I think it was Robin or Michael's, and we liked that idea because monstrous indicates something that's looming, something that's large, but also something that is scary and something that is threatening. And I guess monstrous sort of is meant to describe all of those feelings, like bottled up, you know what I mean?

They're always there, like looming behind you. And if you don't, if you don't face your own, demons, so to speak, your own monsters, if you don't fight your own monsters, you might become the monster itself. Like it might consume you.

I also think that it works for childhood sarah's kind of Freudian fear of being inside a body, like devoured. Like that was always a fear that I had as a kid. Like scenarios like that, if it would show up on TV or in cartoons, would frighten me. And I even still to this day, I don't watch like Pinocchio because of Monstero the Whale like still scares me.

Haley Radke: Oh.

Sarah Myer: And Fantastic Voyage is off the table. I can never watch that movie, but yeah, I think Monstrous just works on like several levels for what kinds of things in my story are monstrous or could become consumed by the monster.

Haley Radke: In later part of the book, this is another quote he says, what he said opened up a wound i'd hidden for years. And some deeply braided anger at my birth. Parents came out that day. Can you talk about how you've looked at your story and thought about your, genetic past now, or your ancestors, your genetic ancestors as an adult in the last, number of years since you've written the book and processed some of the adoption things.

Sarah Myer: Shortly before my editor, Robin, approached me to do this book, I had completed my graduate thesis, my MFA thesis. Which allowed me to research transracial adoptee issues. And it was about how comics and graphic novels as an art form can be used to express or create one's own self-identity through drawing basically self-portrait over and over again through the telling of the story.

For example, Gene Luen Yang's, American Born Chinese, addresses issues with internalized racism and how that character comes to accept all aspects of who he is, the American side and the Chinese side. And during that time that I was researching and writing my thesis paper, I learned a lot of things about transracial adoption in the United States and in regards to records being potentially falsified in some instances for adoptees from overseas. And issues that Korean adoptees in particular have had to come up against in terms of trying to seek out the birth parents.

So I haven't made any contact with my birth parents. I have been able to connect with a biological half sibling, and that's been a really, really fulfilling relationship, but we only know each other through Facebook. We've talked through video chat a few times, and hopefully in 2023 we'll be able to meet. She's out on the West coast.

But I definitely, I still, there's still a lot of mystery surrounding my birth parents because even that discovery of a biological half sibling, between the two of us, we still haven't necessarily been able to identify a biological parent. The shared biological parent between us. That's still like something that is, it feels very far off and very distant to me. But with the advent of the internet and DNA testing and always thinking, huh, I haven't checked on my like DNA family tree thing in a while. This could be the day that I check it and suddenly I see, oh, direct biological match for father or mother.

So it's it's scary how like technology's really helped with that search yet it also makes it very sudden. Sometimes you might not be ready for it. And I really lucked out in regards to my half sibling. She's older than me and she's been super nice and it's been really nice to just like talk, and just get to know each other as friends.

But yeah, I, with the book, I was able to, and I said this to my editors, I really wanted to address how Sarah's, like adolescent Sarah's started to feel angry towards the biological parents, in part, due to how Sarah would see things happening around her. Like the idea of whenever Sarah would see like her classmates being horny teenagers, like Sarah would sort of resent that in a way because- and again, I'm editorializing what teenage Sarah might have been thinking, but perhaps teenage Sarah was looking at it and thinking, oh, irresponsible and hypersexual maybe like my biological parents were.

Whereas when Sarah was younger, when I was younger, I sort of tried to think of it at times, if it ever came up as a fairytale. Like that whole, maybe I'm like a long lost princess or like heir to the throne of some mysterious civilization far away.

And of course, over time that definitely changed. And I don't even, as I show my dad when we're fishing, telling me he had read that they were fishermen, fisher folk, in the papers. But. I don't, I take that with a heavy grain of salt because I believe that he told me what he knew to be true from the papers. But my research since then, circa about 2016, has given me enough anecdotes from other adoptees from South Korea to make me think that could have just been fabricated. They could have just slapped that on there.

And the more Korean adoptees that I meet online, the more I sometimes find myself wondering, am I gonna like just run into somebody who's got the exact same birth name as me, the exact same birth date, the exact same information all the way down the line, and find out that this is some kind of, they cycle through, like I'm being very cynical and very pessimistic, and I'm sorry, this is probably not happy listening.

Haley Radke: But realistic.

Sarah Myer: Yeah. I'm just always, my, my most cynical side is thinking, okay, how many times did they use that birth name? On a forum, did they slap that in there for one, every, one out of every like 100 or one out of every 10,000 and just assume and hope that we would never meet each other cuz it was 1986. It's only a matter of time, I think until I, I either find out definitively, there's no way to trace my biological parents or until suddenly just one day I check that email and they're there. I'm not, I'm still on the fence about how aggressively I wanna pursue that cuz I still think that I would have some anger.

I don't think I would erupt at them or anything, but I definitely, I don't know if I would feel uncomfortable with trying to reconnect with my biological parents if I had definitive proof that it was them.

Haley Radke: Thank you for sharing that. I know folks are all along the spectrum of their interest in finding info out if they can, and sometimes you just, you can't ever know, and some of us are fortunate to have more info than others and yeah, it's a big spectrum.

Before we do recommended resources, is there anything I didn't ask you about that you wanna make sure you share or anything else you wanna say to adoptees?

First of all, where can we read your thesis and also especially in regards to comics and drawing and all of those things that have helped you, that you wanna maybe wanna share.

Sarah Myer: The thesis should be on Savannah College of Art and Designs, graduate Thesis archives. It's, it would be like a longer link.

Haley Radke: So we can get it. Okay.

Sarah Myer: I believe you can, yeah, I can email you that link.

Haley Radke: Okay. Let's link it. Awesome.

Sarah Myer: And fair warning, it's long. You might have noticed I'm a verbose person and my thesis is kinda long too. So like.

Haley Radke: We have academics on and we talk about their research papers. We're good. We can read anything.

Sarah Myer: And in regards to, I guess, I definitely, and I've mentioned this, I, one of the things that had a profound. Impact on me when I was working on that thesis and also like just broadened my horizons in terms of what comics can do for those issues that I was always holding within myself was Gene Luen Yang's, American Born Chinese. It's a graphic novel from First Second,, and he actually recently, I think it was last year or the year before, signed a contract with Disney+ . So he's gonna, it's getting a live action Disney plus mini series adaptation and I'm really excited to see it cuz not only is that an adaptation of an amazing graphic novel, it's also exciting to see oh, more Asian American faces in mainstream media. So I'm really excited about how much things have changed. I wish I could go back and tell, young Sarah, hey look, it's not gonna be like this forever.

Haley Radke: Yeah. You'll be able to see yourself soon and connect with other people who've had similar experiences. Yeah, and you're making that representation for other adoptees now I'm gonna recommend your book, obviously. Monstrous. It's so good. I, first of all, I just flipped through just to see all the beautiful graphics.

Sarah Myer: Oh, thank you.

Haley Radke: You're. Sarah's a tremendous artist. Like you have no idea. It is stunning. And then reading this story is so deeply personal, and as I said before, you're so vulnerable in it sharing. And I didn't wanna spoil too much because the way you wrap things up is just poignant and insightful for, especially for fellow adoptees. So I know it's gonna speak to a lot of people and have a huge impact.

And the other thing is, this is the only, the second adoptee graphic memoir that I've seen. And perhaps there are more, but it's only the second I've seen out in the world and it is so powerful to have that representation And oh my gosh, I love how your joy and love for enemy and comics and coplay like, it's so cool.

I don't know. I, as I said before, my eight year old is like super into that stuff and I can't relate. Like when you were talking about your examples and stuff, I'm like, Sailor Moon. Okay. I heard of that. I heard of that. I remember I was a nineties kid too, so. So it also helped me inter, it helped introduce me to some things that I was like, okay, I can I can get into that. So anyway, I loved it. It's amazing. I can't wait for people to get their hands on it. How are you feeling about it coming into the world very soon?

Sarah Myer: Terrified. I have to admit, like I, I know that there are gonna be people that I know, from my hometown, who might not like the way I depicted the hometown, but ...

Haley Radke: Should have acted better if they wanted you to write less about them.

Sarah Myer: I've tried to like, make peace with that too, is, but yeah, I'm really excited about it and I hope, I guess that I also hope that it shows just, whether adoptees or not, I hope it shows another side to the East Asian American girl kind of image that's, still lingers. I feel like it's getting, we're getting further and further away from that meek and timid and submissive stereotype. But I definitely, Sarah, as a child and me, who I am now, like definitely doesn't fall into those categories. And I'm sort of hoping that while I, of course don't advocate anybody being as angry as Sarah was, I hope that it might encourage some Asian American girls out there to be a little bit more outspoken when they feel they need to speak up and speak and defend themselves. Verbally, of course.

Haley Radke: Verbally, of course. Yes. Yes. Verbally and just come on, having, I don't know, there's something about having those things depicted. It's okay, I'm not alone. I'm not a bad person. I, like it's, it can be so freeing for someone else who struggled with those, that shame and guilt of past things to be like, okay, I can work through these things and it's not just me. I think it's really validating for folks. So thank you.

And the other thing is you've got a whole list of resources in the back for adoptees, Asian Americans, for bullying help, L G B T Q organizations. And so that's lovely for folks who, read your book and are like looking for supports. Perfect. What do you wanna recommend to us today?

Sarah Myer: We talked about a little bit before this interview, Stephanie Drenka's writings. She's written for a HuffPost and a variety of other news outlets online. She's a Korean adoptee as well, and I've read some of her articles and I appreciate her candid and very passionate writing about various issues that relate to both just Asian America as well as adoptees issues.

Haley Radke: Absolutely. Stephanie's amazing and she was on the show, episode 210 and right after we recorded that episode, she left her past career behind and went on to start the Dallas Asian-American Historical Society. She's still publishing Visible Magazine, which is amazing for underrepresented writers and artists to get their work out there.

So yes, I wholeheartedly agree with your recommendation. Sarah, it's been so great talking with you. Thanks for sharing your story with us. Where can we connect with you online and make sure we can figure out how to get your book in our hands?

Sarah Myer: Yes. Thank you for having me, and the best place to find me online is sarahmeyer.net. That's my main website and I'm on Instagram and Twitter at s Meyer m y e r comics. (@smyercomics)

Haley Radke: Perfect. We will link all those things in the show notes. I know you're on LinkedIn too, and we'll link to the published page of your books so people can grab it.

Sarah Myer: First Second Books is the best, is the Publisher of Monstrous and you can order through them and it's also available on Amazon.

Haley Radke: Awesome. So it's Monstrous, a transracial adoption story by, you graphic memoirist, Sarah Meyer. And if you are a nineties kid, you have to go to Sarah's website if not, just to see teenage mutant into turtles because, bonus you. Oh my gosh. You draw them, you're part of a project where you were the colorist for a comic, I think.

Sarah Myer: Yes.

Haley Radke: Oh my gosh. So fun. So fun.

Sarah Myer: It's been a dream come true. For sure.

Haley Radke: I listened to a podcast where you were interviewed about it partial way through the show.

Sarah Myer: Oh yeah. New York Comic-Con.

Haley Radke: Yes. I'm like, oh, if little Sarah could see you now. Dream job. Thank you so much, Sarah. Just a joy to talk with you.

Sarah Myer: Thank you, Haley.

Haley Radke: Behind the production curtain, sarah and I actually recorded this conversation in January and I have been dying to release it. I'm so excited that it's out. Sarah's book will be out right away. Make sure you grab it if you're listening when this airs, or a couple days around where it airs. It is out in 2023 and we're just so excited to add another adoptee authored book into this world.

So please support them and make sure. You make sure you support the adoptee work you wanna see in this world or else we will get less of it. We are winding down towards the adoptees on summer break and so I just wanted to give you another heads up. Next week's episode is going to be our last episode until September, and there are so many episodes you can listen to in the back catalog.

If you don't wanna go without adoptee content for this summer, we're still releasing new adoptees off script podcast episodes for Patreon supporters. We have multiple live events going through the summer. Would love to have you join us. That literally is how the show is. The stay of and keeps existing in this world is through.

Your financial partnership with me, if you had to adoptee on.com/community, you can sign up and join us and make sure you don't miss out on an any of our like really amazing events. We have the adoptees off script parties where you can meet new adoptee friends. We have the adoptees only book clubs and our brand new event, ask an adoptee therapist, which is such a tremendous resource.

I'm so excited about it. So please join us adopteeson.com/community, and I'd love to see you and meet you over there. Thank you so much for listening. Let's talk again next Friday.


256 Kira Omans

Transcript

Full shownotes: https://www.adopteeson.com/listen/256


Haley Radke: This podcast is for educational and entertainment purposes only. Nothing stated on it either by its hosts or any guests, is to be construed as psychological, medical, or legal advice.

You are listening to Adoptees On, the podcast where adoptees discuss the adoption experience. I'm Haley Radke. We are so thrilled to talk with actor, audiobook narrator and adoptee advocate, Kira Omans today. Kira shares how looking deeply at adoption over the past decade has changed her perspective. We talk about what it's like to audition as an adoptee and to embody a new character and identity during a performance.

Of course we get to chat about adoptee representation in Hollywood and the media, including how watching just one documentary upended what Kira thought was her origin story. Before we get started, I wanted to personally invite you to join our Patreon adoptee community today over on adopteeson.com/community, which helps support you and also the show to support more adoptees around the world.

We wrap up with some recommended resources for you and as always, links to everything we'll be talking about today or on the website, adopteeson.com. Let's listen in. I am so pleased to welcome to Adoptees on Kira Omans.

Hi Kira.

Kira Omans: Hi. Thank you so much for having me.

Haley Radke: I'm so excited. I know you're not a podcaster, but you are a technically skilled audiobook narrator, so your setup is, I'm like, yay!

Kira Omans: Thank you. I try my best.

Haley Radke: I'm a sound nerd. Geeking out over it. That's all. Anyway.

Kira Omans: Oh, good. I love yours, so we're even.

Haley Radke: I'm so glad to finally speak to you. Do you wanna, do you mind sharing a little bit of your story with us?

Kira Omans: Sure. I was adopted from Zhongshan, China when I was 10 months old. I don't really know very much at all about the circumstances of my birth or my birth parents. All I know is that I was left on the site of a bridge at a couple of months old, brought to a hospital, and then brought to the orphanage, and I was adopted around the time of the one child policy. Then I was brought to the United States.

I grew up in Alexandria, just outside of Washington, D.C. I have a brother who is adopted from Korea and a sister who's my parents' biological child, and I went to a predominantly white Catholic, elementary and middle school. Which I think really affected me growing up. I had a lot of instances of bullying and felt a lot of racial isolation and a lack of identity, and I was very much the type of kid in school who didn't speak.

So if anyone from my elementary or middle school knew what I was doing right now, I feel like they wouldn't believe you. Very much changed and in high school, I went to a public high school that was much more diverse and really found my voice doing theater, and I think that really helped me gain a lot of confidence.

I was valedictorian of my high school and got my BFA in acting and a minor in communication. And went on to do the Pacific Miss Asian American Pageant, which was my first and only pageant. I won in 2015, which really launched me into adoptee advocacy. When they were asking what kind of platform you had, what you wanted to speak about, I really wanted to explore that side of my identity.

So that was when I really started to get involved in the adoptee community. And it was so good for me, especially growing up and not really having a lot of adoptee friends or my brother was in the same boat as I did and he had an even rougher experience at the elementary and middle school that I went to. So it was just a time of evolution for both of us. I really feel.

I moved to Los Angeles a few years ago and now I'm a full-time voice actor and I also do TV and film. I narrate audiobooks full-time, and that has just been such a dream. I really love doing that for work.

As far as adoptee advocacy, I have written a few articles, been on some other podcasts, and last year did some collabs with both Hate Is A Virus and Adoptees for Justice. If you're familiar with those groups, they're fantastic.

Haley Radke: And, yeah just a snippet. Just a snippet. Okay. Yes. How did getting into theater like feel for you? You said you were really quiet as a child and like and now you're like literally using your voice and your work every day. How has that been for you, discovering that and just really cultivating that passion?

Kira Omans: I had such a fantastic theater teacher in high school, and I credit so much of who I am today to him because he really helped me come out of my shell, feel like I had something to say. Just because before in my elementary and middle school, I was so different from everyone. I felt so isolated. I felt like I didn't belong. And so I would just keep to myself so that I didn't get bullied. I didn't get made fun of in any way.

And I think it wasn't until I found theater and, I feel a lot of people who get into theater will feel this way, but who people who felt different, feeling like your differences are an asset. That having something unique about you is a positive thing. And so I think that ideal is really what helped me cultivate this passion and feel like, oh, it's good to have a unique identity. And that was the first time that was ever frame like framed for me like that.

I know my parents tried, but when you're a kid, you're, you only listen to so much of what your parents say. You only internalize so much of it, especially when the world is showing you something else. And showing you that being Asian in a school of predominantly white kids is a very bad thing and you're not gonna fit in.

So I think that being in theater and getting to experiment with all these different roles, was so much fun for me and really helped me be imaginative and helped me just find what I was interested in and what I was passionate about.

Haley Radke: I've talked to a lot of adoptees who are adopted transracially in to white families. Do you feel like you had internalized racism?

Kira Omans: Oh, absolutely. Especially around middle school. So I grew up doing Chinese dance and going to Chinese school. It was very important to my parents that I had that access to my culture. And around that time I didn't want anything to do with it. I was being made fun of for being Chinese, and I just wanted to distance myself from my culture.

I would laugh at Chinese jokes. I would do anything to distance myself. And so working through that has been its own process. I think that when I went to high school and made more Asian friends and felt like, oh, again, this isn't a bad thing. This isn't a weakness of mine.

That was when I really started to feel so much guilt for that and for trying to hide who I was and for trying to negate my experience as an Asian American woman. And so yes, I definitely had a lot of internalized racism and that's been something that I've still been processing. Because like in our society, there's so many, there's so many things that are built on white supremacy that, especially as an Asian woman, how the model minority myth plays into that and how Asian Americans are seen as more white adjacent anyway, and as Asian adoptees, even more so, processing that and seeing how those things don't serve Asian American people. It's a lot. But working through it. Okay.

Haley Radke: How old were you in 2015 when you competed in that pageant?

Kira Omans: Oh my goodness. 19, 20. Okay. I think I won it when I was 20. I think the application process started, I think the first round I was 19, but when I won it, I was 20.

Haley Radke: So was that one of the first experiences you had being a, around a lot of Asian people?

Kira Omans: Yes. That was really, I dive into the deep end, I feel, in terms of being immersed in the Asian American community in the DC area. Because I did Chinese dance and I love those girls and we went to cultural events and everything.

But as far as socially immersing myself in the community and meeting all of the different communities within that was a whole new experience. And I was the only adoptee who had ever participated in that pageant and I was the first adoptee to win it. I don't think that there have been any adoptees after me, and that pageant is so much a celebration of what it means to be an Asian American woman.

And so all of these women who were mostly from immigrant families had all of this experience with their culture. And me, I had to forge that experience on my own because I wasn't just raised around it. It was really interesting seeing the dynamics between the communities because there's so much cultural pride in whichever ethnicity you are.

So I had the PR director of the pageant tell me he wished I was Vietnamese because he was Vietnamese so that he could back me more in the pageant. And I was like, oh, that's different. Being Asian American was such a thing for me. And then being Chinese American, like having a subset of that was just a whole new experience.

Haley Radke: I guess I am, okay, I'm gonna ask you the question now, that I feel like-- you said that this pageant was one of the things that kind of launched you into adoptee advocacy. And as I have seen you in the community over the years, I have seen this gradual shift, as outside observer of your perspective of adoption. And so I'm wondering what your sort of public platform was at that time, around age 20? And now what it has morphed into as you're approaching those thirties?

Kira Omans: That's such a good question and something I've been wanting to talk about for a little while. When I first did the pageant, I was so pro adoption because it had worked out for me. And I love my family. That hasn't changed.

But my relationship to adoption has very much changed as I've immersed myself in the community, as I've tried to learn more people's stories and just read more and listen more. Like your podcast has been such a great resource for me. And just as I started to have a more well-rounded view of adoption, the more I was stepping outside my own bubble and seeing, oh, this isn't an objectively good thing.

It can have good, it can have good parts. For me, like it worked out like on paper. I have a very successful adoption story, but it's still not perfect. And it wasn't until recent years that I really started to come to terms with how adoption affected my life.

Where I've been so achievement oriented and still continue to be, and I'm trying to work through that, but have been so achievement oriented my entire life. And for every achievement I got, I felt like that was a sign that there was nothing wrong with me. That everything was fine. That... could someone who wasn't well adapted be doing these things?

And the answer is yes. Yes. There were things that I hadn't processed. There were so many things that I hadn't worked through that informed my opinion of why adoption was so good.

And so I think over the years, again, as I've learned from other people in the community, my opinion has evolved. That's not what I think anymore. Just in the simplest of terms.

Haley Radke: And I've shared before, my views have changed over time. And let's have grace for our past selves. I'm gonna stick on there one more question.

Kira Omans: Yeah.

Haley Radke: How does it feel to have some of those pro adoption messages still out there attached with your name as you have progressed in your views? And I'm saying that with this idea of, I see so many adoptees who are like excited about sharing parts of their story and things online. All of it positive and it becomes the fodder for a prospective adoptive parents to be like, oh yeah, you're saying something that may be negative, but look at all these positive things, right?

And so I have felt a sense of guilt over some of my past work. And I wonder if you carry that, how you're able to balance that grace for we didn't know it back then. Any thoughts around that, kira?

Kira Omans: Yeah, I have removed some.

Haley Radke: Okay.

Kira Omans: [I think] all of them, but I, yeah. I completely relate to those feelings of guilt of spreading this message that is the dominant message. And like you said, fueling that fodder for prospective parents, because nowadays that's not what I want people to take away from my work.

Like you said, giving our past selves grace. I do think about adoptees that are in a place like that and have a lot of empathy for them and how their journeys might be progressing. And just because I know that I wish someone treated me with a little more grace during that time. When I came out with certain messages, I got attacked online and that only made me want to retreat that made me want to stop doing this. That made me want to disconnect from the adoptee community entirely and feel like, oh, I'm not even welcome in this space. Which is one of the first spaces that I felt like I truly belonged.

And so my hope is that adoptees who see where I was at and have seen my evolution over the years can have hope and grace for adoptees who might be in a similar position to where I first started. Know that they might not think that forever, and approaching them with empathy might be more successful than chasing them out of a Facebook group, as I've seen before, or things like that where I just hope as a community we can all be more welcoming and aim to educate as opposed to isolate. Because that's my primary goal in advocacy now, is just to increase education surrounding adoption and give people a far more well-rounded view of the adoptee experience because it's not all adoption is love. There is a lot of trauma wrapped up in it.

Even for people like me who again have a very successful adoption story on paper, I still struggle with a lot of issues that I was not comfortable discussing before and issues that I suppressed. And it's only been very recently when I first started going to therapy that I started to realize so many things were linked back to my adoption that I just had never addressed.

And it has been such a healing journey for me to be able to process those. And I just hope that other adoptees are given the grace to do the same.

Haley Radke: I appreciate that. I have seen some of your writing and blog posts through the years. And one of them that I was rereading to prepare for today, you share about anxiety and panic attacks. And I'm wondering if you're comfortable talking about that at all.

I think anxiety is one of those things that can be undiagnosed. Like people sort of are like, I'm just a worrier, or, and it can become really debilitating. So are you willing to share a little bit about that?

Kira Omans: Yes, absolutely. I have always had separation anxiety, even as a child. And I think that my parents dismissed it as very much like, she just doesn't wanna go to school or she just doesn't want to go to swim lessons. But my parents would be right there at swim lessons and I would be sobbing. I just, I had such a hard time going to school. I didn't want to leave my parents.

My mom said that even when I was a baby, after I got over the initial fear of them that I would follow her to the bathroom. Like she couldn't leave me anywhere. If she put me down and walked across the room, I would start screaming. And as an adult, that still manifests itself. When I would go to college. I went to college 30 minutes away from where I lived. 30 minutes away from my parents, and I was having panic attacks every night and just so much separation anxiety. Moving to Los Angeles was the hardest thing I've ever done, and I'm very grateful to my husband for helping me through all those things.

But sometimes when he goes to work, I'll have an anxiety... or I'll just freak out. And I thought that was just like, oh, I just really love my family. I just really loved my husband. I love my loved ones. And so that's why that's there.

And it wasn't until I went to therapy where we started to discuss relinquishment trauma and how that can manifest itself in adoptees that I was like, oh, my system was taught from a very young age that being abandoned is bad. It like, it is very strange to even think about that and how that was such a shock to my system. And that how, even if I don't remember it, it's still there. And that was just a mind-blowing revelation to me. That trauma is stored in the body.

I was just taught my whole life and reinforced by other people that, oh, you're so lucky you don't remember anything. Because that means it doesn't affect you. Or that like you're so lucky you don't remember your time in the orphanage. You don't remember your parents abandoning you by the side of the bridge. All of that stuff still lives in me, and that was during a very formative period of my life.

And when I was just experiencing the world and how everything around me was changing. The language changed. The atmosphere changed, the people changed. Everything was changing. For the first year of my life, it was so tumultuous. And just because I don't remember that doesn't mean that it didn't happen. And it doesn't mean that it doesn't have lifelong effects. And again, it wasn't until I started going to therapy that I had that revelation, that I started to think about things very differently and that I started to address my anxiety at all. Because I thought it was so normal. And again, it was just very dismissed.

Haley Radke: I really appreciate you sharing that, Kira, cuz I, I know there's a lot of fellow adoptees that struggle with separation anxiety and I'm sure it's oh my God, this is weird, right? But to know you're not alone. No, it's not.

Kira Omans: Yes.

Haley Radke: So many of us struggle with that.

Kira Omans: Yes. And there's a reason for it. It's not that. I was told that I was being dramatic as a kid a lot. And as a teenager sometimes I was. But not everything. And I think that growing up with that mindset of 'I'm being dramatic,' I learned to minimize my problems.

And so knowing that I'm not alone, knowing there are other adoptees who experience that. Having a therapist who understands relinquishment trauma and is able to help me help even help me label that. Because that was such a scary word for me is trauma. I was just like, I don't have trauma. I'm fine. And because I felt that having trauma meant there was something inherently wrong with me as opposed to something happened to me that doesn't have to affect my future, but that I have inside me and that I needed to learn to deal with so that it wasn't ruining aspects of my life.

And yeah, very hard realization, but so much better to know that you're not alone. And I think that's just the number one thing I say to adoptees in general is you're not alone. And having that sense of community and having other adoptees that understand how you're feeling can be such a healing, such a healing thing.

Haley Radke: Okay, so how do you do auditions though? Because that sounds like the worst. Please judge me for my skills and then reject me most of the time and sometimes accept me. What?

Kira Omans: So over the years, I have gotten really good at getting excited for auditions, doing my best, having fun with the role, and then as soon as I submit it, forget about it. And just think about the audition as like an opportunity to show casting directors what I can do. All of that good stuff. And I will be honest with you, being an actor is so much easier than being in a pageant. That's why I only did the one. That was so difficult, and I'll tell you why.

As an actor, you're just playing a character like your take on the character. You might not look how they want that character to look. You might be too tall. You might not look the way they want you to look as compared to the other actors who have already been cast. That happened to me once where I was on the other side of the table and they had already cast me as a lead and I had to do chemistry reads with my romantic interest character, and the actor who was by far the best, who I by far had the most chemistry with, the production company said, oh no, he looks too old standing next to you.

And I was like, what? What? He is by far, objectively the best for the role. The director agreed. It was crazy, and honestly, that experience, while it made me sad, made me feel so much better about all my previous auditions that I didn't get because I was like, oh, they could have found something so arbitrary to not give me that roll over.

And whereas in a pageant, you're getting up there and being yourself. So it's not even, you're being a character in a pageant. You're being yourself. You're going up there trying to be the best version of yourself, and they decide that one woman's version of being herself is better than your version of being yourself. So it's very brutal in that way.

That's not how everyone thinks about it. But at the time, that's how I thought about it and I haven't forgotten that. So being an actor is way, way easier and less personal than being in a pageant to me.

Haley Radke: Okay. I have interviewed a couple of other adoptee actors and or talked with them in whatever circumstances. And I always think I'm like, you can't objectively know this because you're not in other actors' minds, but do you think you can be a better actor or like you're more skilled for it because you've had to adapt to a brand new family? Whereas most of those people just got their own family?

Kira Omans: I'm, I've never even thought about it like that. I don't disagree. I do know that movies and stories played such a huge role in my childhood. And I was a child who was very immersed in my ghost kingdom. Which was a new term for me that I learned recently about how like adoptees can create a hypothetical world where we are living with our birth relatives.

And as a child, that was like, that was so appealing to me. And I don't think I ever really lost all of that, like the imaginative aspect of it. And I think that some of those things are why I can be a better performer. Living in another world is something that I really enjoyed as a child. And something that I think has really stuck with me and part of me thinks that I created the life I did for myself so I can continue doing that. Which is a different matter entirely.

I just, especially all of the movies growing up and so many children's movies are about orphans and adoptees.

Haley Radke: Kira, I literally underline this from your dear adoption piece. "I blame Disney for glorifying abandonment."

Kira Omans: I still do. That part hasn't changed over the years. I, just Anastasia and Hercules and Rapunzel and Cinderella, and Snow White we're also orphans. I think that having that tragic backstory was so glorified, even from such a young age. And then we grow up and there are still these stories about how reuniting with your birth family is the only thing that's going to make you whole. That's the character arc. And just how adoptees always have such a promising future and they just, it just dramatized what I thought my life was going to be like as a kid. Where I thought oh, that's my story. So I'm going to have this grand adventure. And life seemed so disappointing in comparison when I actually started to live it.

Haley Radke: Let's talk about what you are seeing in the media now as far as adoptee representation.

Kira Omans: There is this fantastic post by Charlotte Carbone that I read, I think it was a year ago. Do you know her?

Haley Radke: Charlotte's our graphic designer.

Kira Omans: Wait, oh my goodness. How did I not know that? She's fantastic.

Haley Radke: I know.

Kira Omans: Am a huge fan of her. I've only connected with her online, but she did a great post about adoptees in media. And so I first started even thinking about it because of her post. And how adoptees and former foster youths are portrayed as having this traumatic and abusive past and being mentally ill in movies like Malignant and Orphan and other more adult centered movies.

And again, this is like right from Charlotte's Post that I'm speaking. Give her proper credit. And then in comedies and family oriented movies, adoptees are often portrayed as being prodigies like in Queens Gambit being gifted, spunky and misunderstood, like in Meet The Robinsons and Annie and Matilda.

And so these tropes are so dangerous in creating that one-sided story of adoptees. And there are movies and TV shows that have more nuanced discussions of adoptees and are more from adoptee viewpoints. Whereas a lot of the stories right now are from adoptive parent perspectives, like Instant Familyu and The Blind Side.

Those very much affect the public's perception of adoption and portrays adoptive parents as objectively good and birth parents as bad. And again, reinforces the savior complex. There are a lot of things that I'm seeing in adoptee media that I wish different things for.

Like adoption jokes and how you're adopted is still such a commonly accepted joke, I guess right now. I guess we're still working through that as a society. But how it just ostracizes the adoptee how you're adopted equals you're not one of us. Like they're different and that is what that means. Even if the character's not adopted, people will make jokes like that. I don't understand it.

But these dominant stories really affect the lives and the wellbeing of adoptees and birth parents as well. Just how birth parents are always the villain, I feel, or how overly dramatized those stories are and can give children and adults just such a drastically, like single-minded, like limited understanding of what the adoption experience is really like.

Haley Radke: I remember when This Is Us came out and I was watching the first season and like very hesitantly because, I don't know where this is going and right away. Right when poor Randall is a replacement for the third baby, dead baby, I was like, oh my gosh, I can't.

Kira Omans: Yeah.

Haley Radke: And I remember the discourse online was just so much like sympathy for the adoptive mother, that I just was like, I just can't, I can't do it. And I have heard from plenty of people that overall they really appreciated Randall's storyline and different parts of the adoptee experience being really realistic. And come to find out there was adoptees giving feedback on that, so that's exciting.

Kira Omans: Oh, exactly. I completely understand your trepidation though, because, while those situations exist, they're also the only ones that are represented I feel in TV and movies. Because they're more dramatic or because these stories writers tend to gravitate what's going to tell a better story as opposed to what's real.

And so when it starts out that way, which so many movies do, they tend to choose something like that and don't handle it as well and don't tell it from the adoptees perspective. That's when things can get really tricky and really difficult to watch and absorb as an adoptee. So totally understand where you were coming from.

Haley Radke: You have a really thoughtful critique of Instant Family on your YouTube channel, and I really appreciated it. Like you went through all the points. And as an actor, you're looking at it and you're like, I get the storyline arc. And you're critiquing it with also the eyes of someone who tries to make good stories that people wanna watch and will feel engaged in. And I think that's really helpful to add to the conversation.

So what are some of the things you're hoping to see as an actor? Would you ever wanna play as an adoptee, as a role? Have you ever...?

Kira Omans: I have. And this is unreleased, but I was in a series that was about an Asian adoptee that was adopted into a southern black family. And the series was about her experience going to an HBCU. And that was such a challenging role because, and it hasn't been released, I'm not sure where it is right now. Things tend to happen, but that was so interesting to play that kind of role because I was adopted into a white family. And so my parallels with this character were not really similar.

I had experienced a lot of the same emotions, but growing up in a black community was a whole new experience and something that production and the director and the writer really tried to help immerse me in so that I could play that truthfully. But it was very difficult.

I am not sure if I'd want to play an adoptee again. I think it would depend on the story, and that story was very much about cultures clashing and cultural appropriation. What is okay? Like those kinds of themes, which I definitely relate to. I think that in the future I would really have to look at a script, see how adoptees are being treated. Is, just observe the language surrounding how people speak about adoption.

Is this informed? Are they open to suggestions? Because when I played that role, I don't think that I was as well versed in the community and in the message that I truly wanted to share. And I don't think that it was a bad show, but I think that it did simplify things a little bit. Which is one of my complaints about adoptee storylines in movies and TV is that it's glossed over or it's simplified.

And one thing, I didn't enjoy Instant Family as a film entirely. I know a lot of people feel differently, but while I personally didn't enjoy it, one thing that I appreciated that they did is that they did acknowledge some of the complexities that they weren't entirely going to go into, but they did acknowledge that they were there.

And that's something that I wish more films would do. Because as much as I wish that they would delve into the complexities-- and I hope to see more of that, that there is more representation of a well-rounded adoptee experience and birth parent experience, and how that can really affect a person. Not all movies, especially children's movies are going to do that. And so even if you don't, I think it's really important that writers and studios do their research and at least acknowledge things, that they may not go into but acknowledge that there are other experiences and that there's a lot of nuance to being an adoptee.

Haley Radke: Speaking of appropriation, I think that there will be people listening who have two different opinions on this and may perhaps you and I will as well. But when Blue Bayou came out, there was like this great excitement, oh my gosh, there's gonna be this adoptee story coming out. And then immediately flipped into we must boycott Blue Bayou because it is appropriating a fellow adoptee story, Adam Crapser. And I'll link to, I'll link to an article that kind of reports on this if folks wanna read more about it. But even Adoptees for Justice you mentioned them earlier in our ,conversation, they put out a statement about it.

Kira Omans: Yeah.

Haley Radke: So I ended up not watching it.

Kira Omans: I didn't watch it either.

Haley Radke: Okay. Okay.

Kira Omans: I didn't, I was seeing both sides, and I was glad that all of that came out before I saw it because I never want an adoptee's story to be appropriated. I never want an adoptee's story to be used in a way that they did not approve of or that they're not comfortable with. And Justin Sean, the director of that film, I had been to a premier of one of his other films and he, as a director, tends to-- and this is something I really appreciate about him, but he tends to tell stories of marginalized voices within the Asian American community.

So the film that I saw was about an impoverished family in Koreatown, which is so contrary to the stereotypes of Asian Americans today. That we're all rich and because of Crazy Rich Asians and Bling Empire. And so he was trying to combat that. And I think in Blue Bayou, he was also trying to take a marginalized community within the Asian American community. I think the intentions were there.

I was not involved in the film. I know that there are adoptees who say that Adam's story was not the only one that he drew things from. It's a really complicated situation. And especially as someone who works in the film industry, my impulse is to say representation is good representation. Just any portrayal of our story to get out there that's more nuanced is good. And that's not always true.

And I think that I was really torn on this one just because of Blue Bayou, I felt like there was far more discourse about adoptees without citizenship. Which to me, very good thing. Super important to me to fight for adoptee rights.

But at the same time, I don't want that to be at the expense of an adoptee. I don't want that to be at the expense of the community at large. And so I was very torn on that. I didn't release a public statement because I could see both sides and wasn't really sure how I felt at the time. It's just difficult. These things are complicated.

Haley Radke: So complicated. I appreciate you sharing your perspective on that. Cause it's sort of where I was like, oh my gosh. We do want more adoptee representation. That's what we say. And like you said, it highlights this very critical issue that people don't know that some adoptees still don't have citizenship in the country they were taken to. What. To this day, if you're listening to this when it's just being aired to this day. That has still not been passed.

Kira Omans: No. It passed the house. It didn't pass the Senate last year, which was really disappointing. But yeah, like you're saying, both of those things can be true at once.

We live in a very complicated world. It's not black and white. Both of those issues are very prevalent.

Haley Radke: I'm gonna skip ahead slightly cuz I'm, the thing I want to recommend, one of the things is the movie Return to Seoul. And it was co-written with an adopted person and it's the adoptees story, obviously dramatized, for screen.

Kira Omans: Of course.

Haley Radke: But it's her experience and. I don't know. I felt like it was one of the most realistic portrayals. Some, okay. I'm not gonna spoil any part of the story for anyone, so don't worry. There's some things that are not realistic. But when it comes to the search and reunion portions of the story, I felt they were really realistic and I was thinking of Older Sister, Not Necessarily Related, Jenny Heijun Will's memoir, there was like reminiscent of that. There was some things that reminded me of Alice Steven's novel, Famous Adopted People, for the adoptee who's acting out in a variety of ways. And so I was like, oh, this feels really resonant for me, for Korean adoptees. I'm not a Korean adoptee, but it felt, it felt like really that. It was so beautifully shot and everything like just as a movie. So I don't know. Have you had a chance to see Return to Seoul?

Kira Omans: I haven't yet, but so many Korean adoptees have recommended it to me, and I just need to be in an emotional place where I can handle that because, now, I have such high expectations, but I, everyone I've spoken to has such nice things to say about it.

And that's so promising. I'm so excited that movies like that are being made . We need to continue to support that. I say as someone who hasn't seen it yet but I'm just so excited.

Haley Radke: Yeah. I wanted to share that because I thought it was such in contrast to Blue Bayou, right? Because this is like just taking the stories of, and I don't know, I don't know the behind the scenes of Blue Bayou. But see an adoptee like actually co-write it and help with the representation, everything. I just was really thrilled about that.

The other thing I want to recommend is, of course, that folks go and check out some of your writing and follow you on social to see what you're up to. I love that you're an advocate for our community and I really deeply appreciate how you have allowed yourself to share deeply from your heart about how things have changed.

Like I appreciated you sharing that with us today on our recording, but modeling that for us online. I think there's a lot of folks in our community that get embarrassed about previous things they may have shared and disappear cuz they or have they've been bullied off the internet by people who are not kind. So I think that you've done such a great job of modeling that for us and so I really hope that people will follow your advocacy.

Kira Omans: I appreciate that. Thank you.

Haley Radke: And I also want people to be paying attention for your highlighting Asian American issues with systemic racism. You've had a huge voice in that. Especially through the pandemic and beyond. I think that's really important for us as a community to be aware of as well. There's a lot of white adoptees that need to learn some things, and so you've been taking us on that journey too.

Kira Omans: Good. I hope people find it helpful and I appreciate that.

Haley Radke: What do you wanna recommend, Kira?

Kira Omans: I would like to recommend a documentary called One Child Nation. It is directed by Nan Fu Wang, and it is such an excellent resource, not just for Chinese adoptees, but I think for really anyone who wants to better understand what can lead to some massive waves of adoption and really understand the people who are most affected by it.

Obviously I was raised with a very westernized view of the world. And this documentary really gave me individuals to connect with to better understand how such a policy can happen. It really opened my eyes to the historical context of my story. Whereas it was all very personal before my world was, my understanding of that was very limited.

It really filled in a lot of the edges of what was previously just completely shrouded in mystery for me, and gave me a little more insight onto what could have been the circumstances of my birth. Again, I'm not sure. I don't really have any information at all, but I think that it was such a raw exploration of the cultural values that can allow something like that to happen.

I had even saved a quote from it that China started a war against population growth, but it became a war against its own people. And I think that very much sums up a lot of the documentary. And it's a tough watch. I know you can testify but it was really valuable.

Haley Radke: I've watched it to prepare for our conversation and I did not know the journey I was gonna go on. It starts out with the filmmaker acknowledging that when her child was born seven weeks early and she was separated from them briefly, that was traumatic for her. And I was like, okay. Good. Okay. We got an idea that separating from babies is traumatic. That's good start.

And then I did not know, I did not wanna know what it was in for. I found -- I left extra time in our conversation for this cuz I wanted to talk about it with you.

Kira Omans: Yes.

Haley Radke: Like when you share your story with us at the beginning and you gave us some facts from your adoption documentation about where you were found, after you watched this, did it impact what you thought was the veracity of that information?

Kira Omans: Oh, yes. I called everything into question after I watched that documentary. I wondered if my birthday was real. I wondered if I just realized that I actually don't know anything for certain. I filled out my Freedom of Information Act papers. I got my FOIA documents after that because I was like, what do we actually have?

And like my parents have always been very transparent with me. They've never hidden anything from me. They've always told me everything that they know, but they don't know a lot. And so when I got those papers back, I saw that one of the translations was just written on a scrap of paper, like in my FOIA documents, is this scan of this handwritten translation of I was found by the side of a bridge. There is no known information about her birth parents, blah, blah, blah.

And I was like, oh my goodness. What? I even sent the original Chinese document to one of my friends who speaks and writes, Mandarin. And I was like, is this actually what it says? And there were some discrepancies. And it's just, it was a whole thing.

I, after watching that documentary, I had so many mixed feelings on it. And, it really also affected how I thought about my relationship to doing a birth search or even doing a Homeland Journey. Because I just started to feel so resentful after I saw that, and not towards my birth parents, but towards just China, the vague sense of it, because I love so many things about my culture.

I love doing Chinese dance. I love Chinese food. I love going to cultural events and celebrating the holidays. But after watching that documentary, it became very difficult for me to separate the things that I loved about my culture and the values of the country that, that allowed such a horrible policy to be enacted and how that wreaked havoc on its own people. And I just began to wonder, why would I want to return to a country that valued my life so little? Like why would I want to find my biological parents who might be complicit in the infaticide that happened?

Did my birth parents actually abandon me because of what society wants me to believe, of because they wanted me to have a better life, or were they one of the parents who left their baby girls to die in gutters? And it was a really, obviously, very difficult experience to have. And I still harbor some of those feelings. I, I don't feel them quite as strongly, but that's why I think that a birth search and a homeland journey are such serious, complicated things. And that adoptees have such different relationships with that. There's some adoptees who are in reunion and are like very happy about that. There are some adoptees who are in Reunion and aren't happy about that.

Then there are adoptees who don't want to do the birth search or don't want to do a homeland journey, and that's where I'm at right now. And people don't understand that because they think that, again, fed from the media, that finding your birth parents and reconnecting with your homeland is the only thing that's going to make you whole.

And like we said earlier, who knows where I'm going to be in the next 10 years, but I feel like it's a very individual journey. And so watching that documentary, I know that was a lot, but watching that documentary brought so many complicated feelings out.

Haley Radke: I'm so glad you said those things because I felt upended after watching it. And let's give 10 trigger warnings. Do you know what I mean? There is so much horrific content including image, visual images. But just speaking to people who were just doing, just following orders was just shocking. And I could see if you were adopted from China, that could really do some damage if you're not in a good head space and have supports in place to watch that.

So I kinda wanna talk to you about it more, but I'm gonna, I feel like I will spoil too many things if I go into it further. But I'm really glad you recommended it and I'm not sorry I watched it. My worldview got changed cuz I had no idea of a lot of that.

Kira Omans: Like you said, 10 trigger warnings.

Haley Radke: Yes.

Kira Omans: It is a really difficult watch. I think the trailer does a decent job of summing up, like not, it doesn't truly go into everything, but gives you a general feel for what it's going to be like. And I would even say be careful before you watch the trailer just because it alludes to a lot of the atrocities that are explored in the documentary. And I even feel like I was in a good emotional place to be able to watch it before I saw it, and it still really affected me.

So definitely proceed with caution. Have a support system lined up before you go to see it.

Haley Radke: Yes. Yes. Before you plus press play on that. Wow.

Kira Omans: Yeah. Or if you do.

Haley Radke: If you do. If you do, yeah.

Kira Omans: Yes. It is it's very complicated.

Haley Radke: And we don't wanna shy away from hard things or be ignorant of our own history. But only do it if you're in a good space. Okay. I don't know that I've ever given such massive trigger warning for a recommended resource, but I still do. I second your recommendation there. Kira, thank you so much for taking us through your story and talking to us about adoptees in the media.

Where can we connect with you online and follow your future projects?

Kira Omans: You can look at my website or you can follow me on Instagram, which is just at my name, just at KiraOmans, and I post everything on my Instagram and sometimes on my Facebook. But Instagram is definitely the place where I would recommend you connect with me.

Haley Radke: Wonderful. Thank you so much. Thank you.

Kira happened to be one of these people that I felt like we were old friends connecting. So we actually went on to talk for much longer past our recording time and, rookie podcast or mistake, I didn't record any of that because usually it's just private. But we did discuss further One Child Nation, and I wish I had that to share with you because I'll try and summarize it just very briefly, a couple of my thoughts.

One of our fears in talking about the documentary is of course, that adoption, a saviorism aspect, shows up with adoptive parents, mostly white, leading that charge. And I think on Adoptees On, we do a pretty good job here of always including the nuance when talking about adoption. I think it goes without saying, but obviously I don't think that all the way, cuz I'm gonna say it. But I just wanna be clear. In no way are we endorsing the systematic removal of infants and children from their home country. Period.

So I just wanna be clear on that. And I think there is a real opportunity for us to talk more and more about adoption and how it's represented in the media. I'm really thankful for conversations like this where we can really go there and dive deep. And we're gonna continue to do that here.

So if you have recommendations of things you want us to watch and talk about and discuss with other thoughtful, creative adoptees. Let us know in the Instagram comments. That's the best way to suggest things to us. And we'd be happy to talk more about recommended resources that you have to suggest, but also unpacking some of the messed up content we have taken in over the years.

If you are a Patreon supporter, you know that I have a weekly off-script podcast where I talk with friends that are adoptees as well. And I have a few regular co-hosts and special guest co-hosts every once in a while. And we are gonna be doing a little bit of that this summer. We've already prepared for you a two-part adoptees off-script episode.

We're talking about the TV show, Friends, which is something we were steeped in. If you're in my age range, I'm turning 40 this year. How many times have I said that now? It's coming up. If you were, are in my age range, Friends, with this massive, huge TV show, huge hit. Everybody was watching it. Everybody was talking about it.

And the way they present adoption in that whole storyline is so problematic. And as the audience we're cheering for the adoptive parents. We DGAF about the mother and it's just, that's what we were steeped in. So especially if you're new around here and you're hearing us talk about adoption and the how nuanced and complicated, and there's trauma in adoption? And you heard Kira expres s this whole shift in perspective that she had over 10 years.

Like, of course we thought adoption was amazing and this like savior narrative, like absolutely was true because we were getting that from our adoptive parents. Whether they said it out loud or not. A lot of us, not all. And all the TV shows and movies and all the books, all everything that we were consuming in pop culture was telling us adoption is the best thing ever.

And it's- what a relief to finally be unpacking some of that and critiquing it publicly so more people can critique it. And we can add to that conversation and be more balanced about it. So anyway, that's just like a few thoughts I had I wanted to share.

But I hope that you if you enjoy Adoptees On and you like, really want to keep diving into community and what it means to be an adoptee activist and be engaged with adoptee news and all those things join us on Patreon. We're always talking about that stuff behind the paywall, where it feels safer sometimes.

I'm really so proud of the things we have planned. We've already started doing the Ask An Adoptee Therapist monthly event, and those are gonna be recorded and you can listen to them later if you can't come live. We have our book clubs and all kinds of things going through the summer and I'm mentioning summer because we always take a summer break here.

We only have a few episodes left in June, and then we'll be back in mid-September. So if you are gonna miss me there's so many episodes you can binge while we're on our break here on the main feed. But if you also wanna hear more from us and for me, you can go to adopteeson.com/community and join our Patreon and hang out with me at the Live Zoom events.

Listen to so many back episodes of Adoptee's Off Script, and join us for some of those really valuable nuanced conversations about just like Kira and I talked about today, adoption in the media and what we've been steeped in. So thank you for listening. Let's talk again next Friday.

255 Sarah Audsley

Transcript

Full shownotes: https://www.adopteeson.com/listen/255


**Haley:** This podcast is for educational and entertainment purposes only. Nothing stated on it either by its hosts or any guests, is to be construed as psychological, medical, or legal advice.

You're listening to Adoptees On, the podcast where adoptees discuss the adoption experience. I'm Haley Radke. We are thrilled to introduce you to Sarah Audsley today, Sarah's debut poetry collection, Landlock X, is our June adoptees only book club pick.

Today Sarah shares about how a reunion with genetic family in Korea only opened up more questions for her. We talk about cultural differences, context that can be lost in translation and how she may be an anomaly with accurate records from the adoption agency. We talk through several of Sarah's poems and our excitement surrounding the growing body of adoptee literature.

Before we get started, I wanted to personally invite you to join our Patreon adoptee community today over on adopteeson.com/community, which helps support you and also the show to support more adoptees around the world. If you join us in June, you'll have access to our brand new Ask and adoptee therapist event, as well as the adoptee's only book club with Sarah Audsley.

Stay tuned to the end of the show and I'll tell you more details. We wrap up with some recommended resources for you, and as always, links to everything we'll be talking about today are on the website, AdopteesOn.com. Let's listen in.

I am so pleased to welcome to Adoptees on Sarah Audsley. Welcome, Sarah.

**Sarah Audsley:** Thank you so much, Haley. Thanks for having me.

**Haley:** I love a poet. I gotta tell you. I can't wait. We're gonna talk about your book a little bit later, but first, do you mind sharing a little bit of your story with us?

**Sarah Audsley:** Yes, and I love that you love poets. So my name is Sarah Audsley. I grew up in Central Vermont in a log cabin that my father built, and with white parents. And spent, you know, on my entire childhood in the same house and then always wanted to be a writer, was writing poetry when I was in elementary school and in high school, and then had clearly no idea that the writing world existed.

Didn't know that there were MFA programs, and it wasn't until I was in 29 until I realized that I really wanted to, that's what I really wanted to do. I wanted to be a writer. So I naturally gravitated towards processing my life and my emotions and my experiences through writing. I have a journal from when I was 10 and 12 years old, of letters that I wrote to my imagined biological father and a mother, which might be my next project to dive into looking at the, that handwritten journal.

Flash forward to today. I published my debut poetry collection in February of 2023 with Texas Review Press, and it's called Landlock X and I'm really proud of it. It took a long time to finally get to this point. And I'm also a Korean American adoptee. A transracial adoptee which I think is very important to anyone who's engaging with my work.

And then I've also gone back to South Korea in 2013 and did meet my father. That's a little bit about me.

**Haley:** Thank you. I'm curious. From you saying even at, you know, 10 and 12, these journal entries that you were writing to your biological parents, what led you to discover, can I search, can I look? What is that going to look like? What age do you come to that?

**Sarah Audsley:** Yeah, I think the journal entries, when I was a young person, allowed me an imaginative space to have dialogue between these people that essentially are also characters in someone's imagination. So I grew up knowing that my biological mother died from complications of my birth and that my genetic or birth father was not able to care for me, which is why I was adopted.

So the path to the search, which is pretty common in any adoptee's journey or experience- and I think of adoption as a spectrum of consciousness or awareness of how important it is to consider as part of your identity. In 2003 was when I first attempted a search, and that was, I had some friends whose parents were in Seoul in South Korea, and I sent them my adoption paperwork, which my parents had a file folder in the file cabinet in the basement. And I asked for those papers. And I sent them onto my friend's parents who were in Seoul. And at that time I got feedback back from the post-adoption services that my biological father was indeed alive. But he at that time was not a interested in connecting with me.

And I was also told that he had remarried and had a son and a daughter, so I had half siblings and that shows up a little bit in the collection. In the third section of the book, there's a poem called The Half Sister Unmet, and then there's a poem of Planet Nine, A Primordial Black Hole, New Research Suggests, which references the half brother.

That journey began in 2003 when I was 21, and I was interested in making some type of connection. And then it took another 10 years for my genetic father, biological father to be interested in contacting me because, as adoptees know, sometimes you don't have accurate records. Sometimes there is no paperwork at all, and depending on if the adoption is closed or open, they won't put you in contact with each other unless both parties want to be connected.

So on the cusp of 30 was when I received a handwritten letter and a translation in English and a photo from the post services with information from my father. And, the collection, the poetry collection opens with the handwritten letter from my father, and then the book is divided into three sections, kind of like a triptic, like a painting that has three panels, and the book opens with disorientation.

With the untranslated handwritten letter from our biological father. And then there are three erasers of the English translation that appear. Each one appears in the, each individual three sections of the book. So I wanted the book to open with disorientation for someone not to be able to read it. I can't, I don't read or write Korean, so I can't read the letter.

I need a translator to translate it for me. I also needed a translator to be physically there at the meeting when I met, when we had a meeting yeah.

**Haley:** I wondered if it was his actual writing.

**Sarah Audsley:** It is, yeah.

**Haley:** Because it's so neat. It doesn't touch one line on here, and then the content of it is, you know, I read it as deeply emotional as someone who is still closed off to you a bit could be.

And so I don't know, what did you have this feeling when you saw it? I get this feeling of oh my gosh, I don't know what this means. I don't know. And when I look at it, I'm like, oh my goodness. It's very like neat and precise and I don't know. Did you have a thought?

**Sarah Audsley:** So I think that when I look at it as an object to use in a poetic form, what the erasure form allows me, allowed me to do was to pull out or push back certain parts of the text and to repurpose and interact with the text in a new way.

On receiving the handwritten letter and the English translation and the photo, I wanted to respond, but it really did take me six months to, to compose like a six page letter to write back. And knowing that was also going to be translated, you know, that there was gonna be a process of sending something that would then have to be filtered through in translation.

The sentence that is the most interesting to me was, "she left you like that", which was describing the death of the birth mother, which was the catalyst for the choice for adoption. And that, just that very short sentence. It's only, how many words is that? 1, 2, 3, 4. Four words. Seems so like impactful and direct.

Also like a simple, declarative sentence of that. That's how it was. This is how it was. So the process of interacting with that translation was pushing forward all the I's. The capital I and the lowercase I in the first translation, and then the third one has pushed forward all, they you's, the word Y O U and then the letter U.

So you have you. And then you have I, I. And then the middle translation has pushed and pulled forward certain words, certain sentences, like "she left you like that" is highlighted. And I was really thinking about agency and the pronouns of the I and the you. And then the center middle translation really wants to highlight just certain words, certain fragments.

So it's interesting to, for adoptees interacting with our documents. And I see that as a way to process experience and also as a creative exercise and craft ability to craft your work your experience through the, a poetic form and a poetic tradition.

**Haley:** I have combed through some of your social as I do when I prepare for an interview.

**Sarah Audsley:** They're all about my dog. There's a period where there was no dog photos, and then they're all dog photos after that.

**Haley:** We love dogs here, so that's all good. That's literal, that's nothing to do with what I'm gonna do. Say I am gonna say something superficial later, but that's not, it's enough.

**Sarah Audsley:** Okay, that's fine. Go ahead.

**Haley:** No, in some interviews you've done and things, and you know what, I find you, you're very outspoken on reproductive justice and women's rights and those kinds of things. And it comes through in your work, I think. And so when I read this line, when he says, if you are married since you were 30 years old now, he wondered if you were married.

And I was like, oh. Interesting. How does that, you know, come across to you as well? That's this other curiosity like of his, this other connection to someone else? Possibly. And I don't know, I just thought, oh this would be hard for me to take. I think. I don't know. I'm, maybe I'm reading into too much, but do you have thoughts on that?

**Sarah Audsley:** Yeah, it's really funny. I think that the letter, the content of the letter really reveals cultural differences and opinions about what success looks like from a Korean father point of view. And yeah, I very much feel American and very much coming from a feminist point of view and the way I navigate my life and in the choices and decisions I make.

So the assumptions that are, that come with those types of statements and questions are wondering like, if I'm married or if I have a good job, is revealing of what success looks like in his, in a Korean father's point of view. And really yeah, one, one could think, well, you know, my success has nothing to do with you. In that I'm only genetically related to this human, this person.

And also shows a value system too, and certain things. I was like, oh well, I wouldn't value certain things that he values. So I find it both like revealing and also a little bit cringe worthy on some levels for the assumptions that, you know, that he is making. I, you know, I don't wanna have children personally. I have tons of friends who have kids, but that might be a metric of success for this person that now made me by semen and blood, which is a line from one of the poems in the book.

**Haley:** Thank you for sharing that. I think. It's so insightful the ways that you pull out these different pieces for us as a reader to take us along that journey with you and in doing so, I can imagine, you know, that might feel very scary cuz it's ex, these poems, they're extremely personal.

So much of your work is, it's, you know, it reads as autobiographical. And so I'm assuming that's true for most of it. And so, how has it been for you now to have revealed yourself in these ways through your poems? Now I know some of them were previously published, but to have them all together as a collection and I got to read this and be like, wow, I feel like I really know you before I even got to talk to you.

**Sarah Audsley:** Yeah, thanks for that question. I've been thinking a lot about that question as bringing the book-- the book's only a few months old now cuz it was published in February and. I'm like deeply committed to poems and to the potential of poetry and for how it's deeply important to me in my life. And in Poetry Speak, we talk about the first person speaker, the first person as a speaker.

And I've been beginning to think of it as a persona that we get to inhabit and to process our lives and our experiences through this first person speaker. With that being said, it is a very close, you could read it as very close to me, to Sarah Audsley, as a person in the world. The, that the first person autobiographical information that you're reading is a version of the truth.

And the other thing that I like to have a little bit of a boundary or a barrier around it when I'm bringing that deeply personal work from the private into the public realm through publication, is that I firmly believe that it's art. And that the book is a work of art. And that through writing and then through revising over and over again and through the choices that I've made, that the first person speaker and my story has been transformed through the process of creating art.

And so yeah many, I have some several friends who have bought the book and one of them messaged me and said, oh, it's like spending time with you, Sarah. Which is a very friendly way of putting oh, I think I learned more about you and therefore know more about you and your life.

And I think that's true. Like I think you could read the book and make many assumptions and learn a lot, but I also hope that the book also achieves and contributes to adoptee poetics, and is in conversation with other adoptee poets and, also, you know, conveys feeling and meaning and does more than just quote unquote tell my story.

I hope that it also is a work of art in and of itself. And that's maybe that's my best effort or my best hope for the book. But I do think that any person now in the world with especially adoptees, I think we need to be careful about how we bring our stories forward. And because it is risky because there could be misunderstandings or, and there's also stereotypical story narratives around adoption.

And so I've been nervous about confirming or affirming certain biases around the adoption industry. But this, it, the book is grounded in my lived experience and there are moments of racialized moments in my progressions that I have experienced that make it, make its way into the book. So as I've been doing, moving that work from the private into the public route through readings and these types of wonderful opportunities. I'm open to having these conversations because I want to be having these types of conversations and contribute to the conversation.

And then the last thing I'll say is that, I think that anyone who is working in any medium, whether it's like visual art or performance or documentary or writing, and if you're adoptee, I feel like you have to be ready for that shift from the private to the public. And that at the end of the day, you get to choose how much you tell or how much you don't tell, and you can always say no.

**Haley:** Absolutely. You can always say no. We just what I tell people at the beginning of our interviews, if I ask you something you don't wanna talk about, please tell me and we'll just move on.

**Sarah Audsley:** Yeah.

**Haley:** You know, our stories are one of the only things we have agency over saying or not. Right. Especially as adopted people. Well, I love how some of the things you highlight in the book, like you, you literally have a piece about the Adoptee Citizenship Act and you know, so I was like, yes. I'm so thankful for that. Anytime fellow adoptees are highlighting adoptee issues to the general public, like it just feels frankly it feels subversive, which is silly that it has to be that way still, but very empowering for the rest of us to be like, okay, great. Somebody said it, you know? So thank you for adding to the chorus of voices around that.

Let's talk about art for a minute, because your cover-- I have not wanted to put the book away. It has been sitting on my desk since I got it because the cover is so gorgeous and you talk through the book, the color is so present in, in almost every poem.

It's mentioned multiple times in multiple ways and I saw you mentioned somewhere in some other conversation like, oh yeah I kind of would love to be a painter, maybe, or you know, so can you talk about the process of coming to this gorgeous cover by a fellow artist and then the importance of color to you.

It maybe, before you answer that, I'm going to say my superficial thing to you, which is in deep diving, your social Sarah, I became enamored with your earring collection. Because they're all huge and beautiful. And I was like, I would, I like those. I like those. I like those. So anyway, complimenting your taste in jewelry.

All right, let's go back to art and color.

**Sarah Audsley:** Thank you. Well, my favorite jeweler is Erica Walker and she lives in New Hampshire. And shout to Erica Walker. I'm a little embarrassed on my love for jewelry, for the amount of money that goes towards it. But there's something really wonderful about choosing what to adorn yourself with and it also kind of is, it's both decoration and also powerful in what you choose.

And also I think that it can also be like an armor and a shield. Like you could, you know, get dressed in the morning and put on your, the necklace that's gonna be, you know, the thing your talisman for the day. So that's my superficial answer.

**Haley:** Which is not superficial whatsoever.

**Sarah Audsley:** I also gravitate more towards stones and rocks from the earth and from the land, which is a nice segue into the book cover. So the book is called Landlock X and the cover art is by a visual artist friend who I met at Vermont Studio Center, where I work, where I run the writing program manager at Vermont Studio Center.

Nancy Kim is a Korean American artist who lives in Italy. And she was a artist in residence in I think 2019 where we met each other and we stayed in touch and I sent her the full manuscript before, pre-publication. So she read the whole book and we had a Zoom and I asked her if she'd be willing to do, provide the cover art for my book. And she was going to make individual pieces in response to the poems, but we just didn't have time because my publisher needed an image within a week and it just wasn't gonna be enough time for her to make, to do her, create a process to make individual pieces based on the poems.

So I was scrolling through her social media and I was like, I like this one or this one. And one of the choices was already in someone's private collection, so it wasn't available. But the one that we ended up with is called How A Yellow Hollow, and she made it in 2021. And it's paper pulp and silicon and acrylic paint.

And if you ever are able to physically get your hands on the book itself, we were able to wrap the image around the spine and there's minimal text in the, typically poetry collections have several book blurbs on the back, but we wanted to maintain the integrity of the image. So we included only one book blurb on the back and then four as the inside first page that you open.

And then I also decided not to put my photo on the back of the cover. My photo and bio longer bio, are on, is in the back of the book. So really wanting to maintain the image, I love the color. It is this hyper vibrant yellow, green chartreuse that actually also changes depending on what lighting it's in.

And the form of the cover itself evokes both land, it's both land and not land. It has both locking the water and also po like negative space and positive space. And you can also physically see like the impressions that her fingers were making in the paper pulp. So I'm, I love the cover too, and I really feel like it's both engaging and also gives you, you were like, oh, what is this?

What am I about to enter into? And the color yellow recurs throughout the collection and the color yellow for East Asian and myself becomes like a interesting color to meditate on. So it can be a racialized color. Some people are referred to Asians as yellow, and I was interested in that color, both in my, some of the experiences I bring forth in the collection, and also I'm surrounded by visual artists in my job and interested in painting and the creative process through the color yellow.

But also you end up just seeing it everywhere. Once you start fixating on something ends up becoming an obsession and you end up just seeing it everywhere. So yeah the color yellow recurs throughout the collection and both in its form that, in that the form that appears and takes in nature, like through birds or flowers or, and then also through the ways in which it can be used in art.

But then also how it's also color that becomes racially charged.

**Haley:** It's really this powerful theme through the whole book that I was, you know, paying attention to the whole way through, which is a testament to your strength in writing and trying to highlight that for us. I am, I don't know, I was just really struck by the way you describe things visually. And then when I found out you, one of your hobbies, is you know, climbing and being in nature and all of those things, I was like, oh, okay. I kind of get it. Like you're very interested in what nature looks like and being, you know, connected to place. And so I think those themes come through as well.

Can you talk a little bit about your love for being outdoors and exploring and what that means to you personally? We talk so much about, you know, therapy and you know, processing or adoptee stuff on the show and I'm wondering if that's any piece of it for you.

**Sarah Audsley:** I am not currently in therapy. I'm slightly resistant to it because I've found ways to process my experience in other ways that I would call therapy. And that is, you know, spending time with my dog and also spending a lot of time outside in nature. I do feel a deep sense of place and belonging in the landscape where I live.

I also lived in New Hampshire for 10 years before I moved back to my home state of Vermont. And that 10 year period was, you know, biking and climbing, ice climbing, back country skiing, cross country skiing. So moving in the landscapes and in accessing different trails and peaks and summits has been really important to me for decades now.

And what I've realized is that in a world where I might not feel belonging in either a racial group or, you know, because I'm adopted and feeling like you know Korean, but both Korean, but both not Korean, not having grown up in Korean culture or, so not feeling like I fit in certain ways, I always feel like I fit into the land and place where I live. And that has become very important to me to maintain that level of access.

So I typically don't really go to the city very much, but I do like to visit, I like to kind of dip in and out. So I'll go for very brief periods of time and visit friends who have more urban lifestyles and I do really love engaging with museums and like the food, like I, I am very much lacking in different types of cuisine and food access where I live.

But yeah the sense of place and belonging for me really comes from my ability to see an experience, a landscape in all different seasons as well. Which I think comes through in the work, in the poems, just paying it attention to the detail. One of the things that I really enjoy is visiting, revisiting the same hiking trail or mountain summit or river or stream or whatever in different seasons, and watching it evolve and change over the course of the regular natural changes that take place in, in nature.

So I am an introvert and I spend a lot of time alone walking my dog in the woods. And that has provided a level of belonging. And also, if I call it, you know, my, my church, my therapy is going into the woods.

**Haley:** So you've got writing and nature. Those are the like processing tools that you have cultivated over your 40 years so far on the planet. I love that. Now, I don't know if you're gonna be able to think of this immediately or not, and so no pressure, but I live in Alberta. And I'm wondering if you can think back to when you were in Banff, and if you were working on any of the pieces that ended up here, anything related to where I live, Sarah?

**Sarah Audsley:** So Haley's referencing, thank you for doing the really deep dive. You're a very good researcher.

**Haley:** It's not creepy when it, when you're an interviewer. Right.

**Sarah Audsley:** Exactly.

**Haley:** That's the job. Yeah.

**Sarah Audsley:** Yeah, I spent, I had a five week residency at the Banff Center and The Banff Center is located in Banff, and they have a literary arts program. They also have performing arts and a really great indigenous writers program as well. And I was working, I was definitely working on poems for the book during that time.

Continuum came from that time period. The poems about my half-brother and half sister came from that time period. They started as epistolary poems, so you know, "Dear... Blah, blah, blah", "Dear... Blah, blah, blah". So poems with the direct address. Like writing letters.

**Haley:** Can we pause at the Half Sister Unmet?

**Sarah Audsley:** Yeah, sure.

**Haley:** That makes me so happy that you wrote part of that here, because when we got to the last line, I giggled so hard because. It's a spoiler. Can I read it? Is that okay?

**Sarah Audsley:** Yeah, please do. Yeah.

**Haley:** The last li like, it's like all this like sweet stuff about, you know, what sisters could be, right? What the relationship could be like, and the last line is probably we would've hated each other. I don't know why that just killed me.

**Sarah Audsley:** Yeah, I, it's funny, it's, yeah. It's a little unexpected cause the po the rest of the poem is oh, it would've been like this, it would've been like that. It's like in an imaginative sort of space.

But the reality is like probably we would've hated each other.

**Haley:** I'm in reunion with two half sisters and a half-brother, and to, to my delight, we have all sort of cultivated these really amazing relationships.

**Sarah Audsley:** Oh, that's so wonderful.

**Haley:** And I'm a mother to two boys who would like to kill each other every single day so I just hit my sweet spot right there. I don't know, it was just, that's one of my favorites, just for that reason.

**Sarah Audsley:** It's true. It's, or you know, in this imaginative space, it could be anything, but, you know, it's also a nod to the complexities of what you're saying of being a sibling.

**Haley:** Well, let's do, let's kind of wrap on that topic before we do recommended resources.

Let's talk a little bit about siblings. So you grew up with a brother who was also adopted from South Korea, but you had no biological connection too. So you knew an adoptee growing up. Did you guys ever talk about adoption?

**Sarah Audsley:** Yes, my, my brother is a year and a half younger and we're not genetically related. So we, my parents had us involved in a Big Brother, Big Sister program which is based in Dartmouth College in Hanover, New Hampshire. Which is about 20 minutes from where we grew up. And in that area called the Upper Valley of Upper Connecticut Valley, which is in between Vermont and New Hampshire, there were actually a fair, enough Korean adoptees to have a little big brother, big sister group. Haley's just nodding her head and laughing a little bit.

**Haley:** Okay. I'm la Okay. I have two things. So one of my regular co-hosts that's on Patreon, Carrie Cahill Mulligan, she, I was just there to visit her. She works at Dartmouth and she lives there, so I've

**Sarah Audsley:** Oh, wow.

**Haley:** I've been there.

**Sarah Audsley:** Oh, so you know where I'm talking about.

**Haley:** Yeah, I do. And then part two to that, one of my other regular cohosts for Patreon is Sullivan Summer and she was raised in New Hampshire as well to white adoptive parents. And she's black and she is told me many times, so I should be able to summon the statistic up and I cannot in my, it's like less than 0.1% or something of people of color that live in that state.

**Sarah Audsley:** Yeah, very white. Very white.

**Haley:** That's why I'm making the face like, wow, okay. There was enough Korean adoptees to have a group. Okay, carry on.

**Sarah Audsley:** Yeah, I think it was like maybe like less than 10, you know. Maybe it was like six of us or seven. I don't know. I don't actually remember. But you know, during that mid to late eighties period, there was a large number of Korean adoptees that were exported from South Korea. And I think that the number I've heard is like around 200,000 Korean adoptees, but actually no one really knows, I think because of the inaccurate record keeping that was taking place.

So this is all to say that my brother and I were part of this Big Brother, big Sister program. And so we learned some things about Korean culture, and both of us grew up knowing our adoption stories. I won't share his, because that's his own story to, that he owns, and I wouldn't wanna share his story without his permission. But we have two different stories behind our adoptions or the ones that were told to us that from our adoptive parents that are, that is more or less backed up by the paperwork that we have available to us.

So my brother was not interested in returning to Korea with me when I went in 2013. And he has not reached out or tried to, done a search, or expressed interest in a reunion. And, you know, I'm totally respectful of his relationship with adoption and also with his knowledge and relationship and interest in his own story.

Even though we grew up together in the same household we've had different paths and journeys around thinking about how important or how not adoption is to our own individual identities. And my parents always provided the information that they had to us. So we grew up knowing each other's stories.

**Haley:** I think you have this like unusual case where your paperwork is like accurate and it played out just and they had so it's unusual, I feel like.

**Sarah Audsley:** Yeah, it is.

**Haley:** Compared to so many of the Korean adoptees that I've gotten the honor of speaking with. So thank you for sharing that. Has your brother read any of your poetry?

**Sarah Audsley:** I will answer that question, but I just wanted to go back to that comment on having accurate records. And being able to do the search and for the search to come to fruition or to have, to end up with a reunion. At that time, I didn't realize how rare it was for that circle to be quote unquote completed. And I'm grateful for the opportunity to have that experience.

But also I will say that it just brings up more questions. Because the more information an adoptee receives can end up just bringing up other questions. So in many ways, there, there is a rec-- it doesn't matter what-- I mean. It matters. It so matters to go through that process and it can be so heartbreaking to not be able to find, to have a successful search or to not get any information.

But that too can be the information that you have. So I just wanted to acknowledge and not devalue anyone else who hasn't been able to go through that process. And I also think it's really risky and it takes a lot of courage and vulnerability and kind of blind faith to pursue that.

And the other thing is that I never did a blood test to actually confirm that the person that I was looking across at the room was actually my genetic father. I just trusted, but I blindly trusted the paperwork to be accurate. Which is sounds, it's kind of weird to think about. But anyway I just wanted to make sure that I, we make space for everyone's ability to both search or not search, and that those things are out of your control. That having accurate documents are not --something that you just can't control. And what you have is what you have. It's kind of a weird inheritance.

**Haley:** Yes. Thank you for that acknowledgement.

**Sarah Audsley:** And then, so you asked about my brother, and my brother has a copy of my book as do my adoptive parents, and.

I don't actually know if he's read it. I think he has read the poem-- there's a poem in the book called Swarm, which is a childhood memory of,

**Haley:** Never forget.

**Sarah Audsley:** Yeah. Where you know, we're kids and we're biking on the property and we hit a log and all these wasps come flying out. And I got in trouble because I didn't help my bro.

I just got out of there. And I got in trouble for not helping my brother not staying to you know, get him out of there too. And this poem is it's, and it also has a very connected to the farming culture that I grew up with. And hanging, and references my brother.

So I think he is, I think he is read that and we just joke about it around the dinner table at my parents.

**Haley:** Okay. That's a scary poem. It's coming from someone who, last year, let the wasps carry on a little too much in my yard to the point where some of 'em came inside. Oh, do not recommend.

Anyway, let's do our recommended resources. I have nothing to do with wasps. I love that you said chartreuse in our conversation because that's the color I was going to use to describe your cover, which is gorgeous and I hope everyone grabs a copy of Landlock X. It is really phenomenal. And I'm not just saying that cuz you're right there.

I loved it. And I can't tell you the amount of time I have just stared at The Waiting Children art at the back where you have covered the photos of waiting children, waiting to be adopted with these beautiful flowers. And also made found poetry, when you like cross out some of the words in their descriptions, like it's just remarkable.

It's so powerful and unfairly, no one else can see it, but it's behind you as we record. It's just so gorgeous and heartbreaking at the same time. And I hope that through our conversation folks can hear how much I enjoyed your poems and reread. And in fact, we loved it so much. We invited you to do our book club this month.

At the end of June, Sarah graciously agreed to come and be our featured author for June. So we're reading Landlock X together. If you are a Patreon supporter, you can come and join us live for that Zoom, and if not, you just still need to get Sarah's book. It's just amazing. Amazing. And just for the people that maybe poetry can be intimidating sometimes, I found your work very approachable. And of course I've, you know, found new things upon second, third readings, but it overall, like it was not easy to read. I don't wanna simplify it like that, but it was very approachable and just loved it. Fellow adoptee. Well done.

**Sarah Audsley:** Thanks Haley. Yeah. Shout out to poetry. You can read poetry.

**Haley:** Yes.

**Sarah Audsley:** Don't be afraid.

**Haley:** You too. You too can read poetry and understand some of the meanings behind it. And we probably won't truly know all the things that you've hid for us in there, but some of those is what we interpret for ourselves as well. Right. So it kind of can go both ways.

What do you wanna recommend to us, Sarah?

**Sarah Audsley:** Thank you so much, Haley, for having me and for giving me this opportunity to talk to a fellow adoptee and to be in touch with people in your community. I'm so impressed by the community that you built, and also I think that's really lovely that you're asking anyone you're interviewing to have a recommendation for another resource.

And so my recommendation is Cleave, by Tiana Nobile. And .She is a fellow Korean adoptee and actually a dear friend from graduate school who invited me to join her in the Starlings Collective. We are an adoptee collective that has list of resources on our website and also we do also do an adoptee book club cause there can be many, several ones.

And it's so exciting to be together in multiple different ways and to have multiple access points for adoptees to engage with each other. I didn't have, definitely did not have this when I was growing up, so I'm super grateful. But Tiana's book, Cleave, is also a poetry collection and she was also been interviewed by Haley on Adoptees On podcasts.

So you can listen to the interview with Haley and Tiana and also pick up a book Tiana's book. She's a master of folding in research into her poetics, which Haley highlights in the Adoptees On interview with Tiana. Tiana is a dear friend and I think I see her as a sister and also as a fierce adoptee activist and advocate for our voices to be able to tell our own stories.

So I have deep kinship to her. Thank you for asking. Yeah.

I

**Haley:** love that you recommended her. I didn't know that you guys had that connection when I invited you on and I, I know I gushed about Cleave on her episode, which is 180.. It is so good. Oh man. Of course you're friends. Of course. That makes all, everything makes sense now. Okay. We will link to that. We'll link to the Starlings Collective.

I know Tiana has done several courses for fellow adoptees who are, you know, getting into poetry writing and I know you guys have done online events together and poetry readings and things, so make sure you are following Sarah and Tiana for sure.

Where can we connect with you online, Sarah?

**Sarah Audsley:** Sure. I have a website. It's SarahAudsley.com and SAudsley, so Saudsley on Instagram.

**Haley:** Perfect.

**Sarah Audsley:** Thank you so much for our conversation today. Thanks, Haley. Thanks for having me for all you do for the adoptee community.

**Haley:** I'm so excited that Sarah's book is our June adoptees only book club pick. We are recording that book Club event live on June 24th, and if you are a patron, you can join us. I hope you'll join us. Our co-host Sullivan Summer will be interviewing Sarah and many of our adoptee friends will be joining us as we discuss this tremendous poetry collection.

We have just announced some changes for the adoptees on Patreon community, and I'm really excited that we are gonna be having a new monthly event with direct access to some of your favorite adoptee therapists who have appeared on this podcast. If you have questions you'd like to submit to our therapists, you can join us at adopteeson.com/community, and there's a link to the Ask and Adoptee therapist form in Patreon.

Our first live event, if you're listening to this episode, when it goes live, is next Tuesday, June 6th, but we will be having these monthly a portion of them will be recorded and dropped into the adoptees off-script podcast feed. So even if you can't join us live, you will hear these therapists share their advice with us.

So I'm really thrilled that we can bring you this brand new resource. Okay. Join us for book club. Join us for Ask and Adoptee therapist. Thank you for listening to Adoptee Voices. Let's talk again next Friday.